Floris Arntzenius

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Arntzenius was born in Surabaya on the island of Java where his father served in the Royal Dutch East Indies Army. In 1875, at the age of 11, he was sent to the Netherlands to Amsterdam to live with his aunt and uncle in order to complete his education.

In 1882 he became a student of Frederik Nachtweh, under Nachtweh's supervision he gained admission to the "Rijksacademie van Beeldende Kunsten". During his time at the "Rijksacademie", from 1883 to 1888, his teachers included August Allebé and Barend Wijnveld, ["Pieter Florentius Nicolaas Jacobus (1864-1925)": Anna Wagner] and amongst his fellow students were Isaac Israëls, George Breitner, Willem Witsen and Jan Veth. ["De Haagse School": Jos. de Gruyter, vol. II, p.92] After his studies in Amsterdam he spent another two years at the "Koninklijke Academie voor Schone Kunsten" in Antwerp, studying under Charles Verlat.

Back in Amsterdam, Arntzenuis became a member of the artist's societies "Arte et Amicitiae" (1890) and "St. Lucas" (1891), and he had a studio at the Sarphatistraat. In 1892 his mother became widowed and moved to The Hague and Arntzenuis also moved there to keep her company. Around the same time his former fellow students Isaac Israëls and George Breitner left The Hague for Amsterdam to be a part of the capital's more vibrant artistic climate. At The Hague the established painters of the first generation of the Hague School dominated artistic life.

, a talented painter of floral still lives, who lived in the house opposite of Arntzenius' mother, ["Het Haagse School boek": John Sillevis, p.400] together they had four daughters, who he frequently painted.

Arntzenius was an accomplished artist in several mediums, but especially his watercolours gained high praise. ["München und die Haager Schule": John Sillevis et al, p.82] ["De Haagse School": Jos. de Gruyter, vol. II, p.92] . During his first years in The Hague, he painted landscapes in the typical Hague School style. Arntzenius later switched to mainly painting cityscapes and street scenes, just like Israëls and Breitner made in Amsterdam. Arntzenius' cityscapes were painted mainly in misty or rainy weather, he made use of these weather conditions to have his subjects be reflected on the wet asphalt. He also painted a lot in Scheveningen, which had changed from the poor fishing village it was in the time of Jozef Israëls and Hendrik Willem Mesdag, into a popular seaside resort.

Though Arntzenius isn't considered to be a relevant artist nowadays, he was appreciated in his own day. He won prizes at the exhibitions of Munich, Venice, Pittsburgh and Brussels and his works sold well during his lifetime. His friends in The Hague included Willem Maris, Willem Bastiaan Tholen, Bernard Blommers and Herman Johannes van der Weele. In 1910 he opened a studio and started taking in students. During this time he mostly painted portraits in commission of wealthy patrons. This he continued to do until he died of tuberculosis in 1925, at the age of 58.

Notes

Bibliography

* Citation
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title = De Haagse School
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* Citation
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last2 = Tabak | first2 = Anne
title = Het Haagse School boek
publisher = Waanders Uitgeverij
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isbn = 9789040095405
* Citation
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title = München und die Haager Schule
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* Citation
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title = [http://www.inghist.nl/Onderzoek/Projecten/BWN/lemmata/bwn3/arntzenius "Pieter Florentius Nicolaas Jacobus (1864-1925)"] , Biografisch Woordenboek van Nederland