Duck and Cover (80s band)

Duck and Cover (80s band)

Infobox musical artist |
Name = Duck and Cover


Img_capt = Duck and Cover performing at the Berliner Ensemble in East Berlin on 16 February 1984.
Background = group_or_band
Alias =
Origin = Germany
Genre = Avant-progressive rock, Free improvisation
Years_active = 19831984
Label = Recommended
Associated_acts = Art Bears, Cassiber, Skeleton Crew
URL =
Current_members =
Past_members = Tom Cora Chris Cutler Fred Frith Heiner Goebbels Alfred Harth Dagmar Krause George Lewis

Duck and Cover were a multinational avant-progressive rock septet founded in Germany in 1983, comprising Chris Cutler (UK), Heiner Goebbels (FRG) and Alfred Harth (FRG) from Cassiber; Tom Cora (US) and Fred Frith (UK) from Skeleton Crew; Dagmar Krause (FRG) from Art Bears; and George Lewis (US) from the ICP Orchestra. Cutler, Chris (1 September 1985), "Record Information: Duck and Cover", Rē Records Quarterly Vol.1 No.2, page 6 ] cite web |url=http://www.ccutler.com/ccutler/bands/group06.shtml#duck |title=Duck and Cover |work=Chris Cutler's home page |first=Chris |last=Cutler |accessdate=2007-10-01 ] The ensemble was initially commissioned for the 1983 Moers Festival at the request of festival director Burkhard Hennen to Alfred Harth, but the group only materialised later that year after another commission by the Berlin Jazz Festival.

Duck and Cover performed a 40-minute musical piece entitled "Berlin Programme" at the Berlin Jazz Festival in October 1983 in West Berlin, and again at the Festival des Politischen Liedes (Festival of Political Song) in East Berlin in February 1984. The second performance was recorded by Rundfunk der DDR (East German Radio) and broadcast nationally. An edited version of the broadcast was released in September 1985 on one side of the "Rē Records Quarterly Vol.1 No.2" LP record.

Name

Duck and Cover's name was taken from the duck and cover drill taught to school children in the United States between the late 1940s and the 1980s in the event of a nuclear attack. The escalation of Cold War hostilities between the United States and the Soviet Union in the early 1980s and the Europe-wide protests in 1983 at the deployment of Cruise, Pershing and SS-20 missiles were the motivation behind the formation of this ensemble and its music. Before the second performance of the "Berlin Programme" in East Berlin, Heiner Goebbels made the following statement:

"Berlin Programme"

The "Berlin Programme" performance was based on a structure which had been designed by Alfred Harth and written by Heiner Goebbels using fragments of compositions by Heiner Goebbels/Alfred Harth (Duo Goebbels/Harth), Cutler/Frith (Art Bears) and Bertolt Brecht/Hanns Eisler plus improvisation by all members of the ensemble. The songs used were:
*"Rats and Monkeys" (Cutler/Frith)
*"The Song of Investment Capital Overseas" (Cutler/Frith)
*"Kein Kriegsspielzeug fur Jonathan" (Duo Goebbels/Harth)
*"Easter Day 1935" (Brecht/Eisler)
*"Dunkle Wolk" (Duo Goebbels/Harth)
*"Und Ich Werde Nicht Mehr Sehen" (Brecht/Eisler)
*"Freedom" (Cutler/Frith)

The first performance was at the Berlin Jazz Festival in West Berlin on 29 October 1983. [ cite web |url=http://archiv.berlinerfestspiele.de/jazzsuche/suche.php?lang=en |title=Berlin Jazz Festival − Musicians and Ensembles 1964 to 2006 |work=The Berliner Festspiele |accessdate=2007-10-02 ] It was not recorded. The second performance took place at the Berliner Ensemble in East Berlin on 16 February 1984 [ cite web |url=http://www.songklub.de/index.htm?/teilnehmer.htm |title=Teilnehmer des Berliner Festivals des politischen Liedes 1970 - 1990 |work=Lied und soziale Bewegungen e.V. |accessdate=2007-10-03 ] , and was recorded and mixed by radio engineers from Rundfunk der DDR directly onto ¼" master tape. This 40-minute performance was broadcast across East Germany later in February 1984.

To prepare the "Berlin Programme" for the "Rē Records Quarterly" LP release, Chris Cutler and Heiner Goebbels edited the radio recording with "repeated listening in mind". Cutler, Chris (1 September 1985), "Editorial", Rē Records Quarterly Vol.1 No.2, page 3 ] They were unable to alter the mixes but shortened the recording to 28-minutes, omitting the closing Art Bears song, "Freedom". Cutler remarked that notwithstanding the edits, the LP version "... does, I think, still convey that contradiction we tried to express at the concert: between the distracting and draining pressure of contemporary life ..."

Members

*Tom Cora – cello, bass guitar, cassettes, electrics
*Chris Cutler – drums, electrics
*Fred Frith – guitar, bass guitar, cassettes
*Heiner Goebbels – piano, synthesizer, guitar, cassettes
*Alfred Harth – tenor saxophone, bass clarinet, trumpet, trombone, mouthpieces
*Dagmar Krause – vocals
*George Lewis – trombone, mouthpieces

Discography

*"Rē Records Quarterly Vol.1 No.2" (LP, Recommended Rē 0102, U.K., 1985)
**Side 1: "Berlin Programme" (Brecht/Eisler, Cutler/Frith, Duo Goebbels/Harth, Cora, Krause, Lewis) – 27:44::This is the original edit of Duck and Cover's live performance of the "Berlin Programme" at the Berliner Ensemble in East Berlin on 16 February 1984.

Re-issues

*"RēR Quarterly Selections from Vol.1" (CD, Recommended RēR QCD1, U.K., 1991)
**Track 2: "Berlin Programme" (Brecht/Eisler, Cutler/Frith, Duo Goebbels/Harth, Cora, Krause, Lewis) – 27:41::This release is a minor edit of the original 1985 release of the "Berlin Programme".
*"The Art Box" (6xCD, Recommended RēR ABox, U.K., 2004)
**Disc 6, track 2: "The Song of Investment Capital Overseas" (Cutler/Frith) – 3:42::This is an extract from the "Berlin Programme" of the Art Bears song.

ee also

*

References

External links

*Discogs artist | artist = Duck+and+Cover | name = Duck and Cover
* [http://www.ccutler.com/ccutler/bands/group06.shtml#duck Duck and Cover] . "Chris Cutler home page".


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