Ku Klux Klan regalia and insignia

[
Tishomingo County, Mississippi) Note that none actually wears white, nor pointed hoods.]

Origins of the Ku Klux Klan

The origins of the use of the costume are unclear. Although the organization has no relationship with Spain or Chinese, except to be anti-Catholic in the 20th century manifestation, the contemporary white gown with a cone hat follows the Spanish Roman Catholic "Nazareno" tradition. Such garments have been traditionally used in festivities such as Holy Week, symbolizing the act of penance. In Spain and its former colonies, the pointed hat is called "Capirote".

The KKK supposedly adopted elements of symbolism from the novels of Sir Walter Scott: for example, in the use of the fiery cross.

There are a number of explanations given as to what the white robe of the second Klan represents:

* The ghosts of the Confederate troops in the American Civil War.

* The white represents the white race, reflecting the racist ideals of the organization.

* The pointed hood also resembles that of a medieval executioner (although this was usually black, and that of grand inquisitor.)

* The red cross on the white costume, and the horse resembles that of Crusaders.

* The costume was similar in design to those worn by the Spanish Inquisition, with the exception of the hood.

* The white outfit may also be reflective of supposed Druid costume.

* A very similar costume was worn by Irish paramilitary groups during the period of British colonial rule in Ireland. It is possible they brought this costume to America.

This does not seem a likely influence, as most Irish immigration in the 19th century was to northern rather than southern states.

Some historians suggest Irish integration in the US occurred as a result of "Jumping on the bandwagon" and assuming anti-black attitudes (Noel Ignatiev: "How The Irish Became White", Routledge, 1995). More to the point, however, is that the Irish were poor and competing fiercely with African Americans for work and housing in major cities, as they were both at the bottom of the economy.

Development

The film "The Birth of a Nation" has been suggested as the model that stimulated adoption of elements of certain dress and regalia by the second KKK (the one that was founded in 1915). However, the film shows the Klansmen wearing a variety of costumes, and there is far less 'standardization'. For example, rather than the well-known conical hats, the film shows a number of Klansmen in what are effectively 'flat' hoods, with a pole sticking up.

Robes of the 19th century KKK were not necessarily white, but various colors. In the 20th c., the second KKK adopted white as the standard color.

Late 20th century manifestations of the KKK in small groups has meant a wider variation in robes. Some groups use colored robes for higher ranks.

Some Klans use all-white robes regardless of rank. For those that use robes of different colors most use:

Purple ------- Imperial Wizard

Green ------ Grand Dragon

Maroon ----- Great Titan

Black ------ Knighthawk (security)

The Knighthawk's black robe is usually shorter so as to allow easier movement.

Insignia

The M.I.O.A.K. (Mystic Insignia Of A Klansman) is a red, round patch worn over the left breast of a Klansmans robe.

It has a large "X" in the middle. If you look closely, you will note that the letter K can be seen in each corner of the "X". 4 K's for Knights of the Ku Klux Klan. In the 1970's, some klans tilted the MIOAK to make the X appear to be a cross. Most Klans no longer tilt the MIOAK and have gone back to wearing the MIOAK correctly, showing the "X".

* When the Klan was resurrected in the 1920's, (the 1st time a MIOAK was used) there was no blood drop in the center of the "X". It was a Yin and Yang symbol in the center of the "X". Either in the 1960's or 1970's, the Yin and Yang symbol was replaced with a blood drop to represent the blood spilled by Klansmen, for the white race.

Present day

The current organization has splintered, but a number of successor organizations use what is effectively similar costume. The major factions currently include the Imperial Klans of America, The Mississippi White Knights and the Knights of the White Camellia

Popular culture

The Ku Klux Klan costume has appeared in several modern day cultural references, some comical and others slightly more serious. Examples include:

* The character Eric Cartman in the TV series "South Park" appears to be dressed as a Klansman for Halloween when his principal makes a ghost costume with a pointed hood (Ironically, she does so to provide a replacement for Cartman's Hitler costume). One of the show's black characters, Chef (voiced by Isaac Hayes), later screams and runs away when seeing Cartman, prompting the response "Wow, Chef's really scared of ghosts, huh?".
* In a different episode of South Park, the people of South Park wear white robes with pointed hoods to try and scare off the 'rich people' (who are incidentally all black) by 'dressing as ghosts'. They also burn 'lower case letter Ts' in their gardens, which is supposed to stand for 'Time to leave'. This is an obvious reference to the KKK.
* In yet another episode of South Park, some "actual" KKK members make an appearance, stating their agreement on keeping the South Park flag (depicting four white people standing at a gallows where a black man is hanged) the way it is, whereas Chef wishes to see it changed. Later in the episode a Klan meeting is witnessed and infiltrated by Jimbo and Ned (who also wish to see the flag remain; not for racist reasons, but rather because it's part of the town's history), and Jimbo makes the clever observation that the KKK should change its standpoint to wanting to change the flag, since everybody hates them (which all members acknowledge) and that no one would be likely to pick the side the KKK would be on. After successfully deciding this, the KKK members play a game of "Who's wearing the silliest thing under his robes".
* The British science fiction program "The Tomorrow People" displayed an alien known as "The Spidron" whose white robes and hood strongly resembled those of a Ku Klux Klansman.
* The science fiction series "Quantum Leap" had the main character Sam Beckett encountering the KKK several times in his time travel journeys, and at least once becoming a Klansman himself and wearing the KKK robes.
* The mini-series "Roots" contains a scene where a Confederate veteran is shown inventing an early KKK robe by accidentally burning two holes in a cloth sack with a cigar.
* The film "The Klansman" features a young O.J. Simpson donning a KKK uniform to assassinate a KKK member.
* The film "Blazing Saddles" features Cleavon Little, the sheriff, and Gene Wilder, a gunslinger, posing as Klansmen in order to join the gang of villain Hedley Lamar. The joke is that Little is black, and Wilder is Jewish.
* The Austin Powers films regularly feature a Jerry Springer type show. In one instance, where the topic is "My father wants to take over the world", Dr. Evil sits beside a KKK robed guest.
* An episode of "The Simpsons" (episode 2F01, "Itchy and Scratchy Land") briefly featured a minor character known as Ku Klux Klam. Incidentally the Ku Klux Klan is also wearing white.
* "Scary Movie 3" featured a white rapper who puts up a jacket hood unintentionally in the style of a pointed KKK hood and flashes the Klan salute in a rap club where most of the people were black. They then threw him into the trash full of wonderbread.
* The film "O Brother, Where Art Thou?" contains a scene at a KKK rally. The characters played by George Clooney, Tim Blake Nelson, and John Turturro stumble across the rally, where their black companion earlier in the film is about to be lynched. Disguised as Klansmen, the men try to rescue the black man, but John Goodman, playing a Klansman with one blind eye (with a hood with one eyehole) smells them and rats them out. All four men escape after snapping the cables propping up the fiery cross, making it fall down on top of Goodman. The rally is depicted as a Busby Berkely-style choreography, while the scene is set similar to that of "The Wizard of Oz", with the Klansmen in the role of the Wicked Witch of the West's guard
* The April 15, 2006 episode of FOX's "MADtv" featured Jordan Peele playing Morgan Freeman pitching a show about himself growing up in Mississippi in the 1940s (styled after UPN's "Everybody Hates Chris"). We see young Morgan confronting Klansmen at his family's shack. After Morgan gives a stirring speech that moves the Klansmen, they conclude that "the colored boy has a presence," but proceed to burn down his house.
* Playwright Larry Shue's 1983 comedy "The Foreigner" revolves around Charlie, a shy Englishman, and his accidental discovery of a plot by local Klansmen to appropriate a young woman's inheritance money to fund their endeavors. As the Klansmen believe Charlie is a 'foreigner' from a non-English-speaking country, he becomes a secondary target of their criminal acts. The play climaxes in a showdown between Charlie and the Klansmen, who at this point are dressed in Klan regalia.
* The film "Forrest Gump" featured a man (played by Tom Hanks) named after Nathan Bedford Forrest, the first Grand Wizard of the KKK. The film shows Nathan Bedford Forrest riding a horse in Klan regalia.
* A scene from the Rock Opera "" contains Neo-Nazis dressed in regalia similar to both Nazis and the Ku Klux Klan.
* British sci-fi comedy "Red Dwarf"'s main character, Lister, wears kneepads with the KKK emblem (The White Camellia) on them. The irony is Lister is black.
* The 1989 film "Fletch Lives", which is about a journalist moving to the deep South to live in a recently inherited plantation manor, shows scenes with clansmen attempting to scare Fletch, Chevy Chase, off his property. Fletch wears a makeshift clan outfit made from bed sheets and joins in the groups' doings so he can figure out the underlying politics of the town he's just moved to.
* Dave Chappelle depicted a Klan leader who happened to be a blind black man who did not know he was black.

External links

* [http://www.historycooperative.org/cgi-bin/justtop.cgi?act=justtop&url=http://www.historycooperative.org/journals/jah/92.3/parsons.html Midnight Rangers: Costume and Performance in the Reconstruction-Era Ku Klux Klan]