Lee Friedlander

Lee Friedlander (born July 14, 1934) is an American photographer and artist.

Career

Friedlander studied photography at the Art Center College of Design located in Pasadena, California. In 1956, he moved to New York City where he photographed jazz musicians for record covers. His early work was influenced by Eugène Atget, Robert Frank, and Walker Evans. In 1960, the Guggenheim Memorial Foundation awarded Friedlander a grant to focus on his art and made subsequent grants in 1962 and 1977. Some of his most famous photographs appeared in the September 1985 Playboy, black and white nude photographs of Madonna from the late 1970's.

Working primarily with Leica 35mm cameras and black and white film, Friedlander's style focused on the "social landscape". His art used detached images of urban life, store-front reflections, structures framed by fences, and posters and signs all combining to capture the look of modern life.

In 1963, the International Museum of Photography at George Eastman House mounted Friedlander's first solo museum show. Friedlander was then a key figure in the 1967 "New Documents" exhibition, at the Museum of Modern Art in New York City along with Garry Winogrand and Diane Arbus. In 1990, the MacArthur Foundation awarded Friedlander a MacArthur Fellowship.

Friedlander now works primarily with medium format cameras (e.g. Hasselblad Superwide). While suffering from arthritis and housebound, he focused on photographing his surroundings. His book, "Stems," reflects his life during the time of his knee replacement surgery. He has said that his "limbs" reminded him of plant stems. These images display textures which were not a feature of his earlier work. In this sense, the images are similar to those of Josef Sudek who also photographed the confines of his home and studio.

In 2005, the Museum of Modern Art displayed a major retrospective of Friedlander works. In the same year he received a [http://www.hasselbladfoundation.org/prize_motivation_en.html 2005 Hasselblad International Award.] His work was displayed again by the San Francisco Museum of Modern Art as a retrospective in 2008 [ [http://www.sfmoma.org/exhibitions/exhib_detail.asp?id=304 SFMOMA | Exhibitions | Exhibition Overview: Friedlander ] ] . Concurrent to this retrospective, a more contemporary body of his work, "America By Car," was displayed at the Fraenkel Gallery not far from the museum [ [http://www.artnet.com/Galleries/Exhibitions.asp?gid=396&cid=131864 Fraenkel Gallery: Past and future exhibitions ] ] .

He is the father of cellist Erik Friedlander, and Anna Friedlander.

References

*"Friedlander", 2005 (ISBN 0-87070-343-9) by Peter Galassi, Museum of Modern Art
*"Lee Friedlander: Sticks And Stones: Architectural America", 2004 (ISBN 1-891024-97-3) by Friedlander and James Enyeart
*"Stems" 2003 (ISBN 1-891024-75-2)
*"American Musicians: Photographs by Lee Friedlander", 2003 (ISBN 1-56466-056-7) by Friedlander, Steve Lacy, Ruth Brown.
*"Like a One-Eyed Cat", 1989 Harry N. Abrams, Inc.
*"Lee Friedlander Portraits", 1985, New York Graphic Society,
*"The American Monument", 1976, The Eakins Press Foundation.

External links

* [http://www.fraenkelgallery.com Fraenkel Gallery represents Lee Friedlander]
* [http://www.janetbordeninc.com Janet Borden, Inc. Friedlander's New York representatives]
* [http://www.artnet.com/awc/lee-friedlander.html Lee Friedlander catalogue in artnet's "Artist Works Catalogues"]
* [http://masters-of-photography.com/F/friedlander/friedlander_articles.html Further articles, photographs and resources] .
* [http://www.moma.org/exhibitions/2005/friedlander.html Retrospective at the Museum of Modern Art]
* cite web |publisher= Victoria and Albert Museum
url= http://www.vam.ac.uk/vastatic/microsites/photography/photographerframe.php?photographerid=ph025
title= Selection of photographs by Lee Friedlander
accessdate= 2007-06-16