The Armies of the Night

"The Armies of the Night" (1968) is a Pulitzer Prizecite web | title = Pulitzer Prize Winners: General Non-Fiction | work = | publisher =pulitzer.org | date = | url =http://www.pulitzer.org/ | format =web | doi = | accessdate = 2008-02-28 ] and National Book Award-winning nonfiction novel written by Norman Mailer and sub-titled "History as a Novel/The Novel as History". Mailer essentially creates his own genre for the narrative, split into historicized and novelized accounts of the October 1967 March on the Pentagon. Mailer's unique rendition of the non-fiction novel was one of only a few at the time, and received the most critical attention. "In Cold Blood" (1965) by Truman Capote and "" (1966) by Hunter S. Thompson had already been published, and three months later Tom Wolfe would contribute "The Electric Kool-Aid Acid Test" (1968).

The book deals ostensibly with the March on the Pentagon (the October 1967 anti-Vietnam War rally in Washington DC). While Mailer dips into familiar territory in his fiction -- self-portrait -- the outlandish, third person account of himself along with self-descriptions such as a Novelist/Historian, anti-star/hero are made far more complex by the narrative's overall generic identification as a nonfiction novel. Two years before Armies was published, Truman Capote, who had just been called by George Plimpton (among others) the "inventor" of the nonfiction novel, claimed that the genre should exclude any mention of its subjectivity and refrain from the first person. While to some extent satirizing Capote's model, Mailer's role in center stage is hardly self-glamorizing as the narrative recounts the events leading up to the March as well as his subsequent arrest and night in jail. The first section, "History as a Novel," begins "From the outset, let us bring you news of your protagonist," with an account made by "Time" about: "Washington's scruffy Ambassador Theater, normally a pad for psychedelic frolics, was the scene of an unscheduled scatological solo last week in support of the peace demonstrations. Its anti-star was author Norman Mailer, who proved even less prepared to explain Why Are We In Vietnam? than his current novel bearing that title." After citing the entire article, Mailer then closes "1: Pen Pals" with "Now we may leave "Time" in order to find out what happened." What creates the difference between Mailer's example and Capote's is not only the autobiography of "Armies", but the irony which guides the narrator towards the same objective of empiricism as that of "In Cold Blood". The non-conformity which Mailer exhibits to Capote's criterion was the beginning of a feud that never resolved between the authors, and was ended with Capote's death in 1984. Ultimately, "Armies" was a unique contribution to the newly founded genre, which was otherwise somewhat preoccupied by Tom Wolfe's theories of the new journalism. A departure from Capote's more journalistic example of the form, "Armies" suggests the historical value of a more contemporary mode of literature.

The year of its publication, 1968, Mailer would begin work on another project, Miami and the Siege of Chicago, after witnessing the Republican and Democratic National Conventions that year. Mailer's recounting, though quite different in terms of his self-portrait, takes on a comparable rhetoric approach to evoking what he saw as historical underpinnings.

List of references to famous people in the book

* H. Rap Brown
* William Sloane Coffin
* Ella Collins
* John Mellot
* Noam Chomsky
* David Dellinger
* Paul Goodman (writer)
* The Fugs
* Abbie Hoffman
* Lyndon B. Johnson
* Tuli Kupferberg
* Nelson Algren
* Robert Lowell
* Sidney Lens
* Dwight Macdonald
* A.J. Muste
* Robert Nichols
* Dr. Benjamin Spock
* Dagmar Wilson
* MC5
* Cassius Clay
* Mitchell Goodman

List of references to other books in the book

* "All the King's Men"
* "A Primer on Money, Banking, and Gold"
* "The White Negro"
* "Why Are We in Vietnam?"
* "The Naked and the Dead"

References

ee also

* CORE
* Sixties
* SNCC
* War in Vietnam
* The Fugs