- Elvis Herselvis
Elvis Herselvis is the stagename of the American actor and singer Leigh Crow, whose rise to international exposure was performing as a female
Elvis Presley impersonator. Although she rarely performs as Elvis Herselvis currently Crow still sings, acts and performs regularly including as an emcee.San Francisco -based Elvis Herselvis identifies as across dresser , "Female Elvis Impersonator" and "Drag King" and has been evoking the King ofRock and Roll for several years. "Elvis Herselvis & the Straight White Males" is one of the strangest Elvis impersonation acts, recalling Elvis Presley with her sensuous vibrato, while wiping the sweat from her brow with the panties of devoted fans. The performer even "satirizes Elvis impersonators and includes in her act a discussion of Elvis's drug problem and sexual proclivities." [Lois Tyson, "Critical Theory Today: A User-Friendly Guide" (1999), p.332.] Crow's uncanny portrayal has made her a popular entertainer inqueer clubs and the alternative cabaret circuit in America. In 1993, she also toured Australia.According to Crow, Elvis Presley occupies an important place among lesbian icons. She says,
When the organizers of the Second International Elvis Presley Conference, held at the
University of Mississippi ,Oxford, Mississippi , in August 1996, invited Elvis Herselvis to perform at the conference, the conference organizer, Professor Vernon Chadwick, "sought 'to test the limits of race, class, sexuality and property...' " He was of the opinion that "the conference must comply ‘with all applicable laws regarding affirmative action and equal opportunity in all its activities and programs and does not discriminate against anyone protected by law because of age, creed, color, national origin, race, religion, sex, handicap, veteran, or other status’. Whilst these intentions were widely known, a number of local Baptist Ministers complained to the Mayor of Tupelo about the inclusion of Elvis Herselvis on the conference program and sought to block funding for the conference. The church’s concerns were supported by the organiser of the Elvis birthplace and Museum, then EPE followed suit. Conference organiser Chadwick argued that these actions ‘really get interesting when you throw in all the indigenous racism, homophobia, and class distinction that Elvis suffered in the South and throughout his career’. Chadwick received a formal, but diplomatic, letter from EPE’s licensing officer which formally withdrew support for the conference." [ [http://www.leeds.ac.uk/law/staff/lawdw/elvwall.pdf David S. Wall, "Policing Elvis: Legal Action and the Shaping of Post-Mortem Celebrity Culture as Contested Space."] ]In a paper entitled "Women Who 'Do Elvis': Authenticity, Masculinity and Masquerade" and presented on February 19, 2006 at the Study of Popular Music conference in
Nashville, Tennessee ,Cornell University researcher Francesca Brittan dealt with female Elvis Presley impersonators such as Elvis Herselvis and found them to be "campy, cheeky, and often disturbingly convincing." [ See "Journal of Popular Music Studies", Vol. 18, No. 2. (August 2006), p.167-190.]References
"See also"
Elvis Presley ,Elvis impersonator External links
* [http://www.gendercentre.org.au/16article11.htm Kerry Bashford, "Elvis Herselvis Part I"]
* [http://www.gendercentre.org.au/17article4.htm Kerry Bashford, "Elvis Herselvis Part II".]
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