Transcendental Etude No. 2 (Liszt)
- Transcendental Etude No. 2 (Liszt)
-
The first deceptively simple bars of the Transcendental Etude No. 2
Transcendental Etude No. 2 in A minor, "Molto Vivace", or Fusées (French: “Rockets”) is the 2nd piece of the Transcendental Etudes by Franz Liszt. The title Fusées is not Liszt's own, but was added by Feruccio Busoni in his edition of the Etudes, referring to the right hand figures that leap off the keyboard, giving impressions of rockets going off. It is a study in alternating hands, hands overlapping, both hands playing the same note alternatingly, and steep right hand leaps. It is one of the harder etudes.
Form
This piece is an extremely volatile one as fierce alternating notes in fortissimo fire away. Soon the notes alternate even more fiercely, followed by a flying right hand arpeggio accompanied by long arpeggiated chords. Then new difficulties are introduced as the right hand jumps high up the keyboard and returns firmly, offsetting a set of same note left hand- right hand alternations. As the climax of the piece approaches it crescendos and plays even fiercer low pitched notes, and soon the right hand figures explode with erratic chords that climb high up to the keyboard and then back down. The climax then ensues as both hands alternate on the same notes that climb 5 octaves up the keyboard and down again, then fires up again and down again. Then the right hand arpeggios recapitulate and the right hand flies even higher and steeper. After a few more loud chords, the piece finally relents.
External links
Wikimedia Foundation.
2010.
Look at other dictionaries:
Transcendental Etude No. 8 (Liszt) — Transcendental Etude No. 8 in C minor Wilde Jagd (Wild Hunt) is the eighth etude in the twelve Transcendental Etudes by Franz Liszt. It requires exceptional endurance and rigorous technical elements. Strong, supple wrists are required in order to … Wikipedia
Transcendental Etude No. 11 (Liszt) — Transcendental Etude No. 11 in D flat, Harmonies du Soir is the eleventh etude of the set of twelve Transcendental Etudes by Franz Liszt. This etude is a study in harmonies, broken chords played in quick succession, full octave jumps, chromatic… … Wikipedia
Transcendental Etude No. 12 (Liszt) — Transcendental Etude No. 12 in B flat minor is an étude for piano written by composer Franz Liszt. It has the programmatic title Chasse Neige , ( impetuous winds which raise whirls of snow ) and is the 12th and last of the Transcendental Etudes.… … Wikipedia
Transcendental Etude No. 5 (Liszt) — Transcendental Etude No. 5 in B flat Feux Follets (Will o the Wisp) is the fifth etude of the set of twelve Transcendental Etudes by Franz Liszt. Difficulties As with the other works in the Etudes , Feux Follets is considered one of the most… … Wikipedia
Transcendental Etude No. 3 (Liszt) — Transcendental Etude No. 3 in F, Paysage (Landscape), is the third of twelve Transcendental Etudes by Franz Liszt. It is generally considered to be one of the easier studies.The piece suggests a peaceful country scene; the first section is played … Wikipedia
Transcendental Etude No. 1 (Liszt) — The opening bar of the Transcendental Etude No. 1 Transcendental Etude No. 1 in C Preludio is the first of twelve Transcendental Etudes by Franz Liszt. It is a short piece which can be played in less than a minute at concert speed. Form Octaved… … Wikipedia
Transcendental Etude No. 9 (Liszt) — The first two bars of the Transcendental Etude No. 9 Etude No. 9 in A flat, Ricordanza is the ninth of the twelve Transcendental Etudes by Franz Liszt. It has wild but gentle cadenzas and demands delicate finger work. There are some areas with… … Wikipedia
Transcendental Etude No. 10 (Liszt) — The first two bars of the Transcendental Etude No. 10 Transcendental Etude No. 10 in F minor, Allegro agitato molto is the tenth Transcendental Etude of a set of twelve by Franz Liszt. It is possibly the most played of the etudes and has a… … Wikipedia
Transcendental Etude No. 7 (Liszt) — The first two bars of the Transcendental Etude No. 7 Transcendental Etude No. 7 in E flat, Eroica is the seventh of the twelve Transcendental Etudes by Franz Liszt. It is a study of rapid downward runs, bravura and octaves (at the end). In a… … Wikipedia
Transcendental Etude No. 6 (Liszt) — The first bar of the Transcendental Etude No. 6 Franz Liszt s Transcendental Etude No. 6 in G minor Vision is the sixth of his twelve Transcendental Etudes. It is a study of the extensions of the hand, hands moving in opposite directions,… … Wikipedia