- Clemens von und zu Franckenstein
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Clemens Erwein Heinrich Karl Bonaventura Freiherr von und zu Franckenstein (14 July 1875 – 19 August 1942) was a German opera composer, studying in Vienna, Austria, and later in Munich, Germany, with Ludwig Thuille and at the Hoch Conservatory in Frankfurt with Iwan Knorr. After a visit to the USA he conducted the Moody-Manners Opera Company in England from 1902-1907, then worked at the court theatres of Wiesbaden and Berlin, becoming general director of the Bayerische Staatsoper in Munich (1912-1918 and 1924-1934), until the court theaters were abolished after the First World War. He produced the Munich Opera Festival through 1934 when he was forced out by Nazi prohibitions.[1]
Franckenstein was born in Wiesentheid, Germany to Karl Freiherr von und zu Franckenstein (1831-1898) and Elma Gräfin von Schönborn-Wiesentheid (1841-1884). His brother was Austrian Ambassador to England, Georg von und zu Franckenstein (1878-1953). Georg's son, actor Clement von Franckenstein (b. 1944), is his nephew.[2]
Franckenstein died in Hechendorf am Pilsensee, Oberbayern, Germany at age 67.
Contents
Stage Works
- Griseldis. Oper in 3 Akten (Libretto: Oskar Mayer)
- Fortunatus. Oper in 3 Akten (Libretto : Jakob Wassermann)
- Rahab. Oper in 1 Akt (Libretto: Oskar Mayer)
- Die Biene. Pantomime (Libretto: Hugo von Hofmannsthal)
- Li-Tai-Pe, der Kaisers Dichter. Oper in 3 Akten, Op. 43 (1920) (Libretto: Rudolf Lothar)
Orchestral Works
- Rhapsodie für Orchester op. 47.
- Variations on a theme by Meyerbeer
- Dance suite
- Serenade
- Praeludium
- Symphonic suite
- Das alte Lied
- Four dances
- Festival Prelude
References
- ^ John Mucci. "Clemens von Franckenstein". OperaGlass. http://opera.stanford.edu/Franckenstein/main.html. Retrieved 2007-08-07.
- ^ Rudolf Ulrich (2007). "Biography for Clement von Franckenstein". Internet Movie Database. http://www.imdb.com/name/nm0902252/bio. Retrieved 2007-08-07.
Further reading
- McCredie, Andrew D., Clemens von Franckenstein (1875-1942). A German Associate of the English Frankfort Group. The Ochesterlied and his settings from Hans Bethge's "Die chinesische Flöte", in Miscellanea Musicologica [Adelaide Studies in Musicology, Vol. 13], 1988.
- McCredie, Andrew D., Clemens von Franckenstein, Tutzing: Schneider, 1992 (in German) [Series: Komponisten in Bayern, Vol. 26], ISSN 0937583X.
- McCredie, Andrew D., The comparative case histories of Karl Amadeus Hartmann, Clemens von Frankenstein and Paul von Klenau as variant examples of Innere Emigration: Problems and issues for German music historiography of the period 1918-1945. in: Glazba, ideje i drustvo: Svecani zbornik za Ivana Supicica/Music, ideas, and society: Essays in honour of Ivan Supicic, Zagreb, Croatia: Hrvatsko Muzikolosko Drustvo 1993, pp. 215-235 (in English).
- Landfester, Ulrike, Briefwechsel mit Clemens von Franckenstein [The correspondence with Clemens von Franckenstein: 1894-1928.], Freiburg im Breisgau: Rombach 1998, ISBN 3793091821.
Karl von Perfall (1867) • Ernst von Possart (1895) • Clemens von Franckenstein (1912) • Clemens Krauss (1937) • Georg Hartmann (1947) • Rudolf Hartmann (1952) • Günther Rennert (1967) • August Everding (1977) • Wolfgang Sawallisch (1983) • Peter Jonas (1993) • Kent Nagano (2006) • Nikolaus Bachler (2008)
Categories:- 1875 births
- 1942 deaths
- 20th-century classical composers
- German composers
- German nobility
- Opera composers
- Opera directors
- Hoch Conservatory alumni
- German composer stubs
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