San Martín Pajapan Monument 1

San Martín Pajapan Monument 1

San Martín Pajapan Monument 1 is a large Olmec basalt sculpture found on top of the San Martin Pajapan volcano, in the Tuxtla Mountains of the Mexican state of Veracruz. It is notable for its original location and its Olmec iconography.

Description

Likely carved during the Early Formative period, before 1000 BCE, the 1.4 m (5.5 ft) high statue shows a crouching young lord. Caught in the act of raising a large ceremonial bar, his right hand is under one end and his left over the other end. This pose, nearly identical to that of the "twins" at El Azuzul, is thought to represent a ruler or shaman (or both) shown in the ritual act of raising the Mesoamerican world tree or axis mundi, an act that establishes the center of the world and connects the earthly plane with the worlds above and below. [Pool, p. 118-119 and 143.]

The plump face is proto-typically Olmec, with "no attempt to represent individuality". [Fuente, p. 162.]

The young lord wears a huge boxy headdress, the front of which is covered with what is apparently a mask. [Diehl, p. 123, or Markham & Markham, p. 20.] The mask shows the cleft head, the almond eyes, and the downturned mouth characteristic of the Olmec were-jaguar supernatural, implying that the human had become, or was acting under the authority and/or the protection of, the supernatural. [Fuente, p. 162, who refers further to an 1977 publication of hers.]

Plumes flow backward along the sides of the headdress. From its top, vegetation – perhaps maize – is sprouting. This were-jaguar mask is identified with the Olmec rain god, [Markham and Markham, p. 20.] and the iconography and the location of the statue reflect the widespread Mesoamerican belief in mountaintops as the dwelling of rain gods. [Pool, p. 123.]

Archaeological discovery

in their expedition of 1925. [Blom and La Farge.] Located on a platform or "level" in the saddle between the two highest peaks of volcano's crater rim, [Blom and La Farge, p. 46.] the statue was found surrounded by broken offering vessels, jade offerings, and numerous other objects, dating from ancient times to the 20th century, indicating it had been an object of veneration for millennia. [Diehl, p. 81.] These offerings and the statue itself served to identify the San Martin Pajapan mountaintop as a sacred landscape. [Pool, p. 123.]

Although well preserved, the face had been particularly ravaged, perhaps intentionally. [Fuente, p. 162.] The statue was further damaged in 1897, when Loya broke off part of the arms trying to move it. [Blom & LaFarge, p. 45.] The statue, except for the face, has since largely been been restored.

In 1929, Marshall Seville, from the Museum of the American Indian in New York, associated the statue with other unattributed artifacts in various collections, based on stylistic similarities and a common iconography. Since it was unlikely the statue had been moved far since its original site, Seville proposed that this "Olmec" artistic style (as he referred to it) originated in southern Veracruz. [Coe, p. 42.]

The monument is presently on display at the Museo de Antropología de Xalapa in Veracruz.

Notes

References

*nbsp|2 cite book |author=aut|Coe, Michael D.|authorlink=Michael D. Coe|year=1968|title=America's First Civilization, Discovering the Olmec|publisher=Van Nostrand
*nbsp|2 aut|Blom, Frans; aut|La Farge; Oliver (1926) "Tribes and Temples: A Record of the Expedition to Middle America Conducted by the Tulane University of Louisiana in 1925", Tulane University, ISBN 0-939238-02-0
*nbsp|2 cite book |author=aut|Diehl, Richard A. |year=2004 |title=The Olmecs: America's First Civilization |publisher=Thames and Hudson |location=London |isbn=0-500-02119-8
*nbsp|2 aut|Fuentes, Beatriz de la (1996) "San Martín Pajapan Monument 1 - Crouching Figure with Headdress and Ceremonial Bar", in "Olmec Art of Ancient Mexico", eds. E. P. Benson and B. de la Fuente, National Gallery of Art, Washington D.C., ISBN 0-89468-250-4, pp. 162-163.
*nbsp|2 cite book|author=aut|Markman, Roberta H. and Peter T. Markham|year=1989|title= [http://ark.cdlib.org/ark:/13030/ft7x0nb536/ Masks of the Spirit: Image and Metaphor in Mesoamerica] |location=Berkeley|publisher= University of California Press
*nbsp|2 cite book |author=aut|Pool, Christopher A. |year=2007 |title=Olmec Archaeology and Early Mesoamerica|location=Cambridge|publisher=Cambridge University Press|isbn=978-0-521-78882-3

External links

* [http://www.mesoweb.com/olmec/publications/Blom&LaFarge.html Excerpts from Blom & LaFarge's "Tribes and Temples"] at [http://www.mesoweb.com Mesoweb] .


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