- Alegret
Alegret was a
Gascon troubadour , one of the earliest lyric satirists in the Occitan tongue, and a contemporary ofMarcabru (fl. c. 1145).Léglu, 48.] One "sirventes " and one "canso" survive of his poems. Nonetheless, his reputation was high enough that he found his way into the poetry ofBernart de Ventadorn andRaimbaut d'Aurenga .Gaunt and Kay, 279.] The work of Alegret is also intertextually and stylistically related to that ofPeire d'Alvernhe .Alegret was also one of the first troubadours to employ the
feudal metaphor to describecourtly love . He describes his relationship to his "domna" (lady) as that of vassalage by calling himself her "endomenjatz" (basically, vassal or liegeman).Paterson, 31.] Pelligrini saw this passage as imitating Bernart de Ventadorn, considered the master of this metaphor:Marcabru parodied the structure of Alegret's "Ara pareisson li'aubre sec" in his own poem "Bel m'es quan la rana chanta".Gaunt, "Did Marcabru Know the Tristan Legend?", 110.] In his typically moralising tone he accuses of Alegret of being a flatterer who cuckolds his lord. Alegret is implicitly compared to theTristan of legend for he wears "la blancha camiza" (the white shirt symbolising a sexual relationship). In his own work Alegret criticses "marritz drutz" (faithless husbands), but primarily, likeCercamon , because they encourage promiscuity in women.Gaunt, "Marginal men, Marcabru and orthodoxy: the early troubadours and adultery", 65.]Works in translation
* [http://colecizj.easyvserver.com/poaleais.htm "Aissi cum selh qu'es vencutz" ("Just as the one who's beat")] , translated by James H. Donalson (2005)
* [http://colecizj.easyvserver.com/poaleara.htm "Ara pareisson ll'aubre sec" ("Now all the trees appear dried up")] , translated by James H. Donalson (2005)Notes
ources
*Gaunt, Simon, and Kay, Sarah. "Appendix I: Major Troubadours" (pp. 279–291). The Troubadours: An Introduction. Simon Gaunt and Sarah Kay, edd. Cambridge: Cambridge University Press, 1999. ISBN 0 521 57473 0.
*Gaunt, Simon B. "Did Marcabru Know the Tristan Legend?". "Medium aevum", 55 (1986) pp. 108–113.
*Gaunt, Simon B. "Marginal men, Marcabru and orthodoxy: the early troubadours and adultery". "Medium aevum", 59 (1990) pp. 55–72.
*Léglu, Catherine. "Moral and satirical poetry". The Troubadours: An Introduction. Simon Gaunt and Sarah Kay, edd. Cambridge: Cambridge University Press, 1999. ISBN 0 521 57473 0.
*Paterson, Linda M. "The World of the Troubadours: Medieval Occitan Society, c. 1100–c. 1300". Cambridge: Cambridge University Press, 1993. ISBN 0 521 55832 8.
*Van Vleck, Amelia E. [http://ark.cdlib.org/ark:/13030/ft358004pc/ "Memory and Re-Creation in Troubadour Lyric".] Berkeley: University of California Press, 1991.
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