- Adélaïde Labille-Guiard
Adélaïde Labille-Guiard (
April 11 ,1749 –April 24 ,1803 ) was a French history andportrait painter.Born in
Paris , the daughter of Monsieur Labille, ahaberdasher who owned a shop named 'A La Toilette' situated in the rue neuve des Petits Champs, where young Jeanne Bécu ( the futureMadame du Barry ) worked and became good friends with her. She studied miniature painting withFrançois-Elie Vincent and oils with his son François-André. Her early works were exhibited at theAcadémie de Saint-Luc , and after it closed in 1776, at theSalon de la Correspondance .She married Louis-Nicolas Guiard in 1769, but separated from him in 1777. Thereafter, she earned a living by teaching painting.On
May 31 ,1783 , Labille-Guiard was accepted as a member of the French "Académie Royale de Peinture et de Sculpture ". Three other women, including Marie Louise Élisabeth Vigée-Le Brun, were admitted as members on the same day, with some consternation on the part of some of the male members. The acceptance of the women together created a comparison among their works rather than to the works of the established members, easing the concerns of the old members.in 1785, was influenced by Vigée-Le Brun's style. The artwork of Adélaïde Labille-Guiard now is being considered of more equal value.
Patronage by the aunt of
Louis XVI of France , the princess Marie Adélaïde, gained Labille-Guiard a governmentpension of 1,000 livres, and commissions to paint Adélaïde, her sister Victoire-Louise, and Élisabeth, the king's sister. The portrait of Adélaïde, exhibited in 1787, was Labille-Guiard's largest and most ambitious work to that date. In 1788 she was commissioned by the king's brother, theCount of Provence (laterLouis XVIII of France ), to paint him at the centre of a large historical work, "Réception d'un chevalier de Saint-Lazare par Monsieur, Grand maître de l'ordre".of 1789. In 1793 she was ordered to destroy some of her royalist works, including the unfinished commission for the Count of Provence.
She was far from conservative, however, in the early 1790s she campaigned for the Academy to be opened up to the general admission of women. At the Salon of 1791 she exhibited portraits of members of the National Assembly, including
Maximilien Robespierre andArmand, duc d'Aiguillon .In 1793 she and her first husband, from whom she separated in 1777, were divorced. In 1795 she obtained artist's lodging at the
Louvre and a new pension of 2,000 livres. She continued to exhibit portraits at the Salon until 1800. On June 8, 1799, she married her teacher,François-André Vincent , signing some of her paintings "Madame Vincent". She died onApril 24 ,1803 .The
Getty Museum ,Harvard University Art Museums , theHonolulu Academy of Arts ,Kimbell Art Museum (Fort Worth, Texas), theLos Angeles County Museum of Art , theLouvre , theMetropolitan Museum of Art , theNational Gallery of Art (Washington D.C.), theNational Museum in Warsaw , theNational Museum of Women in the Arts (Washington D.C.)] , theSpeed Art Museum (Kentucky) andVersailles are among the public collections holding works by Adélaïde Labille-Guiard.External links
* [http://www.ladyreading.net/labille-guiard/home.html The art of Adélaïde Labille-Guiard]
* [http://www.siefar.org/DictionnaireSIEFAR/SFLabille-Guiard.html Biography of Adélaïde Labille-Guiard] from the [http://www.siefar.org/ Société Internationale pour l'Étude des Femmes de l'Ancien Régime]
* [http://www.pastellists.com Neil Jeffares, Dictionary of pastellists before 1800, online edition]
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