Office of the Dead

The Office of the Dead is a prayer cycle of the Liturgy of the Hours in the Roman Catholic Church, said for the repose of the soul of a decedent. It is the proper reading on All Souls' Day (normally November 2) for all souls in Purgatory, and can be a votive office on other days when said for a particular decedent. The work is composed of different psalms, scripture, prayers and other parts, divided into The Office of Readings, Lauds, Daytime Prayer, and Vespers (with Compline taken from the Sunday hour of Compline).

Composition of the Current Office

The current office, according to the 2000 Liturgia Horarum (Liturgy of the Hours) editio typica altera (second typical edition) includes the normal cycle of a typical ferial office, namely an Office of Readings (Matins), Lauds, Daytime Prayer (Terce, Sext, or None), and Vespers. The final hour of Compline is taken from Sunday. The Office of Readings includes Psalms 40 [39]: 2-14, 17-18 (this psalm selection is split between verses 9 and 10 into two sections, to keep the character of threefold cycle of Psalms for the hour); and 42 [41]. These psalms are followed by two longer lessons which are variable and come from one of multiple options. Lauds includes Psalm 51 [50], the Canticle of Ezechias (Hezekiah) (verses 15-16 are not included), and Psalm 146 [145] or 150. These are followed by a short lesson, a responsory, the Benedictus and the preces. Daytime Prayer consists of Psalms 70 [69], 85 [84], and 86 [85]. These are followed by a short lesson and a versicle which vary depending on which of the little hours (Terce, Sext, or None) are being used for Daytime Prayer. Vespers includes Psalms 121 [120], 130 [129], and a canticle from Phil 2:6-11. This is followed by a short lesson, a responsory, the Magnificat, and the preces. The hour of Compline is taken from Sunday after Second Vespers.

The Pre-Vatican II Composition of the Office

This office, as it existed in the Roman Liturgy prior to the Second Vatican Council, was composed of First Vespers, Mass, Matins, and Lauds. The editor is not known, but the office as it existed before the reforms was no older than from 7th or 8th century. A well known refrain from the cycle is Timor mortis conturbat me, "The fear of death confounds me" or, more colloquially, "I am scared to death of dying". The word dirge comes from it.

The Vespers of the older office comprise Psalms 116.1–9 [114], 120 [119], 121 [120], 130 [129], and 138 [137], with the Magnificat and the preces. The Matins, composed like those of feast days, have three nocturns, each consisting of three psalms and three lessons; the Lauds, as usual, have three psalms (Psalms 63 [62] and 67 [66] united are counted as one) and a canticle (that of Ezechias), the three psalms Laudate, and the Benedictus. We shall speak presently of the Mass. The office differs in important points from the other offices of the Roman Liturgy. It has not the Little Hours, the Second Vespers, or the Compline. In this respect it resembles the ancient vigils, which began at eventide (First Vespers), continued during the night (Matins), and ended at the dawn (Lauds); Mass followed and terminated the vigil of the feast. The absence of the introduction, "Deus in adjutorium", of the hymns, absolution, blessings, and of the doxology in the psalms also recall ancient times, when these additions had not yet been made. The psalms are chosen not in their serial order, as in the Sunday Office or the Roman ferial Office, but because certain verses, which serve as antiphons, seem to allude to the state of the dead. The use of some of these psalms in the funeral service is of high antiquity, as appears from passages in St. Augustine and other writers of the fourth and fifth centuries. The lessons from Job, so suitable for the Office of the Dead, were also read in very early days at funeral services. The responses, too, deserve notice, especially the response "Libera me, Domine, de viis inferni qui portas æreas confregisti et visitasti inferum et dedisti eis lumen . . . qui erant in poenis . . . advenisti redemptor noster" etc. This is one of the few texts in the Roman Liturgy alluding to Christ's descent into hell. It is also a very ancient composition (see Cabrol, "La descente du Christ aux enfers" in "Rassegna Gregor.", May and June, 1909).

The "Libera me de morte æterna", which is found more complete in the ancient manuscripts, dates also from an early period (see Cabrol in "Dict. d'archéol. et de liturgie", s. v. Absoute). Mgr Batiffol remarks that it is not of Roman origin, but it is very ancient (Hist. du brév., 148). The distinctive character of the Mass, its various epistles, its tract, its offertory in the form of a prayer, the communion (like the offertory) with versicles, according to the ancient custom, and the sequence "Dies Iræ" (q.v.; concerning its author see also BURIAL), it is impossible to dwell upon here. The omission of the Alleluia, and the kiss of peace is also characteristic of this mass. There was a time when the Alleluia was one of the chants customary at funeral services (see Dict. d'archéol. et de liturgie, s. v. Alleluia, I, 1235). Later it was looked upon exclusively as a song of joy, and was omitted on days of penance (e.g. Lent and ember week), sometimes in Advent, and at all funeral ceremonies. It is replaced to-day by a tract. A treatise of the 8th-9th century published by Muratori (Liturg. Rom. vet., II, 391) shows that the Alleluia was then suppressed. The omission of the kiss of peace at the Mass is probably because that ceremony preceded the distribution of the Eucharist to the faithful and was a preparation for it, so, as communion is not given at the Mass for the Dead, the kiss of peace was suppressed.

Not to speak of the variety of ceremonies of the Mozarabic, Ambrosian, or Oriental liturgies, even in countries where the Roman liturgy prevailed, there were many variations. The lessons, the responses, and other formulæ were borrowed from various sources; certain Churches included in this office the Second Vespers and Complin; in other places, instead of the lessons of our Roman Ritual, they read St. Augustine, Proverbs, Ecclesiastes, Ecclesiasticus, Osee, Isaiah, Daniel, etc. The responses varied likewise; many examples may be found in Martène and the writers cited below in the bibliography. It is fortunate that the Roman Church preserved carefully and without notable change this office, which, like that of Holy Week, has retained for us in its archaic forms the memory and the atmosphere of a very ancient liturgy. The Mozarabic Liturgy possesses a very rich funeral ritual. Dom Férotin in his "Liber Ordinum" (pp. 107 sqq.) has published a ritual (probably the oldest extant), dating back possibly to the 7th century. He has also published a large number of votive masses of the dead. For the Ambrosian Liturgy, see Magistretti, "Manuale Ambrosianum", I (Milan, 1905), 67; for the Greek Ritual, see Burial, pp. 77–8.

History

The Office of the Dead has been attributed at times to St. Isidore, to St. Augustine, to St. Ambrose, and even to Origen. There is no foundation for these assertions. In its 20th century form, while it has some very ancient characteristics, it cannot be older than the 7th or even 8th century. Its authorship is discussed at length in the dissertation of Horatius de Turre. Some writers attribute it to Amalarius, others to Alcuin (see Pierre Batiffol, "Hist. du Brév.", 181-92; and for the opposing view, Bäumer-Biron, "Hist. du Brév.", II, 37). These opinions are more probable, but are not as yet very solidly established. Amalarius speaks of the Office of the Dead, but seems to imply that it existed before his time ("De Eccles. officiis", IV, xlii, in P. L., CV, 1238). He alludes to the "Agenda Mortuorum" contained in a sacramentary, but nothing leads us to believe that he was its author. Alcuin is also known for his activity in liturgical matters, and we owe certain liturgical compositions to him; but there is no reason for considering him the author of this office (see Cabrol in "Dict. d'archéol. et de liturgie", s. v. Alcuin). In the Gregorian Antiphonary we do find a mass and an office in agenda mortuorum, but it is admitted that this part is an addition; a fortiori this applies to the Gelasian. The Maurist editors of St. Gregory are inclined to attribute their composition to Albinus and Etienne of Liège (Microl., lx). But if it is impossible to trace the office and the mass in their actual form beyond the 9th or 8th century, it is notwithstanding certain that the prayers and a service for the dead existed long before that time. We find them in the 5th, 4th, and even in the 3rd and 2nd century. Pseudo-Dionysius, Sts. Gregory of Nyssa, Jerome, and Augustine, Tertullian, and the inscriptions in the catacombs afford a proof of this (see Burial, III, 76; PRAYERS FOR THE DEAD; Cabrol, "La prière pour les morts" in "Rev. d'apologétique", 15 September 1909, pp. 881–93).

Practice and obligation

The Office of the Dead was composed originally to satisfy private devotion to the dead, and at first had no official character. Even in the 11th, 12th, and 13th centuries, it was recited chiefly by the religious orders (the Cluniacs, Cistercians, Carthusians), like the Office of Our Lady (see Guyet, loc. cit., 465). Later it was prescribed for all clerics and became obligatory whenever a ferial office was celebrated. It has even been said that it was to remove the obligation of reciting it that the feasts of double and semi-double rite were multiplied, for it could be omitted on such days (Bäumer-Biron, op. cit., II, 198). The reformed Breviary of St. Pius V assigned the recitation of the Office of the Dead to the first free day in the month, the Mondays of Advent and Lent, to some vigils, and ember days. Even then it was not obligatory, for the Bull "Quod a nobis" of the same pope merely recommends it earnestly, like the Office of Our Lady and the Penitential Psalms, without imposing it as a duty (Van der Stappen, "Sacra Liturgia", I, Malines, 1898, p. 115). At the present time, it is obligatory on the clergy only on the feast of All Souls and in certain mortuary services. Some religious orders (Carthusians, Cistercians etc.) have preserved the custom of reciting it in choir on the days assigned by the Bull "Quod a nobis".

See also

• Placebo (at funeral)

External links

•  "Office of the Dead". Catholic Encyclopedia. New York: Robert Appleton Company. 1913. 
• A complete office of the dead from Google Books
• Hypertext Book of Hours - Contains the Western Office of the Dead.

 This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed (1913). Catholic Encyclopedia. Robert Appleton Company.