Chariots of Fire (album)

Chariots of Fire
Film score by Vangelis
Released	April 1981
Recorded	1981
Genre	Film score
Length	42:03
Label	Polydor
Producer	Vangelis
Vangelis chronology
See You Later (1980) Chariots of Fire (1981) Antarctica (1983)

Professional ratings
Review scores
Source	Rating
Allmusic	link

Chariots of Fire is a 1981 musical score by Greek electronic composer Vangelis (credited as Vangelis Papathanassiou) for the British film Chariots of Fire, which won four Academy Awards including Best Picture and Original Music Score.

The album topped Billboard Top 200 for 4 weeks. The opening theme of the film (called "Titles" on the album track listing but widely known as "Chariots of Fire") was released as a single in 1981, and topped the Billboard Hot 100 for one week after, climbing steadily for five months (it made #1 in its 21st week on the chart). "Titles" also reached #12 in the United Kingdom, where its parent album peaked at #5 and spent 107 weeks on the album chart. The single also peaked at #21 in Australian on the Australian Singles Chart (Kent Music Report).^[1]

Track listing

Side one

1. "Titles" – 3:33
2. "Five Circles" – 5:20
3. "Abraham's Theme" – 3:20
4. "Eric's Theme" – 4:18
5. "100 Metres" – 2:04
6. "Jerusalem" – 2:47

Side two

1. "Chariots of Fire" – 20:41

Charts

Year	Chart	Position
1981	The Billboard 200	1

The album reached #1 in the sales charts of various countries, including 4 weeks at #1 in the U.S. In total, the album stayed 97 weeks in the Billboard top 200, selling 3 million copies in the first year alone.^[2]

The album reached #5 in the UK album charts and stayed in top 100 for 107 weeks.

A single featuring "Titles" was released and also reached #1 in a number of countries, including Japan, the U.K. and the U.S.

Credits

Vangelis	all instruments
Ambrosian Singers	choir (track 6)
John McCarthy	choir director (track 6)
Raphael Preston	engineer
Raine Shine	engineer
John Walker	engineer

A new style

The film's director, Hugh Hudson, chose Vangelis to compose the film's music, after becoming impressed with his albums Opera Sauvage and China and having worked with Vangelis on commercials in Paris during the 1970s.^[2] Vangelis played all the instruments, including synthesizers, acoustic piano, battery and percussion, and recorded the score in his Nemo studio in London, which he had set up in 1975.^[3] The music that he came up with, entirely electronic for a period film, initiated a new style in film scoring. The use of synthesizers in film scores beyond mere textures, and their convenience in allowing directors, producers, and studios to hear preliminary versions of full scores found its roots in Chariots of Fire.

"He [Vangelis] tells us about the way he set about producing the music for Chariots of Fire. About the low budget it really had. About the way in which he endlessly exchanged thoughts with the author about the story. Only when the movie was completely finished did he actually start working on the music for it. Saw it only three times for that purpose and then started work." — Vangelis interview to Music Maker magazine, September 1982 ^[4]

"I didn't want to do period music. I tried to compose a score which was contemporary and still compatible with the time of the film. But I also didn't want to go for a completely electronic sound." — Vangelis interview in American Film magazine, September 1982 ^[5]

The score album, however, is almost all re-recorded, and sounds different from the music heard on film, with often richer arrangements, particularly in the "Titles" track. The second part of the album is a one-track suite including music from and inspired by the score.^[3] On the other hand, some original themes from the film did not make it to the album.

"A record is something other than a film. There have to be changes - not least of all for artistic reasons." — Vangelis interview to Neumusik magazine, issue 5, August 1981 ^[6]

Although Vangelis had already done a number of film scores, including those for animal documentaries by Frédéric Rossif, Chariots of Fire was his first major film score, and it immediately gave him his big breakthrough as a composer, as "Titles" was an international hit and changed the whole course of his career.

"It occurs very rarely that a composer thinks of his most successful work as his best. I am no exception to that rule. I think of my soundtrack for ... Mutiny on the Bounty as endlessly more interesting than Chariots of Fire." — Vangelis interview to De Telegraaf newspaper, June 15, 1991 ^[2]

Additional information

In addition to Vangelis' original music, the album includes an arrangement of "Jerusalem", sung by the Ambrosian Singers, as performed at the 1978 funeral of Harold Abrahams, the event which bookends the film and inspired its title. This famous choral work is a 1916 setting by Sir Hubert Parry of William Blake's poem.

Despite Vangelis public performances being rare, he has played "Chariots of Fire" live in Los Angeles, U.S. (November 7, 1986), Rome, Italy (July 17, 1989, as encore), Rotterdam, Netherlands (June 18, 1991), and Athens, Greece (Mythodea concerts of July 13, 1993 and June 28, 2001, as encore, and August 1, 1997)^[7]

In 2000, and again in 2006, the album was relaunched on CD, on both occasions remastered by Vangelis.^[3]

Tracks from the album have been included in the following official Vangelis compilations: Themes (1989), Best Of Vangelis (1992), Portraits {So Long Ago, So Clear} (1996), and Odyssey - The Definitive Collection (2003).^[8]

Some pieces of Vangelis's music in the film did not end up on the film's soundtrack album. One of them is the background music to the race Eric Liddell runs in the Scottish highlands. The title of this piece is "Hymn," and it is from Vangelis's 1979 album, Opéra sauvage. It is also included on Vangelis's compilation albums Themes, Portraits, and Odyssey: The Definitive Collection.

Director Hugh Hudson's original choice for the famous slow-motion running sequences on the beach was the track "L'Enfant" from Opéra sauvage. Vangelis had to persuade Hudson to let him create something original for the scene, using the same tempo as "L'Enfant." The result was the "Chariots of Fire" title track.

Court case

In 1987 Greek composer Stavros Logaridis sued Vangelis for plagiarism. Allegedly, the title track had plagiarised Logaridis' song "City of Violets" — which does feature similar instrumentation and chord progressions. However, Vangelis demonstrated his first-take improvisational composition style live on his synthesizers in court and was acquitted of the complaint.

Uses in other media

The "Titles" track of Chariots of Fire has been used in innumerable parodies in films, television shows, and elsewhere; and also as inspirational music for athletes. A few of these include:

• In a scene of the Griswold family running to the entrance of the theme park Wally World, in the 1983 film National Lampoon's Vacation.^[9]

• The teaser for the film Marley & Me (2008).

• In the 2005 movie Madagascar, when Marty the zebra and Alex the lion are running in slow motion.

• In the 2000 film, How the Grinch Stole Christmas, as Jim Carrey playing The Grinch crosses the finish line during a potato sack race during a brief scene.

• During the yearly Lilac Bloomsday Run in Spokane, Washington, the world's largest timed road race, and it can be heard as runners round the corner a block before the finish line.

• In Good Burger when Dexter and Ed run to Shaquille O'Neal

References

1. ^ http://australian-charts.com/forum.asp?id=24592&todo=viewthread
2. ^ ^{a b c} Daily Telegraph newspaper, November 21, 1982
3. ^ ^{a b c} Dennis Lodewijks' Elsewhere
4. ^ Vangelis interview to Music Maker magazine, September 1982
5. ^ Vangelis interview to American Film magazine, September 1982
6. ^ Vangelis interview to Neumusik magazine, issue 5, August 1981
7. ^ Dennis Lodewijks' Elsewhere
8. ^ Dennis Lodewijks' Elsewhere
9. ^ http://www.imdb.com/title/tt0085995/soundtrack

Preceded by Beauty and the Beat by The Go-Go's

Billboard 200 number-one album April 17 - May 14, 1982

Succeeded by Asia by Asia