Arri

Infobox_Company
company_name = Arnold and Richter Cine Technik (A&R)
company_
company_type = Private
foundation = 1917
location = Munich, Germany
key_people = August Arnold,
Robert Richter, Founders
revenue = profit$214.0 million USD (Last Reported 2004)
num_employees = 1058 (2004)
industry = Motion picture equipment
products = Movie cameras
Film lights
Arrilaser
Arriscan
homepage = [http://www.arri.com/ www.arri.com]

The Arri Group has been the largest world wide supplier of high quality motion picture film equipment since 1917. Arri, named after founders August Arnold and Robert Richter, is the largest manufacturer of professional motion picture equipment, film cameras (16, 35, and 65/70 mm) and cinematic lighting equipment in the world. [ [http://www.amiaconference.com/2007/vendor_arri.htm AMIA 2007] ] In recent years they have expanded into post-production equipment with the Arrilaser, and in 2000 purchased Moviecam to refine their new camera platform Arricam. In 1937 the Arri Group introduced the world's first reflex mirror shutter in the Arriflex 35 camera, an invention of their longtime engineer Erich Kaestner. This technology employs a rotating mirror that allows a continuous motor to operate the camera while providing parallax-free reflex viewing to the operator, and the ability to focus the image by eye through the viewfinder, much like an SLR camera for still photography. This technology is still employed today in almost every motion picture camera. [ [http://www.goethe.de/kue/flm/thm/idd/en1579542.htm Goethe Institute, "Motion picture technology made in Germany"] ] .

Arri also specialized in manufacturing light-weight and portable cameras for both news and war photography, as well as feature film production in the 1960's which saw an increase in shooting on location rather than in a studio. The introduction of the Arriflex-16ST camera revolutionized the 16 mm format as a cheaper news-gathering and television medium, and the Arriflex-35BL provided a lightweight alternative to the rather heavy and cumbersome blimped cameras of the time. While Arri manufactures and designs its own motion picture cameras, lenses are supplied by the Carl Zeiss group, unlike its rival Panavision which manufactures both its own cameras and lenses for exclusive use with each other. Arri's relationship with Panavision is somewhat unique, as Panavision is both Arri's largest rival (as an equipment manufacturer) and largest customer (as a camera rental house).

Arri has recently developed the Arriflex D-20 high definition camera. The camera uses a 35 mm CMOS sensor (instead of CCD) to allow cinematographers to utilize standard 35 mm lenses. [ [http://www.arri.com/prod/cam/d_20/d_20.htm Arriflex D-20 picture and description] ] Other recent products of note include the Arriflex 235, a compact 35 mm camera; the Master Prime lens series; the Ultra 8R, an 8 mm rectilinear lens; Arrimax, an HMI light which can use 18 kW or 12 kW bulbs; and the Arriflex 416, a 16 mm camera optimized for high-end production.

Notes

Camera lines

*Kinarri 35 (1924)
*Kinarri 16 (1928)
*Arriflex 35 (1937)
*Arriflex 35II (1946)
*Arriflex 16ST (1952)
*Arriflex 16M (1962)
*Arriflex 16BL (1965)
*Arritechno 35 (1971)
*Arriflex 35BL (1972)
*Arriflex 16SR (1975)
*Arriflex 35III (1979)
*Arriflex 765 (1989)
*Arriflex 535 (1990)
*Arriflex 435 (1995)
*Arricam (2000)
*Arriflex 235 (2004)
*Arriflex D-20 (2005)
*Arriflex 416 (2006)

ee also

*Arri bayonet
*Arri PL
*Arri standard
*Carl Zeiss
*Panavision

External links

* [http://www.arri.com/ Corporate Website]
* [http://cinematechnic.com/resources/index.html Arri's cameras histories in CinemaTechnic website]