- Renato Bruson
Renato Bruson (born
January 13 ,1936 ) is an Italianopera ticbaritone . Bruson is widely considered one of the most important Verdi baritones of the late 20th and early 21stcentury . He was born inGranze nearPadua ,Italy .Biography and career
Bruson's passion for music matured in the parish choir when he was a child. He began his music studies at the conservatory of
Padua where he was awarded a scholarship that allowed him to attend the courses in the face of economic problems. He did not receive much support from his family, who considered him a good-for-nothing. In his own words: "They thought that I only wanted to study music because I had no desire to work. At that time, the general feeling where I lived was that if someone worked, they had a future, whereas those who studied, especially if they studied music, were considered failures who would never find their path in life." [ [http://www.saintanthonyofpadua.net/messaggero/pagina_articolo.asp?IDX=43IDRX=14 Messenger of Saint Anthony ] ] However, he could continue his studies with the help of the administration of the conservatory and the support of friends.Bruson made his operatic debut as the Conte di Luna in "
Il trovatore " at the Teatro Lirico Sperimentale inSpoleto in 1961. The following year he was Riccardo in "I puritani " at the Teatro dell’Opera inRome . His firstMetropolitan Opera appearance was as Enrico in "Lucia di Lammermoor " in 1969. In 1970 he started his collaboration with conductorRiccardo Muti in "Un ballo in maschera " inFlorence . He made his debut atLa Scala in 1972 as Antonio inDonizetti 's "Linda di Chamonix ", at theEdinburgh International Festival in 1972 as Ezio inAttila (opera) , at theCovent Garden in 1975 in the role of Renato in "Un ballo in maschera " substituting with great success forPiero Cappuccilli . He debuted at theVienna State Opera in 1978 with "Macbeth" with such a success that the prestigious Austrian theatre awarded him with the important title ofKammersänger . In the 80's he turned to the 18th century withMozart 's "Don Giovanni " and to Italianverismo withUmberto Giordano 's "Andrea Chenier ".He is considered by some critics the finest
Rigoletto sinceTito Gobbi . [Richard Osborne at http://www.gramophone.co.uk/gramofilereview.asp?reviewID=8601117&mediaID=52001&issue=Reviewed%3A+Gramophone+1%2F1986] They appreciate his elegant and expressive phrasing, velvety tone, musical intelligence and acting qualities. He excels in long, lyrical lines. He is also appreciated for not disdaining smaller roles and for not assuming a divo attitude. Bruson once described himself in the following terms: "I am self critic enough to understand what I can get at. Since I knew I did not have a thundering voice to make coarse effects, I sought the interpretation since I think it is more important that the public go home with something in their hearts that some sounds in their ears". [ [http://www.teche.rai.it/multiteca/radio/1000/renatobruson.ram Anna Dalponte interviews Bruson (in Italian)] ]A
DVD is available of Bruson starring in a production of Verdi's "Macbeth".Acknowledgements
Carlo Maria Giulini : "I believe Renato Bruson now is "the"Falstaff . He has the wit, the intelligence, the dignity and, of course, the voice. Basta.". [Bernheimer, M.: "Giulini's 'Falstaff'" page 8 of booklet included in CD Deutsche Grammophon 410503-2, 1982.]Giuseppe Sinopoli : "Only the baritone Renato Bruson has a similar ability (referring toMirella Freni ) to make expression and word coincide, he explores it with all the semantic charge it contains. And this is not the result of an intellectual activity but is a privileged instinct". [Lenzi, R.: [http://www.rodoni.ch/busoni/sinopoli/intervistalenzi.html GIUSEPPE SINOPOLI, UNA BACCHETTA SCOMODA] , 24.04.2001 (in Italian)]Music critic Christian Springer wrote of Bruson: "Bruson was the quintessential
Verdi baritone in the second half of the last century. AVerdi baritone not as it was understood (or rather, misunderstood) in the 1950's and 60's, but aVerdi baritone as understood and desired by the composer himself." [ [http://www.jcarreras.homestead.com/Baritones.html Baritones ] ] http://213.92.11.85:8888/news/prod/bolletti/persmese/december2001.htm]Honors and awards
Bruson has received numerous honors, including:
*
Doctor Honoris Causa by the University ofUrbino
* Honorary citizenship ofParma
* Honorary citizenship ofOrtona (birth city ofFrancesco Paolo Tosti , of whom he performed many works)
* Honorary citizenship ofPalmi (birth city ofFrancesco Cilea )
* Honorary memberchip of the "Donizetti Society" ofLondon
* Cavaliere di Gran Croce of theItalian Republic
* Commendation of the Order of theKnights of Malta
*Kammersänger awarded by theWiener Staatsoper He received the
Orphée d'or by the French Académie du disque Lyrique in 1980 for theLuisa Miller onDeutsche Grammophon .Trivia
"Bruson, you sing very well but you have no personality!" was the verdict after an audition at
La Scala inMilan in 1963.Bruson told the following story during an interview. He was in
Montecarlo in the 60's with the conductorFranco Mannino to sing in "La traviata ". "During the rehearsals an employee of the theatre addressed him [Mannino] with a very unpleasant ‘italiens de merde!’. He lost his temper, we both ended in a fight, and the police came. Then, after the opera performance,Prince Rainier invited us in the royal box to apologize. There was alsoGrace Kelly , very beautiful, radiant. We drank champagne offered by the prince, and forgot everything with a laugh." [http://www.provincia.palermo.it/rivista%20Palermo/palermo_riv_pdf/palermo_set_06/62_63.pdf (in Italian)]Notes
References
* Tita Tegano - Renato Bruson: 40 anni di "Recitar cantando" (40 Years of Acting by Singing) - Pantheon, 2001, ISBN 88-7434-012-5
* Tita Tegano - Renato Bruson: L'interprete e i personaggi - Azzali Editore, 1998External links
* [http://www.operaclick.com/schede_artisti/bruson_renato_disco.pdf Discography]
* http://213.92.11.85:8888/news/prod/bolletti/persmese/december2001.htm
* http://www.allmusic.com/cg/amg.dll?p=amg&sql=41:15308~T1
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