Bao Zheng

Bao Zheng (zh-cp|p=Bāo Zhěng|c=包拯), courtesy name Xiren 希仁，posthumous title Xiaosu 孝肅 (999–1062) was a much-praised official who served during the reign of Emperor Renzong of Song China. Bao is so well-respected and legendary in Chinese history and culture, that today he is often prayed to as "Bao Gong" the God of Justice, and is the universal symbol of justice in China.

After passing the Jinshi examination in 1027, Bao deferred embarking on his official career for a decade in order to care for his elderly parents and faithfully observe proper mourning rites after their deaths. From 1037 until his death in 1062, Bao successively held several offices at court and in provincial locations. In his lifetime, Bao was renowned for his filial piety, his stern demeanor, and his intolerance of injustice and corruption. Due to his fame and the strength of his reputation, Bao's name became synonymous with the idealized "pure official" (qingguan 清官), and quickly became a popular subject of early vernacular drama and literature. Bao was also associated with the Buddhist god Yama and the "Infernal Bureaucracy" of the Eastern Marchmount, on account of his supposed ability to judge affairs in the afterlife as well as he judged them in the realm of the living. The fictionalized Bao Zheng was known variously as "Lord Bao" or "Judge Bao" (zh-cp|c=包公|p=Bao Gong), Rescriptor-in-waiting Bao (zh-cp|c=包待制|p=Bao Daizhi), Bao of the Dragon Image (zh-cp|c=包龍圖|p=Bao Longtu), and "Blue-Sky Bao"/"Unclouded-Sky Bao" (zh-cp|c=包青天|p=Bao Qingtian). From the middle of the Song Dynasty to the present day, the character of Judge Bao has appeared in a variety of different literary and dramatic genres, and has enjoyed a sustained popularity by audiences of all ages.

Life and career

Bao Qingtian was born into a scholar family in Hefei, Anhui province, where the Memorial Temple of Lord Bao (包公祠) is still located near the city center. It was built in 1066 close to his tomb. At the age of 29, he passed the highest-level imperial exams and became qualified as a Jinshi. He was a magistrate in Bian (Kaifeng), the capital of the Song dynasty.

He is famous for his uncompromising stance against corruption among the government officials at the time. He upheld justice and refused to yield to higher powers including the "royal father-in-law" (國丈), who was also appointed as the Grand Tutor (太師) and was known as Grand Tutor Pang (zh-cp|c=龐太師|p=Pang taishi). He treated Bao as an enemy. Although Grand Tutor Pang is often depicted in myth as an archetypical villain (arrogant, selfish, and cruel), the historical reasons for his bitter rivalry with Bao remains unclear.

Bao had conflicts with other powerful members of the imperial court as well, including the Prime Minister, Song Yang. He had 30 high officials demoted or dismissed for corruption, bribery, or dereliction of duty. He also had Zhang Yaozhuo, uncle of the high-ranked imperial concubine impeached 6 times. In addition, as the imperial censor, he avoided punishment despite having many other contemporary imperial censors punished for minor statements.Bao Zheng also managed to remain in favor by cultivating a long standing friendship with one of Emperor Renzong's uncles, the Eighth Imperial Prince (zh-cp|c=八王爺|p=Ba Wang Ye).

His burial site in Hefei contains his tomb along with the tombs of family members and a memorial temple.

In opera or drama, he is often portrayed with a black face and a white crescent shaped birthmark on his forehead. In most dramatization of his stories, he used a set of guillotines, given to him by the emperor, to execute criminals. The one decorated with a dog's head was used on commoners. The one decorated with a tiger's head was used on government officials. The one decorated with a dragon's head was used on royal personages. He was granted a golden rod by the previous emperor which he was authorized to chastise the current emperor with. He was also granted a precious sword from the previous emperor as a license to execute any royals before reporting to the emperor to get approval first (from where arose the idiom "先斬後奏", "execute first, report later"). In these works he was often helped by 12 deputies and detectives, collectively known as 七俠五義 (seven Xia and five Yi).

His name became synonymous with justice, with the clear blue sky ("qing tian"; 青天) became a popular metaphor to justice in the Chinese-speaking world. Due to his strong sense of justice, he is very popular in China, especially among the peasants and the poor. He became the subject of literature and modern Chinese TV series in which his adventures and cases are featured.

There are many legends and stories about Bao and his witty approach to solve mysterious and tough cases. Some famous examples include:

* 《鍘美案》 The story about Bao executing Chen Shimei (陳世美), who abandoned his previous wife (and later tried to have her killed) in order to marry royalty.
* 《貍貓換太子》 The story of a plot to discredit a concubine by swapping her son (the new born crown prince) with a civet, in which Bao disguised as Yan Luo to try Guo Huai (郭槐). Guo supported Bao in front of the Emperor early in his career, making the case personally difficult for the judge. The perpetrator confessed when he thought he was in hell.

Bao's Legendary Allies

* In most of the stories, Bao is always accompanied by his trusted bodyguard Zhan Zhao, a man with superhuman strength and unmatched fighting skills. In some legends, he is seen as a companion and equal to Bao, as he represents the Wu (martial) aspect while Bao represents the Wen (civil) aspect, which is considered the two features of a perfect and complete person.

* Besides Zhan, Bao is often accompanied by his adviser or personal secretary, known in the stories as Gongsun Ce. Gongsun like Zhan is often portrayed as loyal and devoted to Bao's causes, in contrast to the advisers to the magistrate portrayed in most stories as usually conniving and unscrupulous characters who are masterminds of corrupt activities in the yamen. While Zhan serves as Bao's enforcer, Gongsun is often portrayed as the intelligent and merciful advisor who helps Bao by offering him advice. The characters of Zhan and Gongsun is very similar in respect to the relation Liu Bei had with Guan Yu and Zhuge Liang in the Romance of the Three Kingdoms.

* Other than Zhan and Gongsun, Bao is often seen with his four enforcers (includes Wang Chao, Ma Han, Zhang Long and Zhao Hu) which is usually under the orders of Zhan, and when a hearing is in session, two of them is always on Bao's right and two of them is always on his left. Like Zhan and Gongsun, the enforcers are presented as righteous and incorruptible. This type of portrayal is often done on purpose to show the contrast of Bao's court which is from top to bottom morally upright and impartial, while corrupt officials tend to employ and associate with morally flawed characters.

"Wealthy Ironmasters in Dengzhou", a memorandum to the throne

The poet and statesman Su Shi (1036-1101) wrote a memorandum to the throne in 1078 of the problems facing the Chinese iron industry at Liguo Industrial Prefecture, when he served as the governor of Xuzhou.Wagner, 178-179.] Su Shi wrote that of the 36 smelters each employing a workforce of several hundred persons, there was risk of bankruptcy due to the rivaling iron industry complex in Hebei province that convinced the central court to halt Xuzhou-manufactured iron products from being shipped up north through Hebei (on top of bandits robbing the wealthy ironwork families). Much earlier though, in 1046, Bao Qingtian wrote a memorandum to the throne about the dire economic conditions of the iron industry in Dengzhou, and his concern for the iron industry nationwide. He wrote:

Popular Culture

* Bao gained so much respect that today some people pray to him as "Bao Gong" God of Justice. Most people do not go that far, but he is a universal symbol of justice in China.

* He appears as the main character in a Ming Dynasty Detective novel named "Bao Gong An".

*A side scrolling video game, "Bao Qing Tian", was released for the Famicom.

*The TV series Justice Bao (包青天) was filmed in Taiwan. The series became popular in Hong Kong during the prime time hours, and the two terrestrial television networks in Hong Kong both bought the series in an attempt to gain viewers. Competition between the two networks during the showing of the series was so severe, that identical episodes were shown on both channels on the same night. It was also one of the first dramas that used the NICAM technology (Dual Sound Switch Cantonese/Mandarin). The series was so successful that it and its spin-off series ran for nearly 5 years in the mid 90s and created other merchandise products related to Bao Zheng. Most of the series were pure fiction relating to Bao Zheng, especially with some Chinese fantasy thrown in. The series taught Chinese traditional values, like respecting elders.

*Stephen Chow made a spin-off movie based on Bao Zheng called Hail the Judge or "Pale Face Bao Zheng Ting" in proper Chinese title. In the movie Stephen plays a descendant of Bao Zheng called "Bao Sing" living in Qing Dynasty, whose family lost its once glorious prestige due to generation of incompetence and corruption.

*Andy Lau in 2003 movie, Cat And Mouse portrayed Zhan Zhao, a court officer under Judge Bao who received order to pursue five mice. Judge Bao was played by Anthony Wong

*He briefly appears in the novel "Iron Arm, Golden Sabre" and sponsors young Zhou Tong's entry into the military as an officer. [Wang, Yun Heng (汪运衡) and Xiao Yun Long (筱云龙). "Tie Bei Jin Dao Zhou Tong Zhuan" (铁臂金刀周侗传 - "Iron Arm, Golden Sabre: The Biography of Zhou Tong"). Hangzhou: Zhejiang People's Publishing House, 1986 (UBSN --- Union Books and Serials Number) CN (10103.414) and 464574]

*In the Marvel comic series New Universal, Young Judge Bao is one of the characters in an in-universe comic book.
*The new Justice Bao was recently shown on Taiwanese televisions and has consisted of characters from the first Justice Bao.

Notes

References

*Wagner, Donald B. "The Administration of the Iron Industry in Eleventh-Century China," Journal of the Economic and Social History of the Orient (Volume 44 2001): 175-197.

External links

*zh icon [http://www.shuku.net:8080/novels/history/qgtgzgjeslk/qgtg36.html His biography as recorded in Song's historical document]
*en icon [http://chineseculture.about.com/library/weekly/aa110200a.htm Another biography]