The Gravediggers

The Gravediggers (or Clowns) are examples of Shakespearean fools (also known as clowns or jesters), a recurring type of character in Shakespeare's plays. Like most Shakespearean fools, the Gravediggers are peasants or commoners that use their great wit and intellect to get the better of their superiors, other people of higher social status, and each other.

The Gravediggers appear briefly in Shakespeare's tragedy Hamlet, making their one and only appearance at the beginning of Act v, Scene i. They are first encountered as they are digging a grave for the newly deceased Ophelia, discussing whether she deserves a Christian burial after having taken her own life. Soon, Hamlet enters and engages in a quick dialog with the first Gravedigger. The beat ends with Hamlet's soliloquies regarding the circle of life prompted by his discovery of the skull of his beloved jester, Yorick.

Detailed Summary

The penultimate scene of the play begins with the two clowns digging a grave for the late Ophelia. They debate whether she should be allowed to have a Christian burial, because she committed suicide. This quickly leads them into a discussion of the impact of politics on the decision, and the two parody lawyer speech. They present Ophelia's case from both positions: if she jumped into the water, then she killed herself, but if the water effectively jumped on her, then she did not. The First Gravedigger laments the fact that the wealthy have more freedom to commit suicide than the poor.

The pair get off the subject of suicide almost as quickly as they began it, however, and soon begin the more witty section of their scene. The First Gravedigger begins to goad and test the Second, beginning by confusing him with the double meaning of the word "arms" (as in weapons and appendages). The dialogue between the two ends when the First Gravedigger is unsatisfied by the answer to the riddle "What is he that builds stronger than either the mason, the shipwright, or the carpenter?" (V.i.39-40) that the Second Gravedigger gives, and consequently sends him off to bring back alcohol.

The Second Gravedigger exits as Hamlet and Horatio enter, and the First Gravedigger begins to sing a song on the topics of love and graves as he digs. He throws a skull (and later a second) up and out of the grave. Hamlet then talks to Horatio about how inappropriate it is to treat what used to be someone's, and possibly an important someone's, body in such a way. He decides to ask the Gravedigger whose grave he is digging, but the Gravedigger will not reveal the answer without another witty exchange.

Soon, it is revealed that the Gravedigger has been digging graves since the day Hamlet was born. The two then briefly discus Hamlet's insanity (which they are able to do because the real Hamlet is in disguise). It is shortly thereafter that the Gravedigger points out a skull that used to belong to the Yorick, the king's jester and Hamlet's caretaker. Hamlet asks if this could really be so, and the Gravedigger responds with, "E'en that," (V.i.159), marking his last line in the play.

Jokes

When together, the Gravediggers speak mainly in riddles and witty banter regarding death, with the first asking the questions and the second answering.

Gravedigger
What is he that builds stronger than either the mason, the
shipwright, or the carpenter? Other
The gallows-maker, for that frame outlives a thousand
tenants. (V.i., 38-41)

And later in the scene:

Gravedigger
And when you are asked
this question next, say “A grave-maker.” The houses that
he makes last till doomsday. (V.i., 53-55)

ongs

While digging Ophelia's grave, the first Gravedigger sings to himself:

Gravedigger
In youth when I did love, did love,
Methought it was very sweet
To contract–o–the time, for–a–my behove,
Oh, methought, there–a–was nothing–a–meet. (V.i.57-58)

Gravedigger
But age with his stealing steps
Hath clawed me in his clutch,
And hath shipped me into the land
As if I had never been such.
(throws up a skull) (V.i.63-64)

Analysis of the Scene

Many major and important themes of the play are discussed and brought up by the Gravediggers in the short time that they are on stage. The manner in which these themes are presented, however, is notably different from the rest of the play.

This difference is largely due to the setting of the scene. The playful tone, banter, music, and lighthearted nature of the Gravediggers provide sharp contrast to the dreary surroundings; the action of act 5 scene 1 is set amongst a church, tombs, headstones, and a fresh grave. [http://books.google.com/books?id=81oZXMaib6IC&pg=PA139&dq=gravediggers++hamlet#PPA148,M1] The literal graveness of the situation (the funeral) subsides to the humor. This makes it possible for the characters to look at the subject of death objectively, giving rise to such speeches as Hamlet's musings over the skull of Yorick.

The tone is set from the opening of the scene, during the Gravediggers' dialog regarding Ophelia. Simply, they use her death to debate whether suicide is legitimate and forgivable according to religious law. This is not the first time, however, that this question has been raised in the play. Hamlet has the very same discussion with himself during his "To be, or not to be" soliloquy in Act 3 scene 1. The characters in Act 5 scene i approach the topic this time with dark comedy, and in doing so bring up an entirely different theme.

The parody of legal jargon used by the pair of clowns continues the theme of the corruption of politics, as seen in the usurpation of the throne by Claudius (which should have belonged to prince Hamlet) upon the King Hamlet's death.

The disintegration of values, morals, and order is a theme discussed at length in "Hamlet". The border-line absurd tone of the Gravediggers emphasizes the impending collapse.

Performance

During the Interregnum, all theatres were closed down by the puritan government. [Marsden (2002, 21)] However, even during this time playlets known as "drolls" were often performed illegally, including one based on the two clowns, called "The Grave-Makers", based on Act 5, Scene 1 of "Hamlet". [Holland (2007, 34)]

Film

In most of the movie adaptations of Hamlet, the part of the First Gravedigger (and at times the Second Gravedigger) is played by an extremely established actor or comedian. The following are the actors that portrayed the Gravedigger in the most notable cinematic productions:
*Jeffrey Wright in Hamlet (2000), directed by Michael Almereyda
*Billy Crystal in Hamlet (1996), directed by Kenneth Branagh
*Trevor Peacock in Hamlet (1990), directed by Franco Zeffirelli
*Roger Livesey in Hamlet (1969), directed by Tony Richardson
*Stanley Holloway in Hamlet (1948), directed by Laurence Olivier

Notes

References

*Holland, Peter. 2007. "Shakespeare Abbreviated". In Shaughnessy (2007, 26-45).
*Marsden, Jean I. 2002. "Improving Shakespeare: from the Restoration to Garrick". In Wells and Stanton (2002, 21–36).
*Shaughnessy, Robert. 2007. "The Cambridge Companion to Shakespeare and Popular Culture." Cambridge Companions to Literature ser. Cambridge: Cambridge University Press. ISBN 9780521605809