- How I Learned to Drive
How I Learned to Drive Written by Paula Vogel Characters Lil' Bit
Lil' Bit's mother
Lil' Bit's grandmother
Lil' Bit's grandfather
Date premiered March 16, 1997 Place premiered Vineyard Theatre
New York City, New York
Original language English Genre Drama IOBDB profile
How I Learned to Drive is a play written by American playwright Paula Vogel. The play premiered on March 16, 1997 off-broadway at the Vineyard Theatre. Vogel received the 1998 Pulitzer Prize for Drama for the work.
The story follows the strained, sexual relationship between Li'l Bit and her aunt's husband, Uncle Peck, from her adolescence through her teenage years into college and beyond. Using the metaphor of driving and the issues of pedophilia, incest, and misogyny, the play explores the ideas of control and manipulation.
Li'l Bit grows up in rural Maryland during the 1960s with a large extended family: her mother, who became pregnant at a young age; her grandmother, a God-fearing former child-bride; her ignorant, sexist grandfather; her Uncle Peck, who has been affected by experiences in combat and is a recovering alcoholic; and Aunt Mary, who is in denial of her husband's behavior.
In 1962, when Li'l Bit is 11, Uncle Peck gives her a driving lesson, during which he molests her. Li'l Bit is too young to understand what has happened and, while her mother suspects that Peck has an unhealthy interest in his niece, she does nothing about it.
Years pass and Li'l Bit enters puberty. Though she is quite intelligent, her classmates recognize her only for her large breasts. Peck continues to molest her, at one point using his amateur photo studio to take provocative pictures of her. Though he makes her uncomfortable, Peck is the only member of her family who is nice to her and supportive of her plans to go to college. He continues to give Li'l Bit driving lessons, and when she drives she develops a feeling of control that she does not have in her home life.
Peck attempts to convince Li'l Bit to have sex with him, but Li'l Bit rejects his advances, albeit reluctantly; since they are both "outsiders" in their family, she feels an odd kinship with him. Li'l Bit goes to college, and is surprised to receive gifts from Uncle Peck in the mail, along with letters counting down to her eighteenth birthday.
When she turns eighteen, she confronts Uncle Peck. He has been hoping to finally have sex with her now that she is a legal adult, but more than that, he wants her to marry him. Li'l Bit refuses and permanently severs their relationship.
Narrating as an adult, Li'l Bit reveals that she was eventually expelled from college and that Uncle Peck drank himself to death. Li'l Bit admits that she wishes that she could ask Uncle Peck about his life. She wonders who violated him to make him this way. This gives her a sense of forgiveness for his wrongdoings. She concludes that he did give her something valuable: the freedom she feels only when she drives.
How I Learned to Drive was first produced by Vineyard Theatre (Douglas Aibel, Artistic Director; Jon Nakagawa, Managing Director) in New York City in February 1997. It was directed by Mark Brokaw, the set design was by Narelle Sissons, the costume design was by Jess Goldstein, the lighting design was by Mark McCullough, the original sound design was by David van Tieghem, and the production stage manager was Thea Bradshaw Gillies. The cast was as follows:
- Li'l Bit - Mary-Louise Parker
- Uncle Peck - David Morse
- Male Greek Chorus - Michael Showalter
- Female Greek Chorus - Johanna Day
- Teenage Greek Chorus - Kerry O'Malley
- Greek chorus leader- Ethan Atkins
The Vineyard Theatre production, in association with Daryl Roth and Roy Gabay, moved to the Century Theatre in April, 1997. The Male Greek Chorus was played by Christopher Duva.
A 1997/98 season production at CENTERSTAGE in Baltimore (Center Stage) was directed by Barry Edelstein.
Second Stage Theatre recently announced that they would produce the first New York City production of the play in 15 years as a part of their 2011-2012 season. However, the play was produced by the T. Schreiber Studio and Theater in Manhattan from March 2 to April 2, 2006.
Awards and nominations
- The Pulitzer Prize for Drama (1998)
- Off-Broadway Lucille Lortel Awards (1997)
- Outstanding play
- Outstanding Director (Mark Brokaw)
- Outstanding Actress (Mary-Louise Parker)
- Outstanding Actor (David Morse)
- Drama Desk Awards (1997)
- Outstanding play
- Outstanding Actor in a play
- Outstanding Director of a play
- Obie Award (1996–1997)
- Performance, David Morse
- Performance, Mary-Louise Parker
- Outstanding Off-Broadway play
- New York Drama Critics Award
- Best play
- "How I Learned to Drive". ThatTheatreSite. 2008. http://thattheatresite.com/library/showpages/show_549.html. Retrieved 2008-08-05.
- Paula Vogel (16 April 1998) (transcript). with Elizabeth Farnsworth. The NewsHour with Jim Lehrer. PBS. http://www.pbs.org/newshour/bb/entertainment/jan-june98/play_4-16.html. Retrieved 2008-08-05.
- How I Learned to Drive at the Internet off-Broadway Database
- The Boston Phoenix interview, May 1998
- CurtainUp Review of How I Learned to Drive
- SET Groups Performance of "How I Learned to Drive", June 2010
Obie Award for plays
The Blacks (1961) · Who'll Save the Plowboy? (1962) · Six Characters in Search of an Author (1963) · Home Movies (1964) · The Indian Wants the Bronx (1968) · What the Butler Saw (1970) · The Basic Training of Pavlo Hummel (1971) · Bad Habits / The Hot l Baltimore / When You Comin' Back, Red Ryder? (1973) · Short Eyes (1974) · For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf (1975) · Sister Mary Ignatius Explains It All For You (1979) · FOB (1980) · Spunk (1989) · Floyd Collins / Love! Valour! Compassion! (1995) · How I Learned to Drive / Rent / The Vagina Monologues (1996) · Golden Child / Hedwig and the Angry Inch (1998) · Bug / The Romance of Magno Rubio (2003) · A Very Merry Unauthorized Children's Scientology Pageant (2004) · Ruined (2009) · Circle Mirror Transformation and The Aliens (2010) · The Elaborate Entrance of Chad Deity (2011)
Drama Desk Award for Outstanding Play (1975–2000)
Same Time, Next Year / Equus (1975) · Streamers (1976) · A Texas Trilogy / Otherwise Engaged (1977) · Da (1978) · The Elephant Man (1979) · Children of a Lesser God (1980) · Amadeus (1981) · Master Harold...and the Boys (1982) · Torch Song Trilogy (1983) · The Real Thing (1984) · As Is (1985) · A Lie of the Mind (1986) · Fences (1987) · M. Butterfly (1988) · The Heidi Chronicles (1989) · The Piano Lesson (1990) · Lost in Yonkers (1991) · Marvin's Room (1992) · Angels in America: Millennium Approaches (1993) · Angels in America: Perestroika (1994) · Love! Valour! Compassion! (1995) · Master Class (1996) · How I Learned to Drive (1997) · The Beauty Queen of Leenane (1998) · Wit (1999) · Copenhagen (2000)
Complete list · (1955–1974) · (1975–2000) · (2001–2025) Pulitzer Prize for Drama (1976–2000)
- A Chorus Line (1976)
- The Shadow Box (1977)
- The Gin Game (1978)
- Buried Child (1979)
- Talley's Folly (1980)
- Crimes of the Heart (1981)
- A Soldier's Play (1982)
- 'night, Mother (1983)
- Glengarry Glen Ross (1984)
- Sunday in the Park with George (1985)
- Fences (1987)
- Driving Miss Daisy (1988)
- The Heidi Chronicles (1989)
- The Piano Lesson (1990)
- Lost in Yonkers (1991)
- The Kentucky Cycle (1992)
- Angels in America: Millennium Approaches (1993)
- Three Tall Women (1994)
- The Young Man From Atlanta (1995)
- Rent (1996)
- How I Learned to Drive (1998)
- Wit (1999)
- Dinner with Friends (2000)
- Complete list
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