The Now

Infobox musical artist | Img_size =
Landscape =
Background = group_or_band
Birth_name =
Alias =
Born =
Name = The Now

---

Img_capt = The Now at The Roxy, London, 1977
Died =
Origin = Peterborough, England
Instrument =
Genre = Punk rock Punk
Occupation =
Years_active = 1976 – 1979 2005 - Present
Label = Ultimate Records Raw Records Last Years Youth Damaged Goods
Associated_acts =
URL = [http://www.the-now.com/ The Now Official Website]
Current_members = Mike McGuire Steve Rolls Joe MacColl Faz Farrow
Past_members = Steve Quinney Paul Wicks (aka Dangerous Dip / Mysterious Dip) Nigel Davis Tommy Tomlinson
Notable_instruments =

The Now are a late 1970s English punk rock group from Peterborough, England. Whilst never officially disbanding, they ceased recording and performing in 1979. In 2004, The Now recorded all of their original material and released as the classic Fuzztone Fizzadelic album in 2005 on the Damaged Goods record label.

Career

The Now, Peterborough's first punk rock band, formed late in 1976. Founded by Mike McGuire and Steve Rolls. Mike and Steve were at the time performing with The Faderz, who had only existed for a few months, before they had hooked into the London Punk scene in 1976. Joe MacColl and Paul Wicks (aka The Dangerous Dip or occasionally The Mysterious Dip) were recruited immediately to form The Now. Early gigs were self organised affairs, notably at the Peterborough Marcus Garvey Club. A community club, mainly catering for the city's West Indian community. Such gigs were usually with local reggae artists such as The Legions, any punk band who would dare come out of London (or other major cities), such as 999, The Killjoys and Eater, as well as new local punk bands such as Heavy Manners. This was a great challenge for The Now since putting Punk Rock into an East Anglian provincial environment (where there already existed a time warp sensibility), caused a lot of friction at that time. During this time The Dangerous Dip was replaced on the bass guitar by Faz Farrow. The Now were managed by Allen Adams who later went on to form the band The Destructors and later Destructors 666.

The Now were far removed from what is traditionally known as 123 ‘Punk’ thrash. With intelligent songs, political lyrics and a real sense of small town frustration and anger The Now were unique. This was real urban punk rock, devoid of big city trends, tolerance and fashion. The Now played many gigs, and could often be found playing those early, then famous, London venues such as Roxy Club and The Vortex clubs in London.

The Now released two singles ‘Development Corporations’ / 'Why' on Ultimate Records in November 1977 and a deal with Lee Wood's Raw Records signed in mid-'78 produced two songs, 'Into The 80's' and 9 'O' Clock (actually recorded for Raw in late '77) which were re-mixed and scheduled for March 23rd release. This 7" single was delayed due to economic problems which would soon force the Cambridge based label to close down. When it eventually emerged on November 30, only 800 copies were pressed, with at least half of these being destroyed in a fire at Raw's warehouse. Both singles were, in the main, well received. The first single, Development Corporations, reached number 4 in the Sounds alternative chart and number 2 in the Time Out chart in 1977.

Around this time, The Now, went their own ways through mutual consent. In 2002 there was a great deal of interest around the original singles, particularly in Europe. As a result, a German record company, Last Years Youth, duly re-released both singles, containing a couple of previously unreleased versions of the original songs. It was a logical progression (albeit unusual) to use this exposure as an opportunity to record and release a definitive version of all of the early songs written by The Now. Fuzztone Fizzadelic was recorded during 2004 by the four original members of The Now, representing their original set list, as performed in 1977. In true punk rock style The Now rehearsed for 3 hours and had just 2 (short) days in the studio for recording and mixing. 27 years between writing and recording must be some sort of record. Fuzztone Fizzadelic was released in 2005.

Discography

Albums

* Fuzztone Fizzadelic. CD. (Damaged Goods, August 2005)

ingles

* Development Corporations / Why? (Ultimate Records, ULT401, 1977)
* Development Corporations / Why? (Ultimate Records, ULT401-A, 1977, Blue Vinyl)
* 9 O Clock / Into The 80's (Raw Records, RAW31, 1978)
* 9 O Clock / Into the 80's (Re-distributed under Last Years Youth Records (LAST 1, 2000) Limited Edition of 500
* Development Corporations / Why / Development Corporations (Live In The Studio Mix) (Last Years Youth, LAST 11, 2002) Limited Edition of 500
* Into The 80's / 9 O Clock Live In The Studio Mix) / Into The Eighties Live In The Studio Mix) (Last Years Youth, LAST 12, 2002) Limited Edition of 500

Compilations

* Here Come The Now. CD. Japanese Release (Wizard in Vinyl, June 2005) - Best of Compilation (includes Singles + Live Sessions) Limited Edition 1000. 500 in Red Vinyl
* Here Come The Now. LP. German Release (Last Years Youth, June 2005) - Best of Compilation (includes '79 Recordings)
* Oh No! It's More From Raw. CD (2003)
* Don't You Know It's ......Last years Youth! CD. Japanese Release(Wizzard In Vinyl, WIV039, 2005) contains Into The 80's. 9 O Clock and Development Corporations.

Reviews

* 'A primitive but wonderful single from a criminally underrated D.I.Y. Punk band from Peterborough. This sounds like the Desperate Bicycles, and is a very simple, but effective protest song about a subject that should be dear to your hearts. And fuzztone fizzedelic guitar! You need more?' [ Jon Savage, Sounds, Nov 5]

* 'It sounds like the rough first cassette of two really good songs from a Peterborough punk band. Usual '77 cynicism, plus (skeleton) Sex Pistols style melodic strength. I like it. Try and hear it". [ Vivien Goldman, Sounds, Nov 12 ]

* 'Amateur to the point of severe embarrassment' [ Ian Birch, Melody Maker, Nov 5 ]

* 'Well-intentioned identipunk. For specialists only' [ Charles Shaar Murray, NME, Nov 19 ]
* 'Even though the sound is strictly garage production level, the songs too long, and the sleeve packaging mateurish in the most boring way, this is worth checking out. 'Why?' has an intro reminiscent of an old Velvet Underground tune (you decide which one), then bursts into one of the most anguished, bewildered cries at life's futility I've ever heard' [ Chris D., Slash Apr 12 ]

Further reading

Paul Marko (2007) "The Roxy London WC2 - A Punk History", with foreword by TV Smith of The Adverts, Punk77 Books, ISBN 13: 978-0-9556583-0-3.

External links

* http://www.punk77.co.uk/groups/now.htm
* http://www.roxyclub77.co.uk/pages/book.htm

ee also

* List of musicians in the first wave of punk music

References