The Beatles at the Hollywood Bowl

Infobox Album
Name = The Beatles at the Hollywood Bowl
Type = live
Artist = The Beatles


Released = 4 May 1977 (U.S.)
6 May 1977 (UK)
Recorded = Hollywood Bowl
23 August 1964
30 August 1965
Genre = Rock and roll
Length = 33:15
Label = Capitol (U.S.) SMAS 11638
Parlophone (UK) EMTV 4
Producer = Voyle Gilmore (original recordings)
George Martin (cleanup and mixing for release)
Reviews =
*Allmusic rating|4|5 [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:38q4g4fttv3z~T1 link]
*Robert Christgau (A) [http://www.robertchristgau.com/get_artist.php?id=1382&name=The+Beatles link]
Last album = "Rock 'n' Roll Music"
(1976)
This album = "The Beatles at the Hollywood Bowl"
(1977)
Next album = "Live! at the Star-Club in Hamburg, Germany; 1962"
(1977)

"The Beatles at the Hollywood Bowl" is a live album released in May 1977 featuring songs by The Beatles compiled from two live performances at the Hollywood Bowl during August 1964 and August 1965. The album is unavailable on compact disc in either the United Kingdom or United States, though imports do circulate.Fact|date=September 2008

History

Initially, Capitol Records considered recording The Beatles' February 1964 concert at Carnegie Hall in New York, but it could not obtain the necessary approval from the musicians' union to record the performance. Six months later, Bob Eubanks booked The Beatles' August 23, 1964 performance at the Hollywood Bowl in Los Angeles where Capitol recorded their performance with the intent of releasing a live album in America. The sound quality of the tapes proved to be inadequate for commercial release; and, when The Beatles returned to the Hollywood Bowl a year later during their 1965 American tour, Capitol recorded two performances by the group at the same venue. The sound quality of the 1965 recordings was equally disappointing.Fact|date=March 2007 Capitol did, however, utilize a 48-second excerpt of "Twist and Shout" from the 1964 Hollywood Bowl concert on the 1964 documentary album, "The Beatles' Story".

The Beatles were among the few major recording artists of the 1960s to not have issued a live album. Consequently, among Beatles fans, pent-up demand for a concert album continued to build. In fact, John Lennon set off a minor frenzy when, in a 1971 "Rolling Stone" interview, he incorrectly identified an obscure Italian compilation album, "The Beatles in Italy", as a live recording ("There's one in Italy apparently, that somebody recorded there"). Despite the obvious demand for a live album, however, the tapes from the three Hollywood Bowl performances continued to sit untouched in a Capitol vault for more than five years. In 1971, following his salvage project of the "Get Back" sessions, which was released as the group's "Let It Be" album, the Hollywood Bowl tapes were given to famed American record producer Phil Spector to see if he could fashion an album out of the material. Either Spector did not complete the job or his production was unsatisfactory, and the tapes continued to sit unreleased for another half a decade. Finally, with a rival record label's impending release of the "Live! at the Star-Club in Hamburg, Germany; 1962" album consisting of a fifteen-year-old, poor-quality concert recording of the group performing in the Star Club in Hamburg, Capitol Record's parent company, EMI, decided to revisit the Hollywood Bowl recordings. Beatles' producer George Martin was handed the tapes and asked to compile a listenable "official" live album.

When Martin was asked by Capitol Records president Bhaskar Menon to hear the tapes in the mid-1970s, he was impressed with the performances, but disappointed in the sound quality. In working on the three-track Hollywood Bowl concert tapes, Martin discovered quite a challenge. The first difficulty was finding a working three-track machine with which to play back the master tapes. Once he found one, he discovered that the machine overheated when it was running. Martin and recording engineer Geoff Emerick came up with the solution of blowing cold air from a vacuum cleaner to keep the tape deck cool whilst the recordings were transferred to 16-track tape for filtering, equalization, editing, and mixing. Martin found the August 29, 1965 recording virtually useless, and, except for a few dubs taken from the August 29 performance to augment other performances, the album compiled by Martin consisted entirely of songs recorded on August 23, 1964 and August 30, 1965. (The album cover somewhat blundered by showing the almost completely unused August 29 as the second date used.) In editing together the two performances, Martin successfully captured the excitement of a live Beatles concert with 17,000 screaming fans in this album.

Despite the fact that the recordings on "The Beatles at the Hollywood Bowl" were between twelve and thirteen years old, the album reached No. 1 on the "New Musical Express" chart in the United Kingdom and No. 2 on the Billboard chart in the United States. As of autumn 2008, however, the album has yet to be released on compact disc in either country. Bootleggers do circulate needle drop transfers of the LP across the internet.

Because "The Beatles at the Hollywood Bowl" was a compilation of two shows recorded a year apart, a number of songs performed at the two concerts were not included on the album. Songs from the 1964 show not included on the album are: "Twist and Shout", "You Can't Do That", "Can't Buy Me Love", "If I Fell", "I Want to Hold Your Hand", and "A Hard Day's Night". Songs from the 1965 show not included on the album are: "I Feel Fine", "Everybody's Trying to Be My Baby", "Baby's In Black", "I Wanna Be Your Man", and "I'm Down". "Baby's in Black", from the 1965 Hollywood Bowl concert, however, was issued as the B-Side of the 1996 reunion "Real Love" single.

One unintended consequence of the mixing of dates is the inconsistent dialogue between songs, in which band members recorded a year apart refer to both "A Hard Day's Night" (1964) and "Help!" (1965) as their latest album.

Track listing

All tracks written by Lennon-McCartney, except where noted.

ide one

#"Twist and Shout" (Medley-Russell) (Recorded August 30, 1965)
#"She's a Woman" (Recorded August 30, 1965)
#"Dizzy Miss Lizzy" (Williams) (Recorded August 30, 1965)
#"Ticket to Ride" (Recorded August 30, 1965)
#"Can't Buy Me Love" (Recorded August 30, 1965)
#"Things We Said Today" (Recorded August 23, 1964)
#"Roll Over Beethoven" (Berry) (Recorded August 23, 1964)

ide two

#"Boys" (Dixon-Farrell) (Recorded August 23, 1964)
#"A Hard Day's Night" (Recorded August 30, 1965)
#"Help!" (Recorded August 30, 1965)
#"All My Loving" (Recorded August 23, 1964)
#"She Loves You" (Recorded August 23, 1964)
#"Long Tall Sally" (Johnson-Penniman-Blackwell) (Recorded August 23, 1964)

External links

* [http://www.norwegianwood.org/beatles/disko/uklp/bowl.htm Gatefold and back cover]