Richard Auguste Morse

Richard Auguste Morse (born 1957) is a Puerto Rican-born Haitian-American musician and hotel manager currently residing in Port-au-Prince, Haiti. Morse manages the Hotel Oloffson, and is the founder of a "mizik rasin" band, RAM, named after his initials. Morse is married to the band's lead female vocalist, Lunise Morse, and has two children. Morse and his band are famous in Haiti for their political songs and performances critical of the Raoul Cédras military junta from 1991 to 1994. In more recent years, Morse has also criticized Jean-Bertrand Aristide and Fanmi Lavalas through his music. Morse is a United States citizen.

Early life

Richard Auguste Morse was born in Puerto Rico in 1957. His father, Richard M. Morse, was an American academic sociologist and writer, and his mother was a famous Haitian singer, Emerante de Pradine.ArtMedia Haiti (2001). [http://www.artmediahaiti.com/amh-spotlight/richard-morse.htm "Richard Morse"] . "Spotlight @ ArtMedia Haiti". Retrieved Apr. 2, 2006.] The family did not stay in Puerto Rico for long, and Richard grew up in the town of Woodbridge, Connecticut in the United States. Morse graduated from Princeton University in 1979 with a degree in anthropology. After college, he joined a band in New York City, called The Groceries, that played New Wave and punk rock music with certain Caribbean musical style elements.Marx, Gary (2005). [http://www.heritagekonpa.com/Richard%20Morse%20of%20the%20Voodoo%20Group%20Ram.htm "Lyrics of Love and Haiti"] . "Chicago Tribune". Nov. 8, 2005.]

Move to Haiti

In 1985, Morse was dating a woman whose father strongly disapproved of his daughter dating a musician. Morse also had a falling out with his fellow band members in The Groceries over musical differences, and was struggling with the direction his life should take. A conversation with a French record producer persuaded Morse to start over and move to Port-au-Prince to better explore Haitian and Caribbean music. In 1987, he signed a 15 year lease to manage the Hotel Oloffson, then in near ruins and the inspiration for the fictional Hotel Trianon in Graham Greene's famous 1966 novel "The Comedians".Greene, Graham (1966). "The Comedians". New York, New York: Penguin Classics; Reissue edition (Nov. 5, 1991). ISBN 0-14-018494-5.] In restoring the hotel business, Morse hired a local folkloric dance troupe and slowly converted it into a band. Morse fell in love with one of the performers, Lunise, whom he married.

RAM was formally created in 1990. Morse would become the songwriter and lead male vocalist, Lunise became the lead female vocalist, and the name of band, RAM, comes from Richard's initials. RAM was a "rasin" band. One of the most important musical movements that swept Haiti in the years following the exile of dictator Jean-Claude Duvalier, "mizik rasin" combines elements of traditional "vodou" ceremonical and folkloric music with rock and roll. The ancient drum rhythms of former African slaves combined with the beat of American rock and roll was a perfect combination for the musical background of Morse. The Hotel Oloffson was also a perfect venue for rehearsals and performances. When not on tour elsewhere in the country, RAM began playing a regular performance every Thursday night at the hotel.

Political protest through music

Jean-Bertrand Aristide, the first elected president of Haiti after the exile of dictator Jean-Claude Duvalier, was overthrown in a coup d'etat in 1991. RAM and other "rasin" bands were strongly identified with Aristide and his political party, Lavalas. When other performers, such as Boukman Eksperyans and Manno Charlemagne, left the country in exile, Morse and his band chose to stay in Port-au-Prince. The music that Morse wrote and RAM performed was often laced with political messages critical of the military "junta" led by Raoul Cédras. Richard, Lunise, and other members of the band were threatened or harassed. In 1992, Morse adapted a traditional "vodou" folk song, "Fèy", to a "rasin" rhythm and instrumentation. Despite no overt references to the political situation, it was widely played on the radio and immediately taken up throughout the country as an unofficial anthem of support for Aristide. By the summer of 1992, playing or singing the song was banned under military authority, and Morse was subjected to death threats from the regime. In one particular instance, Morse was summoned before Evans François, the brother of Colonel Michel François, who told Morse that any number of assassins would be willing to kill him for as little as fifty cents in payment.Shacochis, Bob (1999). "The Immaculate Invasion". New York, New York: Penguin Publishing. ISBN 0-14-024895-1. p. 10.]

In September, 1994, U.S. military troops arrived to oust the Cédras regime, and Morse and his band were finally able to release some of their music in their own albums. Over time, Morse, like many other Haitians, had become disillusioned with Aristide and his new political party, Fanmi Lavalas. In 1998, Manno Charlemagne, the newly-elected Fanmi Lavalas mayor of Port-au-Prince, sent armed men to the Oloffson to dismantle the float on which RAM was scheduled to perform in the upcoming annual Carnival. The mayor had taken offense to the lyrics of one of the band's songs, which he interpreted as an accusation of corruption.Wilson, Scott (2002). [http://www.latinamericanstudies.org/haiti/carnival.htm "Political Notes Fill Carnival In Haiti"] . "Washington Post", Feb. 13, 2002, page A22.] In a compromise, the band was allowed to perform on a flatbed truck. However, the brakes on the truck were sabotaged [evidence?] and during the procession, the truck swerved into the crowd, killing eight and forcing the members of the band to flee for their lives.Swindle, Michael (2004). [http://extras.denverpost.com/books/invasion0411.htm "Who'll save Haiti now?"] . "Denver Post", November, 2004. Retrieved Apr. 25, 2006.]

Vodou

Since moving the Haiti in 1985, Morse has been involved in the "vodou" community. The music he writes and performs is inspired by traditional "vodou" folk music, and incorporates the "petwo" drums and "rara" horns used in "vodou" ceremonies. Eventually, Richard Morse became so involved in the "vodou" religion through his music that he was initiated as a "houngan", or "vodou" priest, in 2002. Describing a RAM concert, Morse explains, "Yes, you might see our dancers go into a trance. Some get possessed by the loas, to the rhythm of the drums, but it's a natural state when it happens. You can't fake it."Davison, Phil (2004). [http://www.findarticles.com/p/articles/mi_qn4158/is_200407/ai_n12795418 "Arts: Dance of the zombies"] "The Independent", London, July 27, 2004. Retrieved Apr. 25, 2006.]

References

;Cited References

;General References

*Shacochis, Bob (1999). "The Immaculate Invasion". New York, New York: Penguin Publishing. ISBN 0-14-024895-1.