Memory work

Memory work is a process of engaging with the past which has both an ethical and historical dimension.^[1]

History and memory

The premise for memory work or travail de memoire is that history is not memory. We try to represent the past in the present through memory, history and the archives. As Paul Ricoeur argued, memory alone is fallible.^[2] Historical accounts are always partial and potentially misrepresent since historians do not work with bare, uninterpreted facts. Historians construct and use archives that contain traces of the past. However, historians and librarians determine which traces are preserved and stored. This is an interpretive activity. Historians pose questions to which the archives responds leading them to “facts that can be asserted in singular, discrete propositions that usually include dates, places, proper names, and verbs of action or condition”.^[3] Individuals remember events and experiences some of which they share with a collective. Through mutual reconstruction and recounting collective memory is reconstructed. Individuals are born into familial discourse which already provides a backdrop of communal memories against which individual memories are shaped. A group's communal memory becomes its common knowledge which creates a social bond, a sense of belonging and identity. Professional historians attempt to corroborate, correct, or refute collective memory. Memory work then entails adding an ethical component which acknowledges the responsibility towards revisiting distorted histories thereby decreasing the risk of social exclusion and increasing the possibility of social cohesion of at-risk groups.

The concept of memory-work as distinguished from history-as-memory finds a textbook case in the Vichy Syndrome as described by Russo.^[4] His title uses medical lexicon to refer to history-memory as dependent on working consciously with unconscious memories to revise accounts of history. This calls for an expanded archive that includes the "oral and popular tradition" ^[5] as well as the written traditions normally associated with the archives.

Pierre Nora on memory work

Pierre Nora traced the surge in memory work at the level of the nation-state to the revisiting of distorted histories of the anti-Semitic Vichy France (1940-1944) following the death of Charles de Gaulle in 1970.^[6] Structural changes resulted from the end of the peasantry and the dramatic economic slump as oil prices worldwide rose in 1974. Added to this was the intellectual collapse of Marxism precipitated in part by Aleksandr Solzhenitsyn’s Gulag Archipelago which forced the French to rethink attitudes towards the past.

Barbara Gabriel on memory work

Barbara Gabriel provided a model for reading the complexities of memory and forgetting by situating unheimlich within the heimlich, in a Freudian 'one within the other structure'.^[7] As point of departure Gabriel examined Edgar Reitz's eleven-part West German television series entitled Heimat. Reitz' work was in response to a larger movement in Germany national memory work provoked in part by an American television series entitled the Holocaust followed viewed by millions. As European art in general and German art in particular resurged in the 1960s, artists like Gunther Grass and Edgar Reitz captured international attention as they grappled with issues of identity in a divided, post-Holocaust Germany. Gabriel developed the concept of an impulse towards national memory work in Germany that stemmed from a haunted subject yearning for a lost, far away, nostalgic place, a utopic homeland. "How do we confront that which we have excluded in order to be, whether it is the return of the repressed or the return of the strangers?"^[8] In other words, that which we fear as 'other' is within ourselves through our shared humanity. Repressed memories haunt all of us.

Post-colonial views

The concept of memory work is part of a sociological imagination from a post-national point of view. Expanding on Norbert Loeffler: The idea of one national history is only acceptable as a question, not as an answer.

Memory work is related to identity work often associated with displaced persons. Some of the most provocative research on memory work has been authored by the Pied-noir, or French colonials in Algeria, who returned to France following the Algerian War. Examples of such thinkers include Jacques Derrida and Hélène Cixous. Another major writer in this field, Julia Kristeva, also moved away from the country of her birth, having emigrated to France from Bulgaria when she was 24.

References

• (1955) Ricoeur, Paul. History and Truth. Translated by C. A. Kelbley. Evanston: Northwestern University press. (2nd edition 1965)
• (1982) Kristeva, Julia. Powers of Horror. New York: University Press.
• (1983) Kristeva, Julie Nations without Nationalism, trans. L. S. Roudiez (Yale University Press, 1993)
• (1986) Derrida, Jacques. Memoires for Paul de Man, Columbia University Press.
• (1991) Rousso, Henry. The Vichy Syndrome: History and Memory in France since 1944. Translated by A. Goldhammer. Cambridge/London: Harvard University Press.
• (1996) Derrida, Jacques. Archive Fever. Translated by E. Prenowitz. Chicago: University of Chicago Press
• (1997) Cixous, Hélene. Rootprints: Memory and Life Writing: Routledge
• (2000) Ricoeur, Paul. La Mémoire, l'Historie, l'Oubli: l'ordre philosophique: Éditions du Seuil. http://www.theology.ie/thinkers/RicoeurMem.htm
• (2002) Nora, Pierre. "The Reasons for the Current Upsurge in Memory." Tr@nsit-Virtuelles Forum.22 Retrieved Access 2002. http://www.eurozine.com/articles/2002-04-19-nora-en.html
• (2004) Gabriel, Barbara. "The Unbearable Strangeness of Being; Edgar Reitz's Heimat and the Ethics of the Unheimlich" in Postmodernism and the Ethical Subject, edited by B. Gabriel and S. Ilcan. Montreal & Kingston: McGill-Queen's University Press.

See also

Giorgio Agamben Walter Benjamin Deconstruction Deconstruction-and-religion

Eternal return List of deconstructionists Heinrich Heine Friedrich Nietzsche Trauma and the Arts, Post-traumatic stress disorder

Notes

1. ^ (2004) Gabriel, Barbara. "The Unbearable Strangeness of Being; Edgar Reitz's Heimat and the Ethics of the Unheimlich" in Postmodernism and the Ethical Subject, edited by B. Gabriel and S. Ilcan. Montreal & Kingston: McGill-Queen's University Press.
2. ^ (1955) Ricoeur, Paul. History and Truth. Translated by C. A. Kelbley. Evanston: Northwestern University press. (2nd edition 1965)
3. ^ (2000) Ricoeur, Paul. La Mémoire, l'Historie, l'Oubli: l'ordre philosophique: Éditions du Seuil, p.226
4. ^ (1991) Rousso, Henry. The Vichy Syndrome: History and Memory in France since 1944. Translated by A. Goldhammer. Cambridge/London: Harvard University Press.
5. ^ (2004) Gabriel, Barbara. "The Unbearable Strangeness of Being; Edgar Reitz's Heimat and the Ethics of the Unheimlich" in Postmodernism and the Ethical Subject, edited by B. Gabriel and S. Ilcan. Montreal & Kingston: McGill-Queen's University Press. p. 11
6. ^ (2002) Nora, Pierre. "The Reasons for the Current Upsurge in Memory." Transit-Virtuelles Forum.22 Retrieved Access 2002.
7. ^ (2004) Gabriel, Barbara. "The Unbearable Strangeness of Being; Edgar Reitz's Heimat and the Ethics of the Unheimlich" in Postmodernism and the Ethical Subject, edited by B. Gabriel and S. Ilcan. Montreal & Kingston: McGill-Queen's University Press.
8. ^ (1982) Kristeva, Julia. Powers of Horror. New York: University Press.