- Ivan's Childhood
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Ivan's Childhood
Иваново детствоDirected by Andrei Tarkovsky Written by Vladimir Bogomolov
Mikhail PapavaStarring Nikolai Burlyayev
Valentin Zubkov
Yevgeni Zharikov
Stepan Krylov
Nikolai Grinko
Irma RaushMusic by Vyacheslav Ovchinnikov Cinematography Vadim Yusov Editing by Lyudmila Feiginova Distributed by Mosfilm Release date(s) 6 April 1962 Running time 95 minutes Country Soviet Union Language Russian Ivan's Childhood (Russian: Ива́ново де́тство, Ivanovo detstvo), sometimes released as My Name Is Ivan in the US, is a 1962 Soviet film directed by Andrei Tarkovsky. The film was originally directed by Edward Gaikovich Abalyan. It is based on the 1957 short story Ivan (Russian: Иван) by Vladimir Bogomolov, with the screenplay written by Mikhail Papava and an uncredited Andrei Tarkovsky. The film features child actor Nikolai Burlyayev, Valentin Zubkov, Yevgeni Zharikov, Stepan Krylov, Nikolai Grinko and Tarkovsky's wife Irma Raush.
The film tells the story of orphan boy Ivan and his experiences during World War II. Ivan's Childhood was one of several Soviet films of the late 1950s, such as The Cranes Are Flying and Ballad of a Soldier, that looked at the human cost of war and did not glorify the war experience as did films produced before the Khrushchev Thaw.[1]
Ivan's Childhood was Tarkovsky's first feature film. It won him critical acclaim and made him internationally known. It won the Golden Lion at the Venice Film Festival in 1962 and the Golden Gate Award at the San Francisco International Film Festival in 1962. The film was aslo selected as the Soviet entry for the Best Foreign Language Film at the 36th Academy Awards, but was not accepted as a nominee.[2] Famous filmmakers such as Ingmar Bergman, Sergei Parajanov and Krzysztof Kieślowski praised the film and cited it as an influence on their work.[3]
Contents
Plot
The background of Ivan’s Childhood is the Eastern front during World War II, when the Soviet army was fighting the invading German Wehrmacht. The film features a non-linear plot with frequent flashbacks.
After a brief sequence that turns out to be a dream, Ivan Bondarev (Nikolai Burlyayev), a 12-year-old Russian boy who is the focus of the story, wakes up and crosses a war-torn landscape to a swamp from which he makes his way across a river. On the other side, he is seized by Russian soldiers and brought to the young Lieutenant Galtsev (Evgeny Zharikov), who interrogates him but is rebuffed by the boy, who insists that he call "Number 51 at Headquarters" and report his presence. Insulted by the boy's insolent attitude, he is reluctant, but when he eventually makes the call, he is told by Lieutenant-Colonel Gryaznov (Nikolai Grinko) to give the boy pencil and paper to make his report, which will be given the highest priority, and to treat him well. Through a series of dream sequences and conversations between different characters it is revealed that Ivan’s parents and his sister have been killed by German soldiers. He however got away and joined a group of partisans. Sometime later the group was trapped in a forest surrounded by German troops. To keep Ivan out of their hands they put him on a plane. After the escape he was sent to a boarding school, but he ran away and joined an army unit under the command of Gryaznov.
In the army unit Ivan insists on fighting on the front line. Taking advantage of his small size he is able to get reconnaissance jobs for which grownups would be unsuitable. Ultimately Gryaznov and the other soldiers want to send him to a military school. They give up their idea as Ivan resists being sent away from the front line, up to the point where he tries to run away from the army unit and join the partisans. The film also reveals that the reasons for Ivan’s determination to fight are his desire to avenge the death of his family and others, such as those killed at the Maly Trostenets extermination camp (which he mentions that he has seen).
The film also depicts the lives of the soldiers that Ivan meets, and a subplot involves Captain Kholin (Valentin Zubkov) and his aggressive advances towards the army nurse Masha (Valentina Malyavina). Much of the film is set in an army dugout where the officers await orders, planning assaults and talking apparent trivia while Ivan impatiently and nervously awaits his next reconnaissance mission.
Towards the end of the film, Kholin and Galtsev ferry Ivan across the Dnepr so that he can attempt a dangerous reconnaissance over the front line. He disappears through the swampy forest and the rest of the group returns to the other shore after cutting down the bodies of two scouts hanged by the Germans. The final scenes of the film then switch to Berlin under Soviet occupation after the fall of the Third Reich. One of Ivan's former officer friends finds a Nazi prison where a document shows that Ivan was caught and executed by the Germans. As the officer reaches the execution room, we see a final flashback of Ivan's childhood: Ivan runs across a beach after a little girl in beautiful sunlight. The film's final image is that of a dead tree on the beach.
Cast
- Nikolay Burlyaev as Ivan (as Kolya Burlyayev)
- Valentin Zubkov as Capt. Kholin (as V. Zubkov)
- Yevgeni Zharikov as Lt. Galtsev (as Ye. Zharikov)
- Stepan Krylov as Cpl. Katasonov (as S. Krylov)
- Nikolai Grinko as Lt. Col. Gryaznov (as N. Grinko)
- Dmitri Milyutenko as Old Man (as D. Milyutenko)
- Valentina Malyavina as Masha (as V. Malyavina)
- Irma Raush as Ivan's Mother (as I. Tarkovskaya)
- Andrey Konchalovskiy as Soldier (as A. Konchalovskiy)
Production
Ivan's Childhood was Tarkovsky's first feature film, shot two years after his diploma film The Steamroller and the Violin. The film is based on the 1957 short story Ivan (Russian: Иван) by Vladimir Bogomolov, which was translated into more than twenty languages. It drew the attention of the screenwriter Mikhail Papava, who changed the story line and made Ivan more of a hero. Papava called his screenplay Second Life (Russian: Вторая жизнь, Vtoraya Zhisn). In this screenplay Ivan is not executed, but sent to the concentration camp Majdanek, from where he is freed by the advancing Soviet army. The final scene of this screenplay shows Ivan meeting one of the officers of the army unit in a train compartment. Bogomolov, who is not satisfied with this ending, intervenes and the screenplay is changed to the original version of Bogomolov.
Mosfilm gave the screenplay to the young film director Eduard Abalov. Shooting was aborted and the film project was terminated in December 1960, since the first version of the film drew heavy criticism from the arts council, and the quality was deemed unsatisfactory and unusable. In June 1961 the film project was given to Tarkovsky, who had applied for it after being told about Ivan's Childhood by cinematographer Vadim Yusov.[4] Work on the film resumed in the same month. The film was shot for the most part near Kaniv at the Dnieper River.
Tarkovsky continued his collobaration with cinematographer Vadim Yusov, who was the cameraman in Tarkovsky's diploma film The Steamroller and the Violin. Nikolai Burlyayev had played a role in Andrei Konchalovsky's student film The Boy and the Pigeon. Konchalovsky was a friend and fellow student of Tarkovsky at the State Institute of Cinematography (VGIK), and thus Burlyayev was also cast for the role of Ivan. He had to pass several screen tests, but according to Burlyayev it is unclear whether anyone else auditioned for the role.[5]
Responses
Ivan's Childhood was one of Tarkovsky's commercially most successful films, selling 16.7 million tickets in the Soviet Union.[6] Tarkovsky himself was displeased with some aspects of the film; in his book Sculpting in Time, he writes at length about subtle changes to certain scenes that he regrets not implementing. However, the film received numerous awards and international acclaim on its release, winning the Golden Lion at the Venice Film Festival. It attracted the attention of many intellectuals, including Ingmar Bergman who said: "My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease."[7]
Jean-Paul Sartre wrote an article on the film, defending it against a highly critical article in the Italian newspaper L'Unita and saying that it is one of the most beautiful films he had ever seen.[8] Filmmaker Sergei Parajanov and Krzysztof Kieślowski praised the film and cited it as influence on their work.
See also
- List of submissions to the 36th Academy Awards for Best Foreign Language Film
- List of Russian submissions for the Academy Award for Best Foreign Language Film
References
- ^ Vida T. Johnson (2007). "Life as a Dream" (DVD). The Criterion Collection.
- ^ Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
- ^ Daly, Fergus; Katherine Waugh. "Ivan's Childhood". Senses of Cinema. Archived from the original on 2007-12-08. http://web.archive.org/web/20071208115631/http://www.sensesofcinema.com/contents/cteq/01/15/ivans_childhood.html. Retrieved 2007-12-12.
- ^ Vida T. Johnson (2007). "Life as a Dream" (DVD). The Criterion Collection.
- ^ Nikolai Burlyayev (2007). "Nikolai Burlyayev Interview" (DVD). The Criterion Collection.
- ^ Segida, Miroslava; Sergei Zemlianukhin (1996) (in Russian). Domashniaia sinemateka: Otechestvennoe kino 1918-1996. Dubl-D.
- ^ "Ingmar Bergman - On Tarkovsky". www.nostalghia.com. http://www.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/IB_On_AT.html. Retrieved 2007-12-13.
- ^ Sartre, Jean-Paul. "Discussion on the criticism of Ivan's Childhood". www.nostalghia.com. http://www.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/Sartre.html. Retrieved 2007-12-13.
External links
- Ivan's Childhood at the Internet Movie Database
- Ivan's Childhood at AllRovi
- The short story Ivan by Vladimir Bogomolov (Russian)
- Jean Paul Sartre's Article on Ivan's Childhood
Andrei Tarkovsky Filmography · Awards Directorial
worksFeature filmsIvan's Childhood · Andrei Rublev · Solaris · The Mirror · Stalker · Nostalghia · Voyage in Time · The SacrificeStudent filmsScreenplays Books Works about Golden Lion-winning films (1949–1969) Manon (1949) · Justice Is Done (1950) · Rashomon (1951) · Forbidden Games (1952) · No award (1953) · Romeo and Juliet (1954) · Ordet (1955) · No award (1956) · Aparajito (1957) · Rickshaw Man (1958) · General della Rovere / The Great War (1959) · Tomorrow Is My Turn (1960) · Last Year at Marienbad (1961) · Family Diary / Ivan's Childhood (1962) · Hands Over the City (1963) · Red Desert (1964) · Sandra (1965) · The Battle of Algiers (1966) · Belle de Jour (1967) · Artists Under the Big Top: Perplexed (1968) · No award (1969) ·
Categories:- 1962 films
- Soviet films
- Russian-language films
- Directorial debut films
- Films directed by Andrei Tarkovsky
- Leone d'Oro winners
- Mosfilm films
- Soviet war films
- War drama films
- Eastern Front of World War II films
- 1960s drama films
- Films about orphans
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