- Peter Maag
Peter Maag (Ernst Peter Johannes Maag) was a Swiss conductor.
Life
He was born May 10, 1919 in
St. Gallen , Switzerland and died April 16, 2001 inVerona , Italy. His father, Otto, was a Lutheran minister and his mother, Nelly, a violinist who performed in the Capet Quartet as second violinist. His great uncle was the conductorFritz Steinbach . Peter attended the universities of Zürich, Basel, and Geneva. He was mentored byKarl Barth andEmil Brunner in theology, andKarl Jaspers in philosophy. He studied piano and theory withCzesław Marek in Zürich and received further training on piano withAlfred Cortot in Paris. His conducting mentors wereErnest Ansermet ,Wilhelm Furtwängler , andFranz von Hoesslin .Association with Furtwangler
He described his association with Wilhelm Furtwängler to be the most important in his life. He performed as pianist in a Furtwängler concert with Beethoven’s Piano Concerto No. 4 in G major. As recounted by Maag, Furtwängler told him: “"Why don't you try to conduct? I have observed you while you were playing the concert tonight, staring at the orchestra more than at the keyboard. It was more you than me that have given the entry”. He followed Furtwängler advice to start out at a small theatre. His new career began as
répétiteur and then director at the Swiss Theater Biel-Solothurn 1943-46. After the first season at Biel-Solothurn was over he served as an assistant to Furtwängler prior to the opening of his second season there. After Biel-Solothurn, he becameErnest Ansermet 's assistant with theOrchestre de la Suisse Romande .Conductor
Maag was first conductor at the Düsseldorf Opera 1952-55. He became Generalmusikdirektor of the Bonn City Theater 1955-1959. His first appearance at the
Royal Opera House Covent Garden was in 1959, with Mozart's Die Zauberflote. In the same year he made his debut at theGlyndebourne Festival Opera in Mozart's Le nozze di Figaro. His U.S. debut was as guest conductor in 1959 of theMinneapolis Symphony Orchestra , and he made his U.S. opera debut in 1961 at the Lyric Theatre in Chicago with Mozart’sCosì fan tutte .Retreat into Religion
In 1962, Maag abandoned his musical career. Believing he was losing touch with music and theology, he sought guidance first from the Greek Orthodox Church and then planned to spend a few months at a Buddhist monastery near Hong Kong. "I decided it was time to retire because I was having too much success," Maag said. A few months spread to over two years. “Those two years spent meditating and praying in a small cell purified my soul." Maag’s retreat proved to be a detriment to his career when he returned to the world of conducting.
Return to Conducting
He was the chief conductor of the
Vienna Volksoper 1964-68. His Metropolitan Opera debut was made on September 23, 1972 with Mozart'sDon Giovanni . He became artistic director of theTeatro Regio di Parma in 1972 and the Teatro Regio in Turin in 1974. He held posts at the RAI Symphony Orchestra, Turin and theOrquesta Nacional de España . He was the music director of theBerner Symphonie-Orchester 1984-91. He was also a frequent guest conductor with orchestras and opera houses worldwide.Recordings
He began recording for
Decca Records in October 1950 with theOrchestre de la Suisse Romande . Thesemonaural recordings included Mozart's Symphony No. 29 and Symphony No. 34 and Serenade No. 9 "Posthorn".Maag's early
stereophonic sound recordings for Decca were well-received and many have remained in the catalogs for decades. The original LPs, particularly with theLondon Symphony Orchestra , have become collector's items. He began recording with the London Symphony Orchestra in February 1957. This included a series of Mendelssohn and Mozart works, and the Schumann Piano Concerto. Maag’s favorite recordings came from this association: Mozart’s Symphony No. 29 and Symphony No. 34.Maag also recorded two LPs with the
Orchestre de la Société des Concerts du Conservatoire in November 1958 with works of Chopin, Delibes, and Rossini.For Decca he also recorded Verdi's
Luisa Miller with theNational Philharmonic Orchestra in June 1975 and Paer'sLeonora with the Bavarian Symphony Orchestra (likely theBavarian State Orchestra ) in June and July 1978. Other labels he recorded for include Arts, Conifer,Deutsche Grammophon , MCA Records,Naxos Records , Nuova Era,RCA Red Seal Records , andVox Records .Maag's first wife was Jasmina Božin, a Yugoslav stage designer. Maag was surived by his second wife, Marica Franchi (Marika), an Italian harpist; and a son (from his first wife) and a daughter (from his second wife).
Awards
*Toscanini Medal (1968)
*Verdi Medal (1973)
*Toscanini Presentation Baton (1975)References
*Anderson, Martin. "Peter Maag" Independent of London, August 2, 2001.
*Baker’s Biographical Dictionary of Musicians. New York: Schirmer, 2001.
*Griffiths, Paul “Peter Maag, 81, Conductor With a Fondness for Mozart”New York Times , April 20, 2001 page B9.
*Holmes, John L. Conductor’s on Record. Westport, Conn.: Greenwood Press, 1982.
*MUSICA n. 102 february/march 1997 “Maag’s Interview” [http://www.pvorchestra.org/eng/int/02.html]
*”Peter Maag” Telegraph, [http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2001/04/18/db03.xml]
*”Peter Maag; Swiss Conductor Known as Specialist in Mozart” Los Angeles Times, April 25, 2001, page B-6.
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