Boss Corporation

Boss Corporation
Boss Corporation
Type Subsidiary
Industry Musical instruments
Founded 1973[1]
Headquarters Hamamatsu, Japan[1]
Parent Roland Corporation

Boss is a manufacturer of effects pedals for electric guitar and bass guitar. It is a division of the Roland Corporation, a Japanese manufacturer that specializes in musical equipment and accessories. For many years Boss manufactured a range of products related to effects processing for guitars, including "compact" and "twin" effects pedals, multi-effect pedals, electronic tuners and pedal boards. In more recent times, Boss expanded their products line to include Digital Studios, rhythm machines and other electronic equipment.



A typical BOSS compact effects pedal

The earliest Boss product was called B-100 The Boss, released in 1976. This came with a clip-on pre-amp and a pickup to amplify acoustic guitars. At this point the Boss company had not been formed and it was still technically a Roland product.

The first proper Boss foot pedal effect, the CE-1 Chorus Ensemble, released in 1976. It was a fairly large, AC-powered unit. It was popular with artists at the time such as Andy Summers and can be heard on various recordings.

Boss HM-2 Heavy Metal distortion pedal

Boss's line of compact pedals began in 1977 with the release of three pedals: an overdrive pedal (OD-1), a phaser pedal (PH-1) and a parametric equalizer called the Spectrum (SP-1). The Boss DS-1 was released the next year, in 1978. Also released in this year is the T Wah (TW-1) pedal. Their first compact chorus pedal (CE-2) came the next year (1979), and their first flanger pedal (BF-2) in 1980. In 1983 Boss released the DD-2 Digital Delay, the first mass-produced digital delay in a compact pedal format. In 1987 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Metal Zone (MT-2) was released in 1991. The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. The pedals all share the same 'footprint', for compatibility with pedal boards.

Boss introduced COSM (Composite Object Sound Modeling), Roland's proprietary version of digital modeling technology, into their AC-3 Acoustic Simulator pedal in 2006. Boss has since released several pedals using COSM, including the FBM-1 '59 Fender Bassman pedal and FDR-1 '65 Fender Deluxe Reverb pedal, introduced at the Winter NAMM show in January 2007.

All Boss compact pedals use a "buffered bypass" type of silent foot switching utilizing Field Effect Transistors (FETs) to avoid clicks and pops. While not "true" bypass, the buffered bypass has the advantage of preventing signal loss due to long runs of cable, while keeping original guitar tone intact.[2]


Boss compact pedals were originally produced in Japan, until circa 1990 when production moved to Taiwan. Earlier units came with a metal screw securing the battery compartment, later models retained the metal screw, adding a plastic knob for tool-less battery removal. The labels on the bottom of the pedals come in several different colours including black, silver, green, pink and blue. Apart from this the basic design has remained unchanged for over 25 years.

The DS-1 Distortion, however, is an exception; the design has changed significantly twice throughout its lifetime. The first time was around 1994 when the Toshiba TA7136AP op-amp was replaced with the Rohm BA728N. In 2000 the op-amp was again changed. This time it was replaced with the Mitsubishi M5223AL. The latest op-amp change occurred in 2007, when new DS-1 pedals began shipping with the NJM3404AL op-amp.

In recent years older Boss compact pedals have begun to command a high premium on the used market.[citation needed] Some pedals, such as the relatively rare VB-2 Vibrato, SG-1 Slow Gear, SP-1 Spectrum, DC-2 Dimension C, PS-3 Digital Pitch Shifter/Delay, and either of the two analog delay pedals, the DM-2 and DM-3, are highly sought after by collectors.[citation needed]

The Boss Doctor Rhythm DR-110 drum machine was the last drum machine out of Roland to use analog sound synthesis to generate the drum sounds. After the DR-110, all Roland drum machines used samples of drums to produce sounds. The DR-110 is not easily incorporated into a modernized studio setup running MIDI but there are modifications available to sync the DR-110 to other gear. There are also modifications available in DIY formats to add tonal controls to the analog drum sounds on board the DR-110 that will give the user a wider range of sonic ability.[citation needed]

See also

  • Electronic tuner
  • Effects units
  • Electric bass guitars
  • List of Boss Corporation products


  1. ^ a b (Japanese page)
  2. ^ GEOFEX-Ins and Outs of Effect Bypassing

External links

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