Transcendental Etude No. 6 (Liszt)
- Transcendental Etude No. 6 (Liszt)
-
The first bar of the Transcendental Etude No. 6
Franz Liszt's Transcendental Etude No. 6 in G minor "Vision" is the sixth of his twelve Transcendental Etudes. It is a study of the extensions of the hand, hands moving in opposite directions, arpeggiated double notes, and tremolos.
It is one of the "easier" Etudes, though the beginning of the piece can be quite troublesome if it is played as directed: completely with the left hand (linke hand in the second edition [Dover]). It would require large stretches and dexterous leaps if done so.
Visual Image
The visual image of this piece is a funeral. The middle section's wild octaves and rapidly climbing and descending arpeggios are filled with exaltation (as the original notes Franz Liszt scripted).
External links
Categories:
- Classical composition stubs
- Études by Franz Liszt
Wikimedia Foundation.
2010.
Look at other dictionaries:
Transcendental Etude No. 8 (Liszt) — Transcendental Etude No. 8 in C minor Wilde Jagd (Wild Hunt) is the eighth etude in the twelve Transcendental Etudes by Franz Liszt. It requires exceptional endurance and rigorous technical elements. Strong, supple wrists are required in order to … Wikipedia
Transcendental Etude No. 11 (Liszt) — Transcendental Etude No. 11 in D flat, Harmonies du Soir is the eleventh etude of the set of twelve Transcendental Etudes by Franz Liszt. This etude is a study in harmonies, broken chords played in quick succession, full octave jumps, chromatic… … Wikipedia
Transcendental Etude No. 12 (Liszt) — Transcendental Etude No. 12 in B flat minor is an étude for piano written by composer Franz Liszt. It has the programmatic title Chasse Neige , ( impetuous winds which raise whirls of snow ) and is the 12th and last of the Transcendental Etudes.… … Wikipedia
Transcendental Etude No. 5 (Liszt) — Transcendental Etude No. 5 in B flat Feux Follets (Will o the Wisp) is the fifth etude of the set of twelve Transcendental Etudes by Franz Liszt. Difficulties As with the other works in the Etudes , Feux Follets is considered one of the most… … Wikipedia
Transcendental Etude No. 3 (Liszt) — Transcendental Etude No. 3 in F, Paysage (Landscape), is the third of twelve Transcendental Etudes by Franz Liszt. It is generally considered to be one of the easier studies.The piece suggests a peaceful country scene; the first section is played … Wikipedia
Transcendental Etude No. 1 (Liszt) — The opening bar of the Transcendental Etude No. 1 Transcendental Etude No. 1 in C Preludio is the first of twelve Transcendental Etudes by Franz Liszt. It is a short piece which can be played in less than a minute at concert speed. Form Octaved… … Wikipedia
Transcendental Etude No. 9 (Liszt) — The first two bars of the Transcendental Etude No. 9 Etude No. 9 in A flat, Ricordanza is the ninth of the twelve Transcendental Etudes by Franz Liszt. It has wild but gentle cadenzas and demands delicate finger work. There are some areas with… … Wikipedia
Transcendental Etude No. 10 (Liszt) — The first two bars of the Transcendental Etude No. 10 Transcendental Etude No. 10 in F minor, Allegro agitato molto is the tenth Transcendental Etude of a set of twelve by Franz Liszt. It is possibly the most played of the etudes and has a… … Wikipedia
Transcendental Etude No. 7 (Liszt) — The first two bars of the Transcendental Etude No. 7 Transcendental Etude No. 7 in E flat, Eroica is the seventh of the twelve Transcendental Etudes by Franz Liszt. It is a study of rapid downward runs, bravura and octaves (at the end). In a… … Wikipedia
Transcendental Etude No. 2 (Liszt) — The first deceptively simple bars of the Transcendental Etude No. 2 Transcendental Etude No. 2 in A minor, Molto Vivace , or Fusées (French: “Rockets”) is the 2nd piece of the Transcendental Etudes by Franz Liszt. The title Fusées is not Liszt s… … Wikipedia