Abbott and Costello Meet Frankenstein

Abbott and Costello Meet Frankenstein

Infobox Film
name = Abbott and Costello Meet Frankenstein

image_size = 225px
caption = theatrical poster
director = Charles Barton
producer = Robert Arthur
writer = Robert Lees
Frederic I. Rinaldo
John Grant
starring = Bud Abbott
Lou Costello
Lon Chaney, Jr.
Bela Lugosi
Glenn Strange
music = Frank Skinner
cinematography = Charles Van Enger
editing = Frank Gross
distributor = Universal International
released = 15 June fy|1948 "(US)"
runtime = 83 minutes
country = FilmUS
language = English
budget = $760,000
gross =
preceded_by = "House of Dracula" (fy|1945] )
"The Invisible Man's Revenge" (fy|1944)
"The Noose Hangs High" (fy|1948)
followed_by = "Mexican Hayride" (fy|1948)
"Abbott and Costello Meet the Invisible Man" (fy|1951)
imdb_id = 0040068

"Abbott and Costello Meet Frankenstein" (which has the onscreen title "Bud Abbott Lou Costello Meet Frankenstein") is a fy|1948 comedy/horror film directed by Charles Barton and starring the comedy team of Abbott and Costello. It is the first of several films where the comedy duo meets classic characters from Universal's horror film stable. In this film, they encounter Dracula, Frankenstein's monster, and the Wolf Man, while subsequent films pair the duo with the Mummy, the Keystone Kops, and the Invisible Man. On a TV special in the early 1950s, the two did a sketch where they interacted with the latest original Universal Studios monster being promoted at the time, the Creature from the Black Lagoon. The film is considered the swan song for the "Big Three" Universal horror monsters – Dracula, the Wolf Man and Frankenstein's monster – although it does not appear to fit within the loose continuity of the earlier films.

The film was re-released in fy|1956 along with "Abbott and Costello Meet the Killer, Boris Karloff". In fy|2001, the United States Library of Congress deemed this film "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry, and in September fy|2007, "Readers Digest" selected the movie as one of the top 100 funniest films of all time.


Chick Young (Bud Abbott) and Wilbur Grey (Lou Costello) work as baggage clerks in LaMirada, Florida. When Wilbur mishandles two crates belonging to 'MacDougal's House of Horrors' museum, Mr. MacDougal (Frank Ferguson) demands that they deliver them in person so that they can be inspected by an insurance agent. MacDougal boasts to Wilbur's girlfriend, Dr. Sandra Mornay (Lénore Aubert), that the crates contain "the remains of the original Count Dracula" (Bela Lugosi) and "the body of the Frankenstein Monster" (Glenn Strange).

Dracula awakens, hypnotizes Wilbur, and spirits away his own coffin (and the revived Monster) before anyone else sees them. MacDougal then arrives with the insurance agent. Finding the storage crates empty, he accuses the boys of theft and has them arrested.

Mornay receives Dracula and the Monster at her island castle. Sandra is a gifted surgeon who has studied Dr. Frankenstein's notebooks, and has been posing as Wilbur's girlfriend as part of Dracula's scheme to replace the Monster's brutish brain with one more pliable — Wilbur's.

Wilbur and Chick are bailed out of jail and mistakenly believe Sandra to be their benefactor. Actually Joan Raymond (Jane Randolph), who also seems to like Wilbur, is responsible for the good deed. Joan is secretly working for the company that is processing MacDougal's insurance claim, and hopes Wilbur will lead her to the missing 'exhibits'.

Meanwhile, Larry Talbot (Lon Chaney, Jr.) has taken the apartment across the hall from Wilbur and Chick. He has tracked Dracula and the Monster from Europe, and knows them to be alive. Talbot asks the boys to help him find and destroy the villains. Wilbur is amenable to the plan, but Chick thinks both of them are crazy. Talbot's desperate insistence that he be locked in his room before moonrise impresses Chick even less. But unbeknowst to Wilbur and Chick, Talbot transforms into the Wolfman when the moon rises. When Wilbur brings over Talbot's luggage that he forgot at their apartment, he is nearly killed by the Wolfman.

The following night, Wilbur, Chick and Joan go to Sandra's castle to pick her up for a costume ball. Sandra has told Wilbur to come alone, and receives the extra guests rather icily.

While the ladies powder their noses, Wilbur answers a telephone call from someone wanting to speak to a 'Dr Lejos'. It is Talbot, who informs them that they are in the "house of Dracula". Wilbur reluctantly agrees to search the castle with Chick, and soon stumbles upon an underground passageway, complete with boat and dock. Behind a secret revolving wall, Wilbur again encounters Dracula and the Monster, but escapes. Wilbur's every attempt to get Chick to witness the villains fails - thanks to the revolving wall. Meanwhile, Joan has discovered Dr Frankenstein's notebook in Sandra's bureau, while Sandra has discovered Joan's employee I.D. in her bag.

Suavely reattired, Dracula (a.k.a. Dr. Lejos) is introduced by Sandra to Joan and the boys. He commends Sandra on her 'choice', expertly massaging the ego of Wilbur, who does not realize the true context of the remark. Also working at the castle is the naive Dr. Stevens (Charles Bradstreet), who questions some of the specialized equipment that has arrived. Dracula manages to deflect Dr. Stevens' questions by pairing him with Joan and shooing off the 'young people' to their ball. Sandra claims to have a sudden splitting headache and will not be able to attend the event. When Dracula consults Sandra in private, she admits that Dr. Stevens' questions, Joan's insurance credentials and Wilbur's inquiries have made her nervous, and wants to postpone the experiments. Impatient, Dracula asserts his will by hypnotizing her, and biting her in the throat.

At the ball, the boys encounter Talbot and MacDougal. Dracula arrives unexpectedly with Sandra, now under his spell. Dracula easily deflects Talbot's accusations, making the man appear disturbed. Dracula takes Joan for a dance while Sandra lures Wilbur to a quiet spot. Just before she can bite Wilbur's neck, Chick and Larry approach looking for Joan, and Sandra flees. As they search the grounds, Talbot transforms into the Wolf Man. Wilbur escapes, but the Wolf Man finds and injures MacDougal. Later noting that Chick is costumed as a werewolf, MacDougal concludes that Chick attacked him for revenge. (The fact that Chick is dressed like Talbot certainly does not help the situation). Chick manages to slip away, only to witness Dracula hypnotizing Wilbur. Chick becomes somewhat hypnotized himself, while Wilbur and an entranced Joan are brought back to the castle by Dracula and Sandra. The next morning, Chick is still on the lam when he finds Larry, who confesses that he was MacDougal's attacker. Now finally convinced, Chick agrees to help Larry rescue Wilbur and Joan.

While Wilbur is being held in a pillory, Sandra finally explains to him the plan to transplant his brain into the Monster. She and Dracula leave him to prepare the Monster for the operation. Chick and Talbot arrive, free Wilbur, and head off to save Joan. Wilbur, meanwhile, is lured back to the castle by Dracula, who easily overpowers his mind.

While the Monster receives an electrical boost in the lab, Sandra is about to open Wilbur's skull when Talbot storms in and casts her aside. Chick fends off Dracula with a chair, lifting it over his head to swing it at the vampire and inadvertently knocking out Sandra in the process. But just as Talbot is about to untie Wilbur, he once again transforms into the Wolf Man.

Dracula returns to the scene, only to have a tug-of-war with the Wolf Man over Wilbur's gurney. Dracula flees, with the Wolf Man giving chase. Chick arrives to untie Wilbur just as the Monster, now fully recovered, breaks his own restraints and rises from his stretcher. Sandra attempts to order him back as Dracula does, but the Monster defiantly tosses her out a window.

Dr. Stevens, meanwhile, has managed to find Joan and gets her to the boat. Dracula, in an attempt to escape, transforms into a bat, but the Wolf Man snares him and both fall over a balcony and into the rocky seas below. Joan abruptly wakes from her trance, while the boys escape the castle and head to the pier, with the Monster in pursuit. Once again Chick and Wilbur encounter Mr. MacDougal, who still insists that he wants his exhibits. They loudly reply, " comes one of them now!" When the Monster appears, MacDougal and his partner jump off the pier. Chick and Wilbur attempt to escape in a rowboat that is securely tied to the pier. The Monster throws barrels at them, in a series of near misses. Wilbur finally unties the boat, while Stevens and Joan arrive and set the pier ablaze. The Monster turns around and marches into the flames, slowing and succumbing as the pier collapses into the water.

Just as Chick and Wilbur relax, they hear a disembodied voice (Vincent Price) and see a cigarette floating in the air: "Allow me to introduce myself, I'm the Invisible Man!" The boys jump off the boat and swim away as the Invisible Man lights his cigarette and laughs. (This scene presaged 1951's "Abbott and Costello Meet the Invisible Man", though Price did not star, and all characters were different.


*Bud Abbott as Chick Young
*Lou Costello as Wilbur Grey
*Lon Chaney, Jr. as Larry Talbot, the Wolfman
*Bela Lugosi as Count Dracula
*Glenn Strange as the Frankenstein Monster [The monster is actually played by two actors. Glenn Strange plays him for most of the film, but when he broke his foot during production, Lon Chaney, Jr. (who previously played the monster in "The Ghost of Frankenstein"), took over the role for a portion of the laboratory battle sequence.]
*Lenore Aubert as Dr. Sandra Mornay
*Jane Randolph as Joan Raymond
*Charles Bradstreet as Dr. Stevens


The film was originally intended to be titled "The Brain of Frankenstein", but its name was changed prior to the filming schedule, which ran from February 5 through March 20, fy|1948.

Walter Lantz, noted for the creation of Woody Woodpecker, provided the animation for Dracula's transformations.

In a fy|1996 documentary, "100 Years of Horror", hosted by Christopher Lee, it was revealed that the studio hired two additional comedians to add laughs between takes on the set.

Costello hated the script for "Abbott and Costello Meet Frankenstein". [Furmanek, Bob and Ron Palumbo (1991). "Abbott and Costello in Hollywood". New York: Perigee Books. ISBN 0-399-51605-0] He said that his five-year-old daughter could have written something better, but later warmed to the film during production.

During the filming of "Abbott and Costello Meet Frankenstein", Glenn Strange found Costello so funny he would often break up laughing, necessitating many retakes. There were several pie fights between takes as well, but Abbott and Costello respected the three monsters (Chaney as the Wolfman, Lugosi as Dracula and Strange as the Monster) and made sure no pies were flung at the heavily made-up actors.

Boris Karloff was originally approached to play the monster once again, but declined. He did, however, help promote the movie and can be seen in several publicity photos, including one where he is buying a ticket, even though he refused to actually see the film (considering it an insult).

The Australian film board required that almost every scene involving a monster should be removed before release. [Furmanek, Bob and Ron Palumbo (1991). "Abbott and Costello in Hollywood". New York: Perigee Books. ISBN 0-399-51605-0]

Film mistakes

At one point in the film, where Abbott and Costello's characters are going through the revolving panel, Costello calls Abbott by his real name instead of his character's name.

Dracula's reflection can be seen in the mirror when he makes Dr Mornay his next victim. The studio intended to remove the reflection, but failed to do before the film was released.

Cultural references

*In a 2006 episode of Iconoclasts on the Sundance Channel, Quentin Tarantino cited the film as his favorite childhood movie because "when it was supposed to be funny, it was really funny, and when it was supposed to be scary, it was really scary."
*The film was unofficially remade in Mexico as "Frankenstein, el Vampiro y Compañía" (1962) and in Egypt as "Haram Alek" (1953). [ [ Frankensteinia: The Frankenstein Blog: Frankenstein Gets Knocked-Off ] ]
*In the "" episode "Horizon", Trip Tucker wanted to show the film.
*In an episode of "Home Improvement" in which Mark is putting together a project for film class, after Tim tells his other sons that film was something he himself appreciated in school, Randy sarcastically quips back that his favorite movie was "Abbott and Costello Meet Frankenstein".Fact|date=February 2008
*In 1954, an Egyptian film studio created Ismil and Abdel Meet Frankenstein, a scene-for-scene remake of the 1948 classic. This version is not commercially available on DVD, but is scheduled for a public film showing at the Mid-Atlantic Nostalgia Convention in September 2008.


The "Moving Candle" routine previously used in "Hold That Ghost" was utilized again in this film.

DVD releases

The film was released on DVD twice, once on August 29, 2000, and again as part of the third Abbott and Costello film collection on August 3, 2004.


External links


Wikimedia Foundation. 2010.

Нужно решить контрольную?

Look at other dictionaries:

  • Abbott and Costello meet Frankenstein — Deux Nigauds contre Frankenstein Deux Nigauds contre Frankenstein Titre original Abbott and Costello Meet Frankenstein Réalisation Charles Barton Acteurs principaux Bud Abbott Lou Costello Lon Chaney Jr. Bela Lugosi Glenn Strange Scénario Robert… …   Wikipédia en Français

  • Abbott and Costello Meet Frankenstein —    Voir Deux Nigauds contre Frankenstein …   Dictionnaire mondial des Films

  • Abbott and Costello Meet Frankenstein — …   Википедия

  • Abbott and Costello Meet the Invisible Man — Infobox Film name = Abbott and Costello Meet the Invisible Man caption = Abbot and Costello Meet the Invisible Man Theatrical Poster director = Charles Lamont producer = Howard Christie writer = Frederic I. Rinaldo John Grant Robert Lees Hugh… …   Wikipedia

  • Abbott and Costello Meet the Killer, Boris Karloff — Infobox Film name = Abbott and Costello Meet the Killer, Boris Karloff caption = Abbott and Costello Meet the Killer, Boris Karloff Theatrical Poster director = Charles Barton producer = Robert Arthur writer = John Grant Hugh Wedlock, Jr. Howard… …   Wikipedia

  • Abbott und Costello treffen Frankenstein — Filmdaten Deutscher Titel Abbott und Costello treffen Frankenstein Originaltitel Abbott and Costello Meet Frankenstein …   Deutsch Wikipedia

  • Abbott and Costello — Bud Abbott y Lou Costello actuaron juntos como Abbott y Costello, fue un dúo de comedia estadounidense cuyo trabajo en el teatro, la radio, el cine y la televisión los hizo el equipo de comedia más popular durante la década de 1940. Con su frase… …   Wikipedia Español

  • Abbott and Costello — [Abbott and Costello] the US comic actors Bud Abbott (1895–1974), who was thin and angry, and Lou Costello (1906–59), who was fat and funny. They were most popular as a team in films during the 1940s, making such successes as Buck Privates (1941) …   Useful english dictionary

  • Abbott and Costello — the US comic actors Bud Abbott (1895–1974), who was thin and angry, and Lou Costello (1906–59), who was fat and funny. They were most popular as a team in films during the 1940s, making such successes as Buck Privates (1941) and Abbott and… …   Universalium

  • Abbott and Costello — William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s. Thanks to the …   Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”