Cléo de Mérode

Cléo de Mérode, 1903

Cléo de Mérode (27 September 1875 - 17 October 1966) was a French dancer of the Belle Époque.

Biography

Cléopatra Diane de Mérode was born in Paris, France, the daughter of the Austrian landscape painter, Karl von Merode (1853-1909). The painter belonged to a famous Belgian noble family 'de Mérode'. Nicknamed Cléo, at age eight she was sent to study dance and made her professional debut at age eleven. She grew into a beautiful young woman, noted for her tiny waist which was accentuated by tightlacing which was popular with women at the time.

Cléo de Mérode became renowned for her glamour even more than for her dancing skills and her image began appearing on such things as postcards and playing cards. A particular new hairdo she choose to wear became the talk of Parisian women and was quickly adopted as a popular style for all. Her fame was such that Alexandre Falguière sculpted The Dancer in her image, which today can be seen in the Musée d'Orsay. In 1895, Henri de Toulouse-Lautrec did her portrait, as would Charles Puyo and Alfredo Muller. Seen here, is her picture taken by one of the most illustrious photographers of the day, Félix Nadar.

In 1896, King Léopold II attended the ballet and saw Mérode dance. It is said that the 61-year-old Belgian King became enamoured with the 22-year-old ballet star and gossip started that she was his latest mistress. Because the King had had two children with a woman reputed to be a prostitute, Cléo de Mérode's reputation suffered and she had to live with it for the rest of her life. Nevertheless, Cléo de Mérode became an international star, performing across Europe and in the United States. At the peak of her popularity, she chose to dance at the Folies Bergère, taking the risk to do something other elites of the ballet had never done before. Her performance gained her a whole new following.

Very popular in her ancestral homeland of Austria as well as in Germany, her character appeared in the 1926 German motion picture, Frauen der Leidenschaft, played by Fern Andra. In Vienna her beauty caught the attention of painter Gustav Klimt whose primary focus was on female sexuality. Their story is retold in a film released in 2006 titled Klimt, in which the character "Lea de Castro" is based on Cléo de Mérode.

Mérode continued to dance until her early fifties when she retired to the seaside resort of Biarritz in the Pyrénées-Atlantiques département of France. In 1955 she published her autobiography Le Ballet de ma vie.

Cléo de Mérode died in 1966 and was interred in the Père Lachaise Cemetery in Paris.

Gallery

• 

  Photograph by Léopold Reutlinger, 1901 (ballet Lorenza)

• 

  Cléo de Mérode in three different poses (from Le Théâtre, décembre 1898)

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  Photograph by Charles Ogerau, 1902

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  Photograph by Charles Ogerau, 1895^[1]

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  Photograph by Léopold Reutlinger, 1901 (ballet Lorenza)

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  Photograph, 1897

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  Photograph, 1900
  (La Cambodgienne)

Bibliography

• Cléo de Mérode, Le Ballet de ma vie, Paris, Pierre Horay, 1955, 277 p., ill.
• Christian Corvisier, Cléo de Mérode et la photographie, la première icône moderne, Paris, éditions du Patrimoine, 2007, 127 p., 150 ill.

References

1. ^ This was chosen by Cléo to illustrate the cover of her memoirs, in 1955.

External links

• Photo Gallery at operagloves.com

Persondata
Name	Merode, Cleo De
Alternative names
Short description
Date of birth	27 September 1875
Place of birth
Date of death	17 October 1966
Place of death