Philitas of Cos

Philitas of Cos

Infobox Writer
name= Philitas of Cos

caption= The "Philosopher" (circa|250–200 BC) from the Antikythera wreck illustrates the style used by Hecataeus in his bronze of Philitas.
birthdate= c. 340 BC
deathdate= c. 285 BC
occupation= Scholar and poet
nationality= Ptolemaic Kingdom
ethnicity= Greek
genre= Elegiac, Epigram,
subject= Glossary, Homer
movement= Alexandrian school of poetry
notableworks= "Demeter"
"Disorderly Words"
influenced= Apollonius of Rhodes, Callimachus, Hermesianax, Theocritus, Propertius, possibly Longus
portaldisp= yes

Philitas or Philetas of Cos (circa|340 – c. 285 BC) was a scholar and poet during the early Hellenistic period of ancient Greece. A Greek associated with Alexandria, he flourished in the second half of the 4th century BC and was appointed tutor to the heir to the throne of Ptolemaic Egypt. He was thin and frail; Athenaeus later caricatured him as an academic so consumed by his studies that he wasted away and died.

Philitas was the first major writer who was both a scholar and a poet. His reputation continued for centuries, based on both his pioneering study of words and his verse in elegiac meter. His vocabulary "Disorderly Words" described the meanings of rare literary words, including those used by Homer. His poetry, notably his elegiac poem "Demeter", was highly respected by later ancient poets. However, almost all his work has since been lost.


Little is known of Philitas' life. Ancient sources refer to him as a Coan, a native or long-time inhabitant of Cos, one of the Dodecanese islands in the Aegean Sea just off the coast of Asia. His student Theocritus wrote that Philetas' father was Telephos (Τήλεφος, "transl|el|ISO|Tḗlephos") and his mother, assuming the manuscript is supplemented correctly, Euctione (Εὐκτιόνη, "transl|el|ISO|Euktiónē"). [cite book |author=Spanoudakis |title= Philitas of Cos |pages=26] From a comment about Philitas in the "Suda", a 10th century AD historical encyclopedia, it is estimated he was born circa|340 BC, and that he might have established a reputation in Cos by c. 309/8 BC. During the wars of the Diadochi that followed the death of Alexander the Great and divided Alexander's empire, Ptolemy had captured Cos from his rival successor, Antigonus, in 310 BC; his son, Ptolemy II Philadelphus, was born there in 308 BC. It was a favorite retreat for men of letters weary of Alexandria.cite book |title= A History of Classical Scholarship: from the Sixth Century B.C. to the End of the Middle Ages |author= John Edwin Sandys |publisher= Cambridge University Press |location=London |date=1903 |pages=118–9 |oclc=2759759]

Ptolemaic Kingdom, circa|300 BC, was centered on Alexandria in ancient Egypt; Cos was on its northwest frontier.] Philetas was appointed Philadelphus' preceptor, or tutor, which suggests he moved to Alexandria c. 297/6 BCcite book |author=Spanoudakis |title= Philitas of Cos |pages=23] and moved back to Cos in the later 290s BC. He seems to have died in Cos sometime in the 280s BC.cite book |author=Spanoudakis |title= Philitas of Cos |pages=24] He may also have tutored Arsinoe II, Philadelphus' older sister and eventual wife.cite book |author=Spanoudakis |title= Philitas of Cos |pages=29] Later tutors of royal offspring in Ptolemaic Egypt generally headed the Library of Alexandria, but it is unknown whether Philitas held that position. Philitas also taught the poets Hermesianax and Theocritus and the grammarian Zenodotus, and after he returned to Cos he seems to have spent at least ten years leading a brotherhood of intellectuals and poets that included Aratus, Hermesianax, and Theocritus.

Philitas was thin and frail, and may have suffered and died from a wasting disease. [cite journal |journal= The Classical Quarterly |volume=41 |issue=2 |year=1991 |pages=534–8 |author= Alan Cameron |title= How thin was Philitas?] His pupil Hermesianax wrote that a statue of him was erected under a plane tree by the people of Cos, depicting him as "frail with all the glosses". His contemporary Posidippus wrote that Philadelphus commissioned a bronze of Philitas in old age from the sculptor Hecataeus,cite book |author= Andrew Stewart |chapter= Posidippus and the truth in sculpture |pages=183–205 |editor= Gutzwiller (ed.) |title= The New Posidippus |date=2005] which "included nothing from the physique of heroes. No, ... he cast the old man full of cares." [An alternate translation of Posidippus' poem is on p. 31 of cite book |author= Frank Nisetich |chapter= The poems of Posidippus |pages=17–66 |editor= Gutzwiller (ed.) |title= The New Posidippus |date=2005] The 3rd century AD Roman author Aelian skeptically passed along a story that Philitas was so thin that he put lead weights in the soles of his shoes to avoid being blown away by a stiff wind. [Aelian (tr. Thomas Stanley). "Various History", [ 9.14] . Retrieved on 2008-10-03.]

A 2nd century AD Greek author, Athenaeus of Naucratis, wrote that Philitas studied false arguments and erroneous word-usage so intensely that he wasted away and starved to death, and that his epitaph read: [Athenaeus (tr. C.D. Yonge). "Deipnosophists", [ 9.401e] . Retrieved on 2008-10-03.]

St. George Stock analyzed the story as saying Philitas studied the Megarian school of philosophy, which cultivated and studied paradoxes such as the liar paradox: if someone says "I am lying", is what he says true or false? [cite book |editor= Edward N. Zalta |title= Stanford Encyclopedia of Philosophy |chapterurl= |chapter=Insolubles |author= Paul Vincent Spade |date=2005 |accessdate=2007-06-30] Stock wrote that Philitas worried so much over the liar paradox that he died of insomnia, and translated the epitaph as follows:

Philetas of Cos am I,'Twas the Liar who made me die,And the bad nights caused thereby. [cite book |author= St. George Stock |title=Stoicism |year=1908 |pages=36 |publisher= Archibald Constable |location=London |oclc=1201330]

A more literal translation suggests that the invented epitaph pokes fun at Philitas' focus on using the right words:

Stranger, I am Philitas. The lying word and nights' evening cares destroyed me.cite book |author= Alexander Sens |chapter= The art of poetry and the poetry of art: the unity and poetics of Posidippus' statue-poems |pages=206–28 |editor= Gutzwiller (ed.) |title= The New Posidippus |date=2005 • An earlier version appeared in: cite web |author= Alexander Sens |title= The new Posidippus, Asclepiades, and Hecataeus' Philitas-statue |work= The Annual Meeting of the American Philological Association |url= |accessdate=2007-09-21 |date=2002 |format=PDF]


Apollodorus' 2nd century BC mythography "On the Gods", which quotes Philitas' "Demeter" (outlined in red) while discussing the cite book ">author=Spanoudakis |title= Philitas of Cos |pages=215–7]

Philitas wrote a vocabulary explaining the meanings of rare literary words, words from local dialects, and technical terms; it probably took the form of a lexicon. The vocabulary, called "Disorderly Words" (Ἄτακτοι γλῶσσαι, "transl|el|ISO|Átaktoi glôssai"), has been lost, with only a few fragments quoted by later authors. One example, quoted in Athenaeus, is that the word πέλλα ("transl|el|ISO|pella") meant "wine cup" in the ancient Greek region of Boeotia; [Athenaeus (tr. C.D. Yonge). "Deipnosophists", [ 11.495e] . Retrieved on 2008-10-05.] this was evidently contrasted to the same word meaning "milk pail" in Homer's "Iliad".cite journal |author= Peter Bing |title= The unruly tongue: Philitas of Cos as scholar and poet |journal= Classical Philology |volume=98 |issue=4 |date=2003 |pages=330–48 |doi= 10.1086/422370] "Hermeneia", another scholarly work, probably contained Philitas' versions and critical interpretations of Homer and other authors.

About thirty fragments of Philitas' poetry are known, along with four definite titles:
* "Demeter", Philitas' most famous work, consisted of couplets in the elegiac meter.cite journal |journal= The Classical Review |year=2003 |volume=53 |issue=2 |pages=311–2 |title= Coi sacra Philitae |author= N. Hopkinson |doi=10.1093/cr/53.2.311] Its few surviving fragments suggest that it narrated the grain goddess Demeter's hunt for her daughter Persephone. [cite book |title= Callimachus II |series= Hellenistica Groningana, 7 |editor= M.A. Harder; R.F. Regtuit; G.C. Wakker (eds.) |isbn=90-429-1403-3 |year=2004 |publisher=Peeters |location=Leuven |chapter= Looking into the river: literary history and interpretation in Callimachus, "Hymns" 5 and 6 |author= S.J. Heyworth |pages=139–60] The fragments describe Demeter's arrival on Cos and warm welcome by its royal family of Meropids, or humans twice normal size, thus presenting the founding myth of a local cult of Demeter on Cos.
* "Hermes" was an epyllion, or brief mythological narrative, written in hexameter. It had the structure of a hymn, with a central narrative telling of Odysseus' visit to the island of the king Aeolus, keeper of the winds, and of Odysseus' secret affair with the king's daughter Polymele.
* The "Playthings" (Παίγνια, transl|el|ISO|"Paígnia") had two shorter collections. These poems had the structure of epigrams and their themes may have included erotica. The only surviving poem contains two elegiac couplets and has a puzzle or riddle structure characteristic of some ancient Greek drinking-party songs.
* Only one of the "Epigrams" has been fully reconstructed.Another possible poem is "Telephus", which may have been a companion to "Demeter". Hermesianax wrote of "Philitas, singing of nimble Bittis", and Ovid twice calls her "Battis". It is commonly thought that Bittis or Battis was Philitas' mistress, and that Hermesianax referred to love poetry; another possibility is that her name connoted "chatterbox", and that she was a humorous personification of Philitas' passion for words.

At most fifty verses of Philitas survive. Below is an example fragment of two verses, which was quoted in the "Collection of Paradoxical Stories", whose putative author Antigonus (often identified with Antigonus of Carystus, [cite book |author= Kathryn Gutzwiller |title= A Guide to Hellenistic Literature |location= Malden, MA |publisher=Blackwell |date=2007 |isbn=0-631-23321-0 |pages=166–7] a near-contemporary) does not specify which work they came from; indirect evidence suggests "Demeter". [cite book |author=Spanoudakis |title= Philitas of Cos |pages=209–13] These two verses show the confluence of Philitas' interests in poetry and obscure words:

The deer can sing when it has lost its life if it avoids the prick of the sharp "cactus".

According to Antigonus, the "cactus" (κάκτος, "transl|el|ISO|káktos") was a thorny plant from Sicily, and "When a deer steps on it and is pricked, its bones remain soundless and unusable for flutes. For that reason Philitas spoke of it." Antigonus quotes one more passage, and the 5th century AD anthologist Stobaeus quotes eleven passages from Philitas; the remaining fragments are derived from ancient commentators who quoted Philitas when discussing rare words or names used by other authors.Bulloch, "Hellenistic poetry", 5.]


Philitas was the most important intellectual figure in the early years of Hellenistic civilization. [Bulloch, "Hellenistic poetry", 4. "The most important intellectual figure in the early years of the new Hellenistic world was Philetas from the east Greek island of Cos."] He gained instant recognition in both poetry and literary scholarship.Bulloch, "Hellenistic poetry", 4.] As tutor to Philadelphus he is assumed to have had great influence on the development of the "Mouseion" at Alexandria, a scholarly institution that included the famous Library of Alexandria. A statue was erected of him, possibly at a "Mouseion" at Cos, [cite journal |journal= Zeitschrift für Papyrologie und Epigraphik |year=1997 |volume=119 |pages=21–36|author= Alex Hardie |title= Philitas and the plane tree |url= |format=PDF] and his work was explicitly acknowledged as a classic by both Theocritus and Callimachus.

His reputation for scholarship endured for at least a century. In Athens, the comic playwright Strato made jokes that assumed audiences knew about Philitas' vocabulary, and the vocabulary was criticized more than a century later by the influential Homeric scholar Aristarchus of Samothrace in his "Against Philitas" (Πρὸς Φιλίταν, "transl|el|ISO|Pròs Philítan"). The geographer Strabo described him three centuries later as "simultaneously a poet and a critic". [Strabo. "Geography", [ 14.2.19] (in Greek). Retrieved on 2008-10-03.]

Philitas was the first writer whose works represent the combination of qualities now regarded as Hellenistic: variety, scholarship, and use of Homeric sources in non-epic works. He directly influenced the major Hellenistic poets Callimachus and Apollonius of Rhodes. His poetry was mentioned or briefly quoted by his rival Callimachus and by other ancient authors, [cite book |author=Spanoudakis |title= Philitas of Cos |pages=85–346] and his poetic reputation endured for at least three centuries, as Augustan poets identified his name with great elegiac writing. Propertius linked him to his rival with the following well-known couplet:

"Callimachi Manes et Coi sacra Philetae," "in vestrum, quaeso, me sinite ire nemus."Propertius. "Elegies", [ III.1] (in Latin). Retrieved on 2007-06-30. Allen argued that "Philetae" is a corruption of "poetae", alluding to rather than naming Philitas. cite journal |author= Archibald Allen |title= Propertius and 'Coan Philitas' |journal= The Classical Quarterly |volume=46 |issue=1 |year=1996 |pages=308–9 |doi=10.1093/cq/46.1.308 |doi_brokendate=2008-06-18]

Callimachus' spirit, and shrine of Philitas of Cos, let me enter your sacred grove, I beseech you.

The 1st century AD rhetorician Quintilian ranked Philitas second only to Callimachus among the elegiac poets. [cite book |author=Quintilian |title= Institutes of Oratory 10.1.58 |url= |accessdate=2008-09-23] Philitas' influence has been found or suspected in a wide range of ancient writing; Longus' 2nd century AD novel "Daphnis and Chloe" contains a character likely named after him.cite book |title= The Novel in the Ancient World |editor= Gareth L. Schmeling |series= Mnemosyne, "Supplements"; The Classical Tradition, 159 |publisher=Brill |location=Leiden |date=1996 |isbn=90-04-09630-2 |chapter= Longus, "Daphnis and Chloe" |author= Richard Hunter |pages=361–86] Almost all that he wrote seems to have disappeared within two centuries, though, so it is unlikely that any writer later than the 2nd century BC read any but a few of his lines.


Philitas' fragments were edited by Spanoudakis with commentary in English:

* Reviewed by Hopkinson and by Sens. [cite journal |author= Alexander Sens |title= Review of K. Spanoudakis (ed.), "Philitas of Cos" |quotes=no |journal= Bryn Mawr Classical Review |date=2003 |issue=2003.02.38 |url= journal |author= Konstantinos Spanoudakis |title= Author's response |quotes=no |journal= Bryn Mawr Classical Review |date=2003 |issue=2003.03.32 |url=]

and also by Dettori (for vocabulary) and by Sbardella (for poetry) with commentary in Italian:


Earlier editions of the fragments include Kayser, [cite book |author= Carol. Phil. (Karl Philipp) Kayser |title= Philetae Coi Fragmenta, quæ reperiuntur |publisher= Typis Barmeierianis |location= Göttingen |date=1793 |language=Latin |oclc=79432710] Bach, [cite book |author= Nicolaus Bachius (Bach) |title= Philetae Coi, Hermesianactis Colophonii, atque Phanoclis Reliquiae |location= Halle |publisher= Libraria Gebaueria |date=1829 |language=Latin |oclc=165342613] Nowacki, [cite book |author= Adelbertus (Adelbert) Nowacki |title= Philitae Coi Fragmenta Poetica |date=1927 |language=Latin |location=Münster |publisher= Monasterii Westfalorum |oclc=68721017] and Kuchenmü̈ller; [cite book |title= Philetae Coi Reliquiae |author= Wilhelm Kuchenmü̈ller |year=1928 |language=Latin |location=Borna |publisher= Typis Roberti Noske |oclc=65409641] see also Maass. [cite book |author= Ernestus (Ernst) Maass |title= De tribus Philetae carminibus |location=Marburg |publisher= N. G. Elwertum |date=1895 |language=Latin |oclc=9861455]



* doi:10.1017/CHOL9780521210423.019 (inactive 2008-07-29).
* (See Bibliography.)

NAME= Philitas of Cos
ALTERNATIVE NAMES= Φιλίτας (Greek); Philetas of Cos (alternative spelling)
SHORT DESCRIPTION= Ancient Greek scholar and poet

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