The songwriting partnership of
Mick Jaggerand Keith Richards, known as Jagger/Richards (and occasionally Richards/Jagger) is a musical collaboration whose output is primarily part of the catalogue of their group, The Rolling Stones.
In addition to Jagger and Richards' songwriting partnership, they have also produced or co-produced numerous Rolling Stones albums under the pseudonym The Glimmer Twins.
Jagger and Richards have different recollections about their first songwriting endeavours, but both credit manager
Andrew Loog Oldhamas the catalyst for their collaboration. Richards says:
Jagger's version is:
The first original Jagger/Richards song to be released as the
a-sideof a Rolling Stones single was " Tell Me (You're Coming Back)", from their debut album. Released as a single in the US only, peaked at number 24 on the charts there. The earlier "Good Times, Bad Times" had been released as the b-sideto their cover of Bobby and Shirley Womack's " It's All Over Now". The band's first UK single featuring an a-side Jagger/Richards original was "The Last Time"; released in February 1965, it went to number 1 in the UK and number 9 in the US.cite book |last=Elliott |first=Martin |title= The Rolling Stones: Complete Recording Sessions 1962-2002 |publisher=Cherry Red Books |date=2002 |id=ISBN 1-901447-04-9 |pages=pg. 59-60]
Although most Jagger/Richards compositions have been collaborations, some of the songs credited to the famous partnership have been basically solo songwriting from either Jagger (for example "
Sympathy for the Devil" and "Brown Sugar") or Richards ("Happy" and " Before They Make Me Run"). This is comparable to the Lennon/McCartneypartnership, who also adhered to a tradition of joint credits even on numbers that were written by just one of the pair. As Mick Jagger stated in his comprehensive 1995 interview with Jann Wenner, "I think in the end it all balances out."cite journal |last=Wenner |first=Jann |title=Jagger Remembers: The Rolling Stone Interview |journal=Rolling Stone |issue=723 |year=1995 |month=December |day=14 ]
One of the patterns that the Jagger/Richards collaboration has followed has been that Jagger writes most of the lyrics while Richards focuses on the music. Jagger discussed this in the same 1995 interview with Wenner, in which he explained how songs like "
Get Off of My Cloud", "As Tears Go By", "Wild Horses", " Tumbling Dice" and "Beast of Burden" were created. He has also pointed out that this pattern was more prevalent in the early 1960s, while in their later collaborations their roles have overlapped more, with both songwriters contributing both lyrics and music.
Jagger and Richards have shared credits with very few others. Among them are:
Andrew Loog Oldham: "As Tears Go By"
Marianne Faithfull: " Sister Morphine"
Mick Taylor, former Rolling Stones guitarist: " Ventilator Blues" (Taylor has stated that he left the Rolling Stones partly due to not being given co-writing credits on some numbers.cite web |last=James |first=Gary |title=Gary James' Interview With Mick Taylor of the Rolling Stones |url= http://www.classicbands.com/MickTaylorInterview.html
accessdate=2008-02-21 | ] )
Ronnie Wood, Rolling Stones guitarist: "Dance (Pt. 1)", "If I Was A Dancer (Dance Pt. 2)", "Everything Is Turning to Gold", " Black Limousine", "No Use in Crying", "Pretty Beat Up", " One Hit (to the Body)", "Fight", "Dirty Work" and "Had It With You". He is credited as "Inspiration by Ronnie Wood" on " It's Only Rock'n Roll (But I Like It)" and "Hey Negrita"
Billy Prestonis credited as "Inspiration by Billy Preston" on "Melody"
Chuck Leavell, keyboardist: "Back to Zero"
Steve Jordan: " Almost Hear You Sigh"
k.d. langand Ben Mink: " Anybody Seen My Baby?" (Lang and Mink were not involved with the composition of this number; they were given co-writing credits when, just prior to the song's release, one of the Rolling Stones' offspring pointed out a similarity to "Constant Craving," a hit from Lang's 1992 "Ingénue" album.)Fact|date=April 2008
* Pierre de Beauport: "Thief in the Night"
The Verve's 1997 hit single “ Bitter Sweet Symphony” uses a small five-note sample from an orchestral version of the Rolling Stones’ “The Last Time.” After the song became a hit, The Verve was sued by Allen Klein, who owns the copyrights to The Rolling Stones' pre-1970 songs. Klein claimed The Verve broke their licence agreement when they used a larger portion than was covered in the license. The band handed over 100 percent of their songwriting royalties. They were then sued by Oldham, who claimed to possess the copyright on the sampled sound recording. [ [http://www.vh1.com/artists/news/511079/01111999/verve.jhtml "The Verve Sued Again over "Bitter Sweet Symphony"] " VH1", 11 January 1999] “Bittersweet Symphony” was nominated for a Grammy in the Best Song category, which honours songwriters. Because the unfavourable settlement transferred the Verve’s copyright and songwriting credit to Klein and The Rolling Stones, the Grammy nomination went to “Mick Jagger and Keith Richards.” [ [http://www.bloggingmuses.com/archives/songwriters_careful_with_those_music_samples_000228.htm "Songwriters: Careful with those music samples!"] " Blogging Muses", 11 August 2006]
Jagger/Richards compositions released only by other artists
Some Jagger/Richards compositions have been released only by artists other than
The Rolling Stones:cite web |last=Zentgraf |first=Nico |title=The Complete Works of the Rolling Stones 1962-2008 |url=http://www.nzentgraf.de/books/tcw/works1.htm|accessdate=2008-02-19 | ]
*"That Girl Belongs to Yesterday", a January 1964 single by
*"Will You Be My Lover Tonight"/"It Should Be You", a January 1964 single by George Bean
*"Shang a Doo Lang", a March 1964 single by
*"So Much in Love", an August 1964 single by The Mighty Avengers
*"Act Together", on
Ronnie Wood's September 1974 LP " I've Got My Own Album to Do"
*"Sure the One You Need", on Wood's September 1974 LP "
I've Got My Own Album to Do" and the associated July 1974 ' concert (released in October 2007); and on The New Barbarians' May 1979 concert album ' (released in October 2006).
List of Jagger/Richards songs released as Rolling Stones singles
These are the Jagger/Richards songs that have been released as Rolling Stones singles (both A-sides and B-sides):
2000 Light Years from Home"
19th Nervous Breakdown"
All Down the Line"
* "All the Way Down"
* "Beast of Burden"
Before They Make Me Run" (concert rendition)
* "Biggest Mistake"
* "Break the Spell"
* "Brown Sugar"
* "Child of the Moon"
* "Cook Cook Blues"
* "Crazy Mama"
* "Dance Little Sister"
Dancing With Mr. D"
* "Dandelion "
* "Don't Stop"
Doo Doo Doo Doo Doo (Heartbreaker)"
* "Down in the Hole"
* "Emotional Rescue"
* "Fancy Man Blues"
Far Away Eyes"
Fool to Cry"
* "Good Times, Bad Times"
Get Off of My Cloud"
* "Gotta Get Away"
Honky Tonk Women"
Have You Seen Your Mother, Baby, Standing in the Shadow?"
* "Heart of Stone"
* "Hot Stuff"
* "Hurricane" [released as a benefit single to aid victims of
(I Can't Get No) Satisfaction"
I Go Wild"
* "I Think I'm Going Mad"
* "I'm Free"
* "I'm Gonna Drive"
It's Only Rock'n Roll (But I Like It)" [actually a Jagger/Wood or Jagger/Richards/Wood composition, but attributed to Jagger/Richards - see "According to the Rolling Stones" (Jagger, Richards, Watts and Wood 2003, pages 162-164)]
Jiving Sister Fanny"
Jump On Top of Me"
Jumpin' Jack Flash"
* "The Last Time"
Let's Spend the Night Together"
Love Is Strong"
* "Mixed Emotions"
Mother's Little Helper"
Off the Hook"
* "Out of Control"
Out of Tears"
* "Out of Time"
Paint It, Black"
* "Play With Fire"
* "Rock and a Hard Place"
* "Rough Justice"
* "Ruby Tuesday"
* "Sad Day"
Saint of Me"
Send It to Me"
She's a Rainbow"
She's So Cold"
She Was Hot"
* "Silver Train"
Start Me Up"
Street Fighting Man"
* "Streets of Love"
* "Stupid Girl"
* "Surprise, Surprise"
Sweet Black Angel"
Sympathy for the Devil"
Tell Me (You're Coming Back)"
* "Through the Lonely Nights"
Try A Little Harder"
Undercover of the Night"
Waiting On A Friend"
We Love You"
* "What a Shame"
When the Whip Comes Down"
* "Wish I'd Never Met You"
* "Who's Driving Your Plane?"
You Can't Always Get What You Want"
You Got Me Rocking"
Production (as the Glimmer Twins)
Jagger and Richards adopted the nickname "The Glimmer Twins" after a
vacation cruisethey took to Brazilin 1969 with their then-girlfriends, Marianne Faithfulland Anita Pallenberg. During several meals, an older English couple ate at the same tableas the rock stars and kept asking Richards and Jagger who they were. When they refused to reveal their identities, reportedly, the older couple kept asking, "just give us a glimmer" (as in "give us a hint to your true names"), for the couple did vaguely recognize the men from televisionand tabloids. Jagger and Richards were so amused by this recurrent request, they began to call themselves the 'Glimmer Twins' when producing Rolling Stonesrecords. [Blake, John. "His Satanic Majesty: Mick Jagger". New York: Holt, 1985.]
Jagger and Richards began to produce the Stones' albums under the pseudonym "The Glimmer Twins" starting with "
It's Only Rock 'n' Roll" (released in 1974). The Glimmer Twins were the sole credited producers for the band's studio and live albums from that point through " "Still Life" (American Concert 1981)" (released in 1982). Starting with "Undercover" (released in 1983), the Glimmer Twins have shared production credit for the Rolling Stones albums with other producers, most frequently Don Was(five times) and Chris Kimsey(three times).
Besides their production work for the Rolling Stones, Jagger and Richards also used the Glimmer Twins for their co-production credit on
Peter Tosh's album " Bush Doctor", released in 1978. A rare exception to Jagger and Richards' use of the Glimmer Twins name for production credits appeared on John Phillips' "Pay, Pack and Follow" album, recorded 1973-1979 and released in 2001, for which Jagger and Richards were credited as producers under their own names.
* [http://www.rollingstones.com/discog/index.php?v=a&a=1 Rolling Stones Complete Official Discography]
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