Imogen Holst

Imogen Claire Holst, CBE (12 April 1907-9 March 1984) was a British composer and conductor, and the only child of composer Gustav Holst.

Imogen Holst was brought up in west London and educated at St Paul's Girls' School, where her father was director of music. She worked with Herbert Howells before entering the Royal College of Music in 1926 to study composition with George Dyson and Gordon Jacob, harmony and counterpoint with Ralph Vaughan Williams, and conducting with William H. Reed. She won several prizes for composition including the Cobbett prize for a string quartet (1928).

In 1931 Holst began earning her living as a freelance musician, though her hopes of being a concert pianist were dashed by incipient phlebitis in her left arm.

In April 1939 Holst went to Switzerland to study, and she returned just before the outbreak of war. She served on the Bloomsbury House Refugee Committee, working for musicians from Austria and Germany, and in January 1940 was appointed by Sir Henry Walford Davies to be one of six musicians charged with inspiring and organizing musical activities among civilians in rural areas. The scheme, originally funded by the Pilgrim Trust, was taken over by the newly formed Council for the Encouragement of Music and the Arts, forerunner of the Arts Council of Great Britain.

In July 1951 she resumed her freelance career, and in the autumn of 1952 the composer Benjamin Britten asked her to come to Aldeburgh, Suffolk, to help with his opera Gloriana. She had first met him and his partner the tenor Peter Pears in the 1940s and they became close friends. She lived in Aldeburgh for the rest of her life, initially working closely with Britten both as his music assistant and for the Aldeburgh Festival, of which she was an artistic director from 1956 to 1977.

In 1964 Imogen Holst left Aldeburgh to concentrate on the recording and editing the music of her father. With composer Colin Matthews she edited scholarly editions of her father's works (including four volumes of facsimiles) and compiled "A Thematic Catalogue of Gustav Holst's Music" (1974).

She was appointed a fellow of the Royal College of Music in 1966, an honorary member of the Royal Academy of Music in 1970 and to the CBE in 1975. She received honorary doctorates from the universities of Essex (1968), Exeter (1969), and Leeds (1983).

She is buried in the churchyard of Saint Peter and Saint Paul's Church in Aldeburgh, Suffolk, England. Her grave can be found directly behind those of Benjamin Britten and Peter Pears.

In 2007, Boydell Press published "Imogen Holst: A Life in Music" [ [http://www.boydell.co.uk/43832968.HTM Imogen Holst Life in Music, 1843832968, £25.00/$47.95, 514pp, 2007] ] , edited by Christopher Grogan et al., to celebrate the 100th anniversary of her birth.

References

External links

* [http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=6826019 Photos of Imogen Holst's grave]
* [http://www.boydell.co.uk/43832968.HTM "Imogen Holst: A Life in Music" edited by Christopher Grogan (The Boydell Press 2007) includes her diary of her years working with Benjamin Britten, a biographical essay by Rosamund Strode and an analysis of her music by Christopher Tinker.]
* [http://www.imogenholst.com] Court Lane Music has recorded a CD of her string chamber music, which is now available. Works include the Phantasy Quartet, Sonata for Violin and Cello, String Trio No. 1, The Fall of the Leaf, Duo for Viola and Piano, and the String Quintet. ]