Youssou N'Dour

Infobox Musical artist
Name = Youssou N'Dour

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Img_capt = Youssou N'Dour in 2004
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Background = solo_singer
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Born = birth date and age|1959|10|1
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Origin = Dakar, Senegal
Instrument =
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Genre = Mbalax
Occupation = Singer, percussionist
Years_active = 1970s–present
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URL = [http://www.youssou.com/ www.youssou.com]
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Youssou N'Dour (IPA2|jusun̩ˈduːʀ) (born October 1, 1959 in Dakar) is a Senegalese singer and percussionist. In 2004, "Rolling Stone" described him as, in Senegal and much of Africa, "perhaps the most famous singer alive." [Considine, J.D. and Michaelangelo Matos. (2004) [http://www.rollingstone.com/artists/youssoundour/biography Youssou N'Dour] . Rolling Stone. Accessed September 2 2007.] He helped develop popular music in Senegal, known in the Wolof language as "mbalax", a blend of the country's traditional griot percussion and praise-singing with the Afro-Cuban arrangements and flavors which made the return trip from the Caribbean to West Africa in the 1940s, 50s, and 60s and have flourished in West Africa ever since.

Background

Beginning in the mid-1970s the resulting mix was modernized with a gloss of more complex indigenous Senegalese dance rhythms, roomy and melodic guitar and saxophone solos, chattering talking-drum soliloquies and, on occasion, Sufi-inspired Muslim religious chant. This created a new music which was at turns nostalgic, restrained and stately, or celebratory, explosively syncopated and indescribably funky. Younger Senegalese musicians steeped in Jimi Hendrix, Carlos Santana, James Brown, and the whole range of American jazz, soul, and rock music, which Senegal's cosmopolitan capital, Dakar, had enthusiastically absorbed, were rediscovering their heritage and seeking out traditional performers, particularly singers and talking drummers, to join their bands. (The griots—musicians, praise-singers and storyteller-historians—comprise a distinct hereditary caste in Wolof society and throughout West Africa.) As it emerged from this period of fruitful musical turbulence, mbalax would eventually find in Youssou N'Dour the performer who has arguably had more to do with its shaping than any other individual.

Life and work

He began performing at the age of 12. Within a couple of years he was performing regularly with the Star Band, Dakar's most popular group in the early 1970s. Several members of the Star Band joined Orchestre Baobab about that time.

Although N’Dour has connections to the traditional griot caste on his mother’s side, he wasn’t raised in that tradition, learning it instead from his siblings. His parents encouraged him to look at things in a more modern manner, leaving him open to two cultures, with the result that he refers to himself as a modern griot.

In 1979, he formed his own ensemble, the Etoile de Dakar. His early work with Etoile de Dakar was in the typical Latin style popular all over Africa during that time, but in the 1980s he developed a unique sound when he started his current group, Super Etoile de Dakar featuring Jimi Mbaye on guitar, bassist Habib Faye, and tama (talking drum) player Assane Thiam.

Youssou N'Dour is one of the most celebrated African musicians in history. A renowned singer, songwriter, and composer, Youssou's mix of traditional Senegalese mbalax with eclectic influences ranging from Cuban samba to hip hop, jazz, and soul has won him an international fan base of millions. In the West, Youssou has collaborated with musicians Peter Gabriel, Axelle Red, Sting, Alan Stivell, Bran Van 3000, Neneh Cherry, Wyclef Jean, Paul Simon, Bruce Springsteen, Tracy Chapman, Branford Marsalis, Ryuichi Sakamoto and others. In Senegal, Youssou is a powerful cultural icon actively involved in social issues.

He is endowed with remarkable range and poise, a composer, bandleader, and producer with a prodigious musical intelligence. "The New York Times" most recently described his voice as an "arresting tenor, a supple weapon deployed with prophetic authority". N'Dour absorbs the entire Senegalese musical spectrum in his work, often filtering this through the lens of genre-defying rock or pop music from outside Senegalese culture.

In July 1993, an African opera composed by N'Dour premiered at the Opéra Bastille. He wrote and performed the official anthem of the 1998 FIFA World Cup with Axelle Red "La Cour des Grands".

N'Dour's major asset is that he is strongly grounded in his culture. Even if he chooses to explore elsewhere, his roots are well established. Some have gone so far as describing him as the African Artist of the Century ("Folk Roots" magazine). He has toured internationally for almost 30 years. He won his first American Grammy Award (best contemporary world music album) for his CD "Egypt" in 2005.

In recent years, he has opened his own recording studio, Xippi, as well as his own record label, Jololi.

N'Dour has associated himself with several social and political issues. In 1985, he organized a concert for the release of Nelson Mandela. He was a featured performer in the 1988 worldwide Amnesty International Human Rights Now! Tour collaborating with Lou Reed to contribute a version of the Peter Gabriel song "Biko" which was produced by Richard James Burgess and featured on the Amnesty International benefit album "The Secret Policeman's Third Ball". He has also worked with the United Nations and UNICEF and he started [http://www.joko.sn/ Project Joko] to open internet cafés in Africa and to connect Senegalese communities around the world. He performed at three of the Live 8 concerts (in Live 8 concert, London, Live 8 concert, Paris and at the Live 8 concert, Eden Project in Cornwall) on 2 July, 2005, with Dido.

In 2006, N'Dour played the African-British abolitionist Olaudah Equiano in the movie "Amazing Grace", which chronicles the efforts of William Wilberforce to end slavery in the British Empire.

Recently, he has covered John Lennon's Jealous Guy for the CD "". He also featured in a joint Spain-Senegal ad campaign against illegal immigrants. [http://edition.cnn.com/2007/WORLD/africa/09/28/Senegal.Spain.ap/index.html]

Youssou N'Dour participated in the Stock Exchange of Visions project in 2007.

Discography

*"Bitim Rew" (1984)
*"Nelson Mandela" (1986)
*"Immigrés" (1988)
*"The Lion" (1989) - considered his breakthrough album
*"Set" (1990)
*"Eyes Open" (1992)
*"Guide (Wommat)" (1994)
*"Djamil" (1996)
*"Inedits 84-85" (1997)
*"Special Fin D'annee Plus" (1999)
*"Lii" (2000)
*"Joko: The Link" (2000)
*"Rewmi" (2000)
*"Le Grand Bal" (2000)
*"St. Louis" (2000)
*"Le Grand Bal a Bercy" (2001)
*"Ba Tay" (2002)
*"Nothing's In Vain" (2002)
*"Youssou N'Dour and His Friends" (2002)
*"Kirikou" (2004)
*"Egypt" (2004)
*"Alsaama Day (2007)
*"Rokku Mi Rokka" (2007) - This album was #30 on "Rolling Stone"'s list of the Top 50 Albums of 2007. [ROBERT CHRISTGAU, DAVID FRICKE, CHRISTIAN HOARD, ROB SHEFFIELD (December 17, 2007). [http://www.rollingstone.com/news/story/17601851/the_top_50_albums_of_2007/30 "The Top 50 Albums of 2007"] "Rolling Stone". Retrieved 2007-12-20]

Compilations

*"The Best of Youssou N'Dour" (1995)
*"Euleek Sibir with Omar (You et Pene) (1996)
*"Immigrés/Bitim Rew" (1997)
*"Best of the 80's" (1998)
*"Hey You: The Essential Collection 1988–1990" (1998)
*"Birth of a Star" (2001)
*"Rough Guide to Youssou N'Dour & Etoile de Dakar" (2002)
*"7 Seconds: The Best of Youssou N'Dour" (Remastered) (2004)
*"Instant Karma: The Amnesty International Campaign to Save Darfur - John Lennon's "Jealous Guy" (2007)

ingles

Films

*"Amazing Grace":
** As Olaudah Equiano. "A central figure in the abolitionist movement in Great Britain, Olaudah Equiano (c.1745–1797) wrote an eyewitness account of his life as a slave and of his work in the anti-slavery movement: "The Interesting Narrative of the Life of Olaudah Equiano"."
** As a musician on the film's soundtrack.
* "Retour à Gorée":
** As himself, journeying from the island of Gorée to the USA and back, exploring the origins of jazz, which go back to the era of slave trade in Africa, through a concert performed by an international group of artists.

References

* Web page describing [http://www.amazinggracemovie.com/castcrew_equiano.php N'Dour's role] in the film [http://www.amazinggracemovie.com/ Amazing Grace] . Retrieved February 18, 2007.

External links

* [http://www.youssou.com/ Official site]
* [http://www.jololi.com/ Jololi] - His record label
* [http://youssou-ndour.worldbeatplanet.com/ World Beat Planet] - Fan Site
* [http://www.afropop.org/multi/interview/ID/60/Youssou+N%27Dour+in+Morocco%2C+May%2C+2004 Afropop Worldwide Interview with Youssou N'Dour, May 2004]
* [http://www.globalrhythm.net/WorldMusicLegends/YoussouNDour.cfm “Youssou N'Dour” World Music Legends]
* [http://www.worldbeatplanet.com/node/402?PHPSESSID=004ccbd5f0f572b642d76b6a4f1f10d4 “Senegal Superstar Wins Grammy for 'Egypt' ,” World Beat Planet, 16 Feb. 2005]
* [http://africanmusic.org/artists/youssou.html “Youssou N'Dour,” African Music Encyclopedia, 1998]
* [http://www.chez.com/afroweb/you_bio.htm “Youssou N'Dour” AfroWeb]
* [http://www.bbc.co.uk/music/profiles/ndouryoussou.shtml “Youssou N'Dour,” BBC]
* [http://www.npr.org/templates/story/story.php?storyId=3097000 “Youssou N'Dour, 'Egypt' and Islam,” National Public Radio]
* [http://www.laurentpons.com/youssoundour.htm French Page]
* [http://www.exploringmusic.co.ul/WorldMusic.cfm Music Reference]
* [http://www.amazinggracemovie.com/castcrew_equiano.php N'Dour's role] in the film [http://www.amazinggracemovie.com/ Amazing Grace]
* [http://www.stockexchangeofvisions.org/speaker.php?id=55 Stock Exchange Of Visions: Visions of Youssou N'Dour (Video Interviews)]