- Günter Bialas
Günter Bialas (
July 19 ,1907 –July 8 ,1995 ) was a Germancomposer .Life
Bialas was born in Bielschowitz (Bielszowice) in
Prussian Silesia . The adolescent Bialas received lessons inpiano andmusic theory fromFritz Lubrich , a former student ofMax Reger , in Kattowitz (Katowice) between 1922 and 1925. After graduating from the German Minderheiten-Gymnasium in Kattowitz in 1926, he studiedmusicology , Germanistics, andhistory at the Friedrich-Wilhelms-Universität zu Breslau from 1927 to 1931. He then proceeded to study music at the Prussian Academy of the Arts inBerlin and subsequently taught at theUrsuline Girls' School in Breslau-Karlowitz from 1934 to 1937. He pursued further studies in composition withMax Trapp in Berlin. Through some of hisRomania n friends, he made the acquaintance ofSergiu Celibidache and prepared for the entrance examination to the Berliner Musikhochschule.In 1939, he became a lecturer in music theory and composition at the Institute for Music Education at Breslau University. After his German military service and Allied captivity from 1941 to 1945, he and his wife, the singer
Gerda Specht , had to flee Silesia. They settled inBavaria in 1946 and Bialas found workconducting the Munich Bach-Verein. From 1947 to 1959, he taught composition at the Nordwestdeutschen Musikakademie, now theHochschule für Musik Detmold . He transferred to become a professor at the State Academy of Music inMunich in 1959, where he remained until his retirement in 1972.For his compositions, Bialas was recognized with many prizes and honors, including the "Großer Preis für Musik des Landes NRW" (1954), the "Münchner Musikpreis" (1962), the "Johann-Wenzel-Stamitz-Preis" (1964), the "Musikpreis der
Bayerische Akademie der Schönen Künste " (1967, elected to the Akademie in 1971), the "Plöner Musikpreis" (1988), and the "Bayerischer Maximiliansorden für Wissenschaft und Kunst " (1991).After his death in 1995, a street in his adopted hometown of
Glonn was named "Bialas-Straße" in his honor and marked with a sign bearing his biographical details.Bialas is considered to have been one of the most influential composition instructors in postwar Germany. The legacy of his open, liberal, and undoctrinaire attitudes to teaching may be appreciated in the stylistic variety of those who were his students or mentorees, including
Nicolaus A. Huber ,Peter Michael Hamel ,Wilfried Hiller ,Heinz Winbeck ,Ulrich Stranz ,Michael Denhoff ,Manfred Kluge , andGerd Zacher .elected works
Opera s* "Hero und Leander" (premiered 1966, Mannheim)
* "Die Geschichte von Aucassin und Nicolette" (premiered 1969, Munich)
* "Der Gestiefelte Kater" (premiered 1976, Schwetzingen)
* "Aus der Matratzengruft" (premiered 1992, Kiel)Ballet * "Meyerbeer-Paraphrasen" (premiered 1974, Hamburg)
Oratorio s* "Im Anfang" (1961), interpretation of
Genesis based on text byMartin Buber , for three echoic voices,choir , andorchestra
* "Lamento di Orlando" (1983-85) forbaritone , mixed choir, and orchestraCantata s* "Indianische Kantate" (1949), based on the composer's original poems, for baritone, chamber choir, 8 instruments, and
drum s
* "Preisungen" (1964), based on text by Martin Buber, for baritone and orchestraOrchestra l works* "Romanzero" (1955)
* "Seranata" (1955)
* "Sinfonia Piccola" (1960)
* "Waldmusik" (1977)
* "Der Weg nach Eisenstadt" (1980), fantasies on Haydn
* "Marsch-Fantasie" (1987)
* "Ländler-Fantasie" (1989)Concerto s* "Concerto Lirico" (1967) for piano and orchestra
* "Introitus - Exodus" (1976) for organ and orchestra
* Music for Piano and Orchestra (1990)
* Cello Concerto No. 2 (1992)Chamber music * Music for Eleven Strings (1970)
* 5 String Quartets (1935, 1949, 1968, 1986, 1991)
* 2Saxophone Quartets (Six Bagatelles, 1986; "Kunst des Kanons", 1991)
* Piano Trio (1981)
* "Herbstzeit" (1982) forstring trio and piano
* Nine Bagatelles (1984) for wind trio, string trio, and piano
=Soloinstrumental music=* "Lamento, vier Intermezzi und Marsch" (1986) for piano
References
* "Komponisten in Bayern, Band 5: Günter Bialas". Verlag Schneider-Tutzing, 1984. ISBN 3-7952-0431-3.
* "Kein Ton zuviel – Günter Bialas in Selbstzeugnissen und im Spiegel seiner Zeit". Bärenreiter-Verlag, 1997. ISBN 3-7618-1396-1.
* Meyer, Gabriel E. "Günter Bialas Werkverzeichnis". Bärenreiter-Verlag, 2003. ISBN 3-7618-1565-4.External links
*Denhoff, Michael. " [http://www.denhoff.de/bialas.htm Günter Bialas zum 80. Geburtstag] " ("Günter Bialas on his 80th birthday"; 1987).
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