Saraband

For the Baroque dance and its corresponding musical form, see Sarabande. For the 1948 film, see Saraband for Dead Lovers.

Saraband
Swedish release poster
Directed by	Ingmar Bergman
Written by	Ingmar Bergman Bruno Priani
Starring	Liv Ullmann Erland Josephson Börje Ahlstedt Julia Dufvenius Gunnel Fred
Cinematography	Stefan Eriksson Jesper Holmström Per-Olof Lantto Sofi Stridh Raymond Wemmenlöv
Editing by	Sylvia Ingemarsson
Distributed by	Sveriges Television (Sweden) Sony Pictures Classics
Release date(s)	December 1, 2003 (2003-12-01) (Sweden) January 4, 2004 (2004-01-04) (Finland) July 10, 2004 (2004-07-10) (Italy) July 30, 2004 (2004-07-30) (Germany) October 15, 2004 (2004-10-15) (New York)
Running time	120 minutes (Argentina) 107 minutes (HK/UK/Singapore) 220 minutes (Swedish TV)
Country	Sweden Italy Germany Finland Denmark Austria
Language	Swedish English German
Box office	$975,181[1]

Saraband is a 2003 Swedish drama film directed by Ingmar Bergman, and his last theatrically released work. The film is a sequel to Bergman's Scenes from a Marriage (1973), bringing back to the screen the characters of Johan and Marianne. In July 2005, it was released theatrically in the United States with subtitles in English.

The film is a co-production of Sweden, Italy, Germany, Finland, Denmark, and Austria.

Plot

The film is structured around ten acts with a prologue and epilogue.

It opens with the camera on Marianne standing by a table covered with photographs. It is a well-lit room, and she addresses the viewer. She picks one picture up after another; they are in no particular order, being just heaped all over the table. Some make her smile, or elicit a comment or a sigh. But then she picks up a photograph of her husband, prompting her to reminisce about how they had been more or less happy, and how they'd broken up. She goes on to recall how his second marriage failed, while she was already married to a second husband herself, and then when her second husband died (by flying a plane off somewhere and disappearing), she reflects that it would be nice to see her first husband again.

Marianne travels into the country to the home of her ex-husband, and father of her daughters Martha and Sara, Johan. Johan is undergoing a family crisis with his insolvent and needy son, Henrik, and granddaughter, Karin. Karin is 19, and Henrik asks Johan for an advance on his inheritance so that Henrik can buy Karin an old Fagnola cello, to make a better impression at the audition for the European music conservatory. The elderly Johan decides to consider the offer and to contact the cello dealer himself. While Henrik is away tending to the orchestra he conducts in Uppsala, Johan has a private meeting with Karin, informing her of a proposal from Ivan Chablov, head conductor in the St. Petersburg orchestra and an old friend of Johan, that Karin join him at the prestigious Sibelius Academy in Helsinki.

While considering this offer Karin also finds an old letter from her departed mother Anna written to Henrik a week before her death. In the letter, Anna asks Henrik to relieve Karin of the unhealthy control he holds over her as her cello teacher. When Henrik encounters Karin again upon his return from Uppsala, where he no longer holds a position as concertmaster, he attempts to convince Karin into performing a concert of Bach's Cello Suites with him. She finally confronts him about his control over her and tells him of her decision to take an opportunity to study with her friend Emma in Hamburg under Claudio Abbado. The final request by Henrik is that Karin play the sarabande from Bach's 5th Cello Suite, which she already knows.

We encounter Marianne and Johan some time later, after Karin has already left for Hamburg. Marianne receives a phone call stating that Henrik has been found in the hospital having attempted suicide with pills and by cutting his wrists and throat. In the next scene a pained Johan suffering from a sort of anxiety attack seeks out Marianne and eventually disrobes along with her and joins her in bed. Next, Marianne is holding a still of the couple in bed and explaining what happened after that episode. She explains how she and Johan had kept in contact until one day she was no longer able to reach him. She thinks again of the departed Anna and recollects a visit to her ill daughter Martha. She explains the contact she shared with her daughter and how she had never really been able to touch her before this moment.

Cast

• Liv Ullmann – Marianne
• Erland Josephson – Johan
• Börje Ahlstedt – Henrik
• Julia Dufvenius – Karin
• Gunnel Fred – Martha

Reception

It currently holds a 94% 'Fresh' rating on review aggregate website Rotten Tomatoes, with the consensus "If Saraband appears to be a minor entry in Ingmar Bergman's filmography, it's still an accomplished piece of work from one of cinema's greatest masters."^[2]

References

1. ^ Saraband at Box Office Mojo
2. ^ Saraband at Rotten Tomatoes

External links

• Saraband at the Internet Movie Database
• Saraband at Box Office Mojo
• Saraband at Rotten Tomatoes
• Saraband at Metacritic