- Jae Won Lee
Jae Won Lee is a
Korean American ceramicsculptor living and working inMichigan , US. She received her Master of Fine Arts from the New York State College of Ceramics atAlfred University in 1995 and is currently an Associate Professor of Ceramics atMichigan State University inEast Lansing , Michigan. She hand-buildsporcelain and uses other materials such as paper and hair. Much of Lee’s work is derived from an isolation that is created by her trans-cultural identity of bothKorea and theUS .Lee’s works serve as a means to express and internally reconcile her two dichotomous cultural worlds.cite journal|author=Lee, J W|title=Jane Hartsook Gallery, Greenwich House Pottery, New York; exhibit|journal=Ceramics Monthly|volume=45|month=March|year=1997|issue=22] Being Korean, but living in the US, she finds that neither place is her
home . Lee says that her “…sense of ‘home’ is a spectrum ofemotions …of yearning forbelonging ,wholeness , androotedness .” The possibility that these two worlds might coexist is embedded deeply in her work. To her, “…art is a reflection of thehuman experience.”Lee’s work is
meditative in both the ways it is made and conceived. Her journal is an essential part of her creative process. cite journal|author=Jae Won Lee|title=Jae Won Lee|journal=The Studio Potter|issue=4|month=December|year=2005|pahes=15–17] For her, writing is a solitary act of contemplation that distills her ideas to the most essential forms. The same applies in her studio life; working is a solitary act. The obsessive nature of her work, especially with making multiples, creates a meditative space that is vital in her work. The effect is forms like hundreds of bundles of tiny needles--like porcelain coils or a row of wafer-thinporcelain discs. Her forms are reduced to the “ultimate necessities” and hark back tominimalist andformalis t work. The reductive nature of her work makes important every undulation, the subtle variation, and the “slightest twitch in thenervous system ." [ Craig, Gerry, “Intangible Landscape” Sculpture v 25 (January/February 2006) 50-51]References
Bibliography
*Craig, Gerry, “Intangible Landscape” Sculpture v 25 (January/February 2006) 50-51
*Jae Won Lee, “Jae Won Lee” The Studio Potter v 34(December 2005) 15-17
*Lee, J W [Jane Hartsook Gallery,Greenwich House Pottery , New Your; exhibit] . Ceramics Monthly v 45 (March 1997) 22External links
* [http://www.art.msu.edu/?page_id=12] http://www.art.msu.edu/?page_id=12
* [http://www.art.msu.edu/?page_id=76] http://www.art.msu.edu/?page_id=76
* [http://www.secondstreetgallery.org/exhibitions/jae_won_lee-blake_williams.html] http://www.secondstreetgallery.org/exhibitions/jae_won_lee-blake_williams.html
* [http://clay.alfred.edu/gradslides/1995/lee1995/index.htm] http://clay.alfred.edu/gradslides/1995/lee1995/index.htm
* [http://www.greenwichhousepottery.org/index.asp?reloc=/events/index.asp] http://www.greenwichhousepottery.org/index.asp?reloc=/events/index.asp
* [http://sunsite.utk.edu/ewing_gallery/individual_exhibitions_pages/2004/04_reflections/04_reflections.html] http://sunsite.utk.edu/ewing_gallery/individual_exhibitions_pages/2004/04_reflections/04_reflections.html
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