- Kristin Thompson
Kristin Thompson (born 1950) is a film theorist and author whose research interests include the close formal analysis of films, the history of film styles, and "
quality television ", a genre akin toart film . She wrote two scholarly books in the 1980s which used an analytical technique calledneoformalism . As well, she has co-authored two widely-used film studies textbooks.Career
1970s and 1980s
Thompson earned a master's degree in
film studies at theUniversity of Iowa (1973) and a Ph.D. in film studies at Wisconsin. She has held teaching positions at the University of Wisconsin, the University of Iowa, Indiana University, the University of Amsterdam, and the University of Stockholm.In 1979, she co-wrote a prominent film textbooks: "Film Art: An Introduction" with
David Bordwell , her husband. "Film Art", currently in its eighth edition (2006), was originally published in 1979 and has become a standard in the field of film aesthetics. To date, it has been translated into seven languages. [http://www.davidbordwell.net/books/index.php#filmart]Thompson predominantly relies on an analytical method drawn from
Russian Formalism known asneoformalism . This method formed the basis for her dissertation, which subsequently became her first scholarly book, titled "Eisenstein's" Ivan the Terrible": A Neoformalist Analysis". [cite book | first=Kristin | last=Thompson | title=Eisenstein's "Ivan the Terrible": A Neoformalist Analysis | publisher=Princeton Univ Press | year=1981.] Neoformalism is also the basis for her later book, "Breaking the Glass Armor". [cite book | first=Kristin | last=Thompson | title=Breaking the Glass Armor | publisher=Princeton Univ Press | year=1988.]1990s and 2000s
In 1994, she co-wrote another textbook with Bordwell, "Film History" . In early 2001 she did a series of lectures at Oxford University. She holds an honorary fellowship in the Department of Communication Arts at the
University of Wisconsin-Madison .Quality television
Thompson argues that a small number of television shows stand out as
quality television shows, due to their use of "...a qualitypedigree , a largeensemble cast , a series memory, creation of a newgenre through recombination of older ones, self-consciousness, and pronounced tendencies toward the controversial and the realistic" [Cited in the Wilcox and Lavery article on "Buffy the Vampire Slayer". Available at: http://72.14.209.104/search?q=cache:Mu4rK9VuVDcJ:davidlavery.net/Essays/50_Key_Buffy.pdf+quality+television&hl=en&ct=clnk&cd=191] . She claims that television shows such as "Twin Peaks ", " Buffy the Vampire Slayer", "The Sopranos ", and "The Simpsons " exhibit traits also found inart film s, such as psychological realism, narrative complexity, and ambiguous plotlines.She notes that
David Lynch 's "Twin Peaks " television series have "...a loosening of causality, a greater emphasis on psychological or anecdotal realism, violations of classical clarity of space and time, explicit authorial comment, and ambiguity." cite book|last=King |first=Geoff |authorlink= |coauthors= |editor= |others= |title=New Hollywood Cinema: An Introduction |origdate= |origyear= |origmonth= |url= |format= |accessdate=2007-12-18|edition= |series= |date=2002-03-29|publisher=I B Tauris & Co |location= |isbn=1860647502 |oclc= |doi= |id= |pages= |chapter= |chapterurl= |quote= ] She compares Lynch's film "Blue Velvet " and the television series "Twin Peaks " and "...asks whether there can be an "art television" comparable to the more familiar "art cinema." [Kristin Thompson. "Storytelling in Film and Television. Summary available at: http://209.85.165.104/search?q=cache:_gjqtGL44gEJ:www.hup.harvard.edu/catalog/THOSTF.html+%22art+television%22&hl=en&ct=clnk&cd=126"]As well, she points out that series such as " Buffy the Vampire Slayer", "
The Sopranos ", and "The Simpsons " "...have altered long-standing notions of closure and single authorship", which means that "...television has wrought its own changes in traditional narrative form." She states that "The Simpsons ", use a "...flurry of cultural references, intentionally inconsistent characterization, and considerable self-reflexivity about television conventions and the status of the programme as a television show.""Lord of the Rings"
In the mid-2000s, Thompson's interest in Hollywood norms led her to write a book about the popular fantasy trilogy the "
Lord of the Rings ". Entitled, "The Frodo Franchise: The Lord of the Rings and Modern Hollywood" and published by the University of California Press, this books "...examine [s] the larger phenomenon of this hugely successful franchise, examining the film’s making but also its marketing via the Internet, its merchandising (particularly DVDs and video games), and its impact on world cinema."elect bibliography
*cite book | first=Kristin | last=Thompson | title=Eisenstein's "Ivan the Terrible": A Neoformalist Analysis | publisher=Princeton Univ Press | year=1981
*cite book | first=Kristin | last=Thompson | title=Breaking the Glass Armor | publisher=Princeton Univ Press | year=1988
*cite book
editor=
first=David
last=Bordwell
authorlink=
coauthors=Kristin Thompson
year=2006
title=Film Art: An Introduction
edition=Eighth edition
publisher=McGraw-Hill
location=New York
id=
*cite book
editor=
first=David
last=Bordwell
authorlink=
coauthors=Kristin Thompson
year=1994 (2002)
title=Film History: An Introduction
edition=
publisher=McGraw-Hill
location=New York
id="The Frodo Franchise"
"The Frodo Franchise"' is an important work of independent scholarship. It is based on the author's own research, which included interviews with many of the artists,writers,and business people who participated in the making of
The Lord of the Rings motion pictures. It is a nonfiction book. Many people who were involved in the making of the film assisted with Kristin Thompson's research by providing the information and materials to her. This is a behind-the-scenes examination by authorKristin Thompson of "The Lord of the Rings" as a contemporary cinema phenomenon. It explores in depth the effect the making of this film had on New Zealand as a whole and is still having. [cite book
last = Thompson | first =K
authorlink = Kristin Thompson
year = 2007
title = The Frodo Franchise
publisher = Penguin Books paperback: ISBN 978 0 14 300749 4]External links
*cite web | url=http://www.davidbordwell.net/blog/?p=2 | author=Kristin Thompson | title=About Kristin Thompson | accessdate=June 28 | accessyear=2007
ee also
*
Quality television References
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