- Satpanth
'
Satpanth ' is a subgroup (but not separate from)Nizari Ismailism , a blend of IsmailiSufism andHinduism , inspired by followers ofPir Imam Shah , one of the authors of theGinans .There are villages inGujarat which are totally 'Satpanthi' such as Pirana nearAhmedabad .It is also the older form of Nizari Ismaili practice originating from the Kutch community of
Gujarat .Pir Sadardin gave the first converts to Ismailism the name 'Satpanth' because they were the followers of the 'True Path.'The People
The people of the Satpanth are originally from the Indian states of Punjab and
Rajasthan . However, most of them now reside inGujarat (mainly theKutch and commercial areas) andMumbai . Most of them are of theLohana warrior caste, although there areRajput ,Jatt , and other communities.Leadership
The current head of the Satpanth Nizari Ismaili community is H.H. Shah Karim Al-Husayni Aga Khan IV.
Beliefs about the Leadership
Satpanth followers, called
Mureed s believe that the physical form of theImam is merely a vessel for the spiritual Imam which isNoor or eternal Light. They also believe that hisfarmans (proclamations), hisshabd (word) and his formless beingNiranjan Nirakar Swaroop are the real Imam. This concept of an esoteric Imam and an exoteric Imam is called "Baatini Imam" and "Zaahiri Imam"Satpanth devotees believe in "Noorani Deedar," which is the "Vision of Light" or Enlightenment one gets when one views the True Imam. This again has an esoteric and an exoteric meaning.
Origin
Pir Sadruddin is credited with the conversion of theKhojas from the Hindu caste of theLohanas who are located in Punjab,Rajasthan , andGujarat . He laid the foundation of the communal organization, built the first assembly and prayer halls and appointed the community leaders "Mukhis ". Khojas live chiefly in lower Sind, Cutch, Gujarat, Bombay and in wide diaspora, particularly in East and South Africa, Arabia, Sri Lanka, Myanmar (Burma), Canada, the United Kingdom, Portugal, U.A.E. and the United States.Rituals
The majority of ritual represents Islamic customs with some Hindu background. For instance, upon entering a
Jamaat-khana a person (of the Satpanthic persuasion) will touch the floor and raise the right hand to the chin and then further to the forehead. The platform behind which sit theMukhi andMukhiani (Satpanth clergy) is referred to as the "Ghat Pat," and the devotee is to clasp his/her hands together in an Indian form salutation and be given holy water called "Niyaz," a sweet called "Suqrit" (akin to the practice of givingPrasad amongstHindu s andSikh s), and at other times be given a wrist band called a "Ghat Pat Jo Doro." All the aforementioned practices are of have an Ismaili meaning attached to them. Attendees of Satpanth rituals do "not" meet segregated by sex, in opposition to Muslim practice, but sit on opposite sides of the main holy room (theKhano ) in a similar fashion toSikhs .It is customary in each and every
Jamaat-khana that a row of community Leaders and the Title Holders (male and female), should sit facing the rest of the congregation. There would be a row of individuals, sitting with their backs to the side wall, in the male as well as the female section. Both these sections are kept side by side in one big hall. Hence, a row of males would face and prostrate that of the females and vice versa. The reading ofHoly Dua is underaken whilst sitting on the floor on one's knees with aMisbaha {rosary} being picked up at intervals. Any individual of any age who is fully versed in theHoly Dua can lead the prayer. To end theHoly Dua the person shakes hands with the persons (male or female) sitting on either side of them, saying "Shah-jo-Deedar", meaning "May you haveDeedar orDarshan (Glimpse) of the Shah" (meaning in Exoteric form the present Imam, but esoterically referring to God).cripture
The Holy Writ of the Satpanth tradition is the collection of
Ginans written by various medieval Pirs, most notablyPir Sadruddin .References
Dr Aziz EsmailA Scent of Sandalwood: Indo-Ismaili Religious Lyrics, London: Curzon in association with The Institute of Ismaili Studies, 2002, pp. xi + 227. August 2002
Dr Dominique-Sila KhanCrossing the Threshold: Understanding Religious Identities in South Asia, London: I. B. Tauris in association with The Institute of Ismaili Studies, 2005, pp. 185. May 2005
Songs of Wisdom and Circles of DanceHymns of the Satpanth Isma'ili Muslim Saint, Pir ShamsTazim R. Kassam
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