Padmé Amidala

Padmé Amidala

SW character
name=Padmé Amidala


caption=
color=Republic
source=
position=Queen of Naboo, Senator of The Chommell Sector
species=Human
gender=Female
planet=Naboo
affiliation=Galactic Senate, Galactic Republic, Rebel Alliance, Jedi Order
portrayer=Prequel trilogy:
Natalie Portman
"":
Grey DeLisle (voice)

Padmé Amidala Naberrie Skywalker (born Padmé Amidala Naberrie), better known as Padmé Amidala, is a fictional character in George Lucas's space opera saga "Star Wars". She first appeared on film in ' (1999) as the young queen of the planet Naboo. In subsequent prequel trilogy films, Padmé represents Naboo in the Galactic Senate. She is featured in the animated miniseries ' (2003–2005) and in "Star Wars" literature. Padmé is the secret wife of Anakin Skywalker and mother of Luke Skywalker and Princess Leia Organa.

Born in a mountain village on Naboo 46 years before the events of ' (1977), Padmé Naberrie is known successively by her Name of State as Queen Amidala and Senator Amidala"'. She is a key politician in the Galactic Republic who holds to the principles of democracy and rule of law.

Initial drafts of "Star Wars" written by Lucas in the 1970s do not explain the role which the mother of Luke and Leia plays in the saga. Vague references are made to her in "" (1983), but the character was not fully realized until the prequel trilogy of films that debuted between 1999 and 2005. Padmé Amidala was portrayed by actress Natalie Portman in the trilogy, and an elaborate wardrobe was tailored for the character by costume designer Trisha Biggar.

Appearances

As a principal character in "Star Wars", Padmé Amidala plays a prominent role in the prequel films. Apart from the films, she appears in the Expanded Universe where her role in the "Star Wars" galaxy outside the films is explained. Padmé is the main protagonist of two "Star Wars" books.

"Star Wars" films

The mother of Luke Skywalker and Princess Leia Organa is first alluded to in the 1983 film "Return of the Jedi," but she is not named. While in the Ewok village on the forest moon of Endor, Luke (Mark Hamill) informs Leia (Carrie Fisher) that she is his sister and that the Sith Lord Darth Vader is their father. When asked if she remembers her "real mother," Leia says that she recalls "images" and "feelings" of her. Leia explains, "She died when I was very young. ... Kind ... but sad." Luke confesses that he has no memories of her and the discussion ends as he leaves the village to confront Vader.

Padmé Amidala makes her first appearance in the prequel "The Phantom Menace" set 32 years before "A New Hope." Padmé is introduced as the 14-year-old democratically elected Queen of Naboo, dedicated to ending the planet's occupation by the Trade Federation. She attempts to deal directly with Federation viceroy Nute Gunray (Silas Carson), but he tries to have her assassinated. Padmé escapes with the help of Jedi Master Qui-Gon Jinn (Liam Neeson) and his padawan Obi-Wan Kenobi (Ewan McGregor), but they are forced to land on the desert planet of Tatooine. Padmé — disguised as a handmaiden — meets nine-year-old Anakin Skywalker (Jake Lloyd) and his mother Shmi (Pernilla August). She witnesses Anakin win his first pod race at the Boonta Eve Classic and secures his freedom.

Arriving on Coruscant, Padmé consults with Senator Palpatine (Ian McDiarmid), who encourages her to appeal to the Senate to resolve Naboo's dispute with the Trade Federation. He persuades her to make a motion in the Senate to have Supreme Chancellor Finis Valorum (Terence Stamp) removed from office; Palpatine is elected in his place. She is unaware that Palpatine is a Sith Lord named Darth Sidious who is manipulating the Trade Federation in order to take control of the Republic. Padmé returns to Naboo and defeats the Trade Federation's droid army in battle with the help of the Gungan army and Qui-Gon and Obi-Wan.

Padmé Amidala makes her second film appearance in "" (2002), set a decade after "The Phantom Menace". She represents Naboo in the Galactic Senate and leads a faction opposed to the Military Creation Act, which would create an army of clones for the Republic. While the galaxy is threatened by a growing Separatist movement, Padmé is a target for assassins hired by the Trade Federation. Anakin Skywalker (Hayden Christensen) — now Obi-Wan Kenobi's padawan — is assigned to protect her. Palpatine sends Padmé into hiding on Naboo, where she and Anakin struggle to maintain a platonic relationship despite their obvious mutual attraction.

When Anakin has a horrific vision of his mother in danger, Padmé accompanies him to Tatooine in a failed attempt to rescue her from a band of Tusken Raiders. Anakin returns with his mother's body, and tearfully confesses to Padmé that he slaughtered the entire tribe. Padmé is troubled by what he has done, but forgives him.

They receive a message from Obi-Wan, who has been kidnapped by Separatist leader Count Dooku (Christopher Lee) on the planet Geonosis. Padmé and Anakin rush to his aid only to be captured themselves and condemned to death in a Geonosian coliseum. They declare their love to each other and are saved at the last minute by Jedi Masters Mace Windu (Samuel L. Jackson) and Yoda (Frank Oz), who lead an army of Jedi and clone troopers. This battle marks the opening salvo of the Clone Wars. Afterward, Padmé and Anakin are married in a secret ceremony on Naboo witnessed by the droids R2-D2 (Kenny Baker) and C-3PO (Anthony Daniels).

Padmé Amidala makes her final appearance on film in "" (2005), set three years after the events of "Attack of the Clones." After Anakin returns from a battle, she informs him that she is pregnant. Padmé watches with increasing suspicion as Palpatine becomes a dictator, using the Clone Wars to amass vast emergency powers and gain control over the Senate and judiciary. Padmé later witnesses Palpatine declare martial law, transforming the Republic into the Galactic Empire and naming himself Emperor. As the Senate cheers for Palpatine, she tells herself, "So this is how liberty dies: With thunderous applause."

Meanwhile, Padmé detects changes in Anakin after he has dreams about her dying in childbirth. Although she is dismissive of his visions, Anakin's fear for her leads to his conversion to the dark side of the Force and transformation into Darth Vader; Palpatine corrupts Anakin by promising him the power to prevent Padmé's death. After Palpatine seizes absolute power, Obi-Wan informs her that Anakin has become a Sith and killed everyone in the Jedi Temple, including the children. She refuses to believe him, but travels to the volcanic planet Mustafar with Obi-Wan stowed on board her ship to learn if Anakin has indeed turned to the dark side. She confronts him, and begs him to flee Palpatine's grasp with her. However, Anakin is mad with power and refuses, instead saying that he plans to overthrow Palpatine so they can rule the galaxy together. Padmé recoils in horror, realizing that Anakin has indeed changed and helped Palpatine destroy the Republic. Just then, Obi-Wan emerges from the ship. Anakin accuses her of betraying him, and uses the dark side to choke her into unconsciousness.

After Obi-Wan defeats Anakin in the ensuing lightsaber duel, he brings Padmé to Polis Massa, a secret asteroid base. Despite the efforts of medical droids, Padmé dies after giving birth to twins Luke and Leia, having lost the will to live. Her final words are, "There's good in him. I know ... I know there's still ...."

Padmé's body is returned to Naboo and given an elaborate funeral ceremony. The twins are hidden from the Emperor and their father; Luke is brought to Tatooine to be raised by Anakin's stepfamily, Owen and Beru Lars (Joel Edgerton and Bonnie Maree Piesse), and Leia is adopted by Bail Organa (Jimmy Smits) of Alderaan and raised as a princess.

Padmé's death would haunt Vader for the rest of his life. Despite the supremely evil being that the Sith Lord would become, he was never able to shake himself of the emotional agony caused by his wife's passing. Some scenes featuring Padmé Amidala were deleted from the prequel films. In "Attack of the Clones," she introduces Anakin to her parents, Ruwee and Jobal Naberrie, and informs him of her charitable work with the Refugee Relief Movement, a galaxy-wide disaster relief and resettlement organization. In "Revenge of the Sith," Padmé is seen as a dissenter in Palpatine's government during the Clone Wars and a constituting member of the Alliance to Restore the Republic, later known as the Rebel Alliance, along with senators Bail Organa, Mon Mothma (Genevieve O'Reilly), and others.

"Clone Wars" miniseries

Padmé Amidala appears in seven chapters of "", a series set between "Attack of the Clones" and "Revenge of the Sith" that aired on VHR1 from 2003 to 2005. The character was voiced by Grey DeLisle. In the series, Padmé is secluded on Coruscant and maintains a correspondence with her somewhat secret husband Anakin Skywalker, who is fighting in the Clone Wars, while avoiding assassins hired by Trade Federation Viceroy Nute Gunray. She worries about Anakin's safety despite the assassination threats, but is thrilled by his victories and graduation from padawan to Jedi.

In one chapter, Padmé travels with Yoda aboard her ship when he senses a disturbance in the Force coming from the ice planet Ilum. Despite the protests of security officer Captain Typho, she accompanies Yoda to the world and helps rescue the Jedi Luminara Unduli and her padawan Barriss Offee (who had just completed her training before the temple she and Luminara were in was nearly destroyed). In the Clone Wars, Padmé is a source of diplomacy in the waning Republic. During the Outer Rim sieges, she and Typho travel to the planet Bri'ahl to persuade the natives to join the Republic's fight against the Separatists.

"Star Wars" literature

Padmé's background prior to her appearance in the prequel films is revealed in "Star Wars" novels and comics. In Terry Moore's comic "A Summer's Dream" printed in "Star Wars Tales 5" (2000) and set a year before the events of "The Phantom Menace", Padmé is the Princess of Theed, Naboo's capital city. A young man named Ian Lago falls in love with Padmé, but she places her duty to the people over her personal happiness and rejects him. Lago is the son of an advisor to King Veruna, the reigning monarch of Naboo. [Terry Moore, "A Summer's Dream," in "Star Wars Tales" 5 (Dark Horse Comics, September 2000), ISBN 1593072864.] Padmé Amidala, Expanded Universe, at the [http://www.starwars.com/databank/character/amidala/?id=eu Star Wars Databank] ; last accessed August 5, 2006.]

In the novel "Cloak of Deception" (2001) by James Luceno, King Veruna is forced to abdicate the throne following accusations of corruption. Padmé is elected Queen of Naboo and contacts Palpatine to inform him that Veruna had been mysteriously killed. She and Palpatine discuss the events that lead to the Trade Federation blockade of Naboo. She admits to him, "Naboo can scarcely afford to become embroiled in a dispute that pits the Republic against the Trade Federation." [James Luceno, "Cloak of Deception" (paperback; New York: Del Rey, 2002), p. 323, ISBN 0345442970.]

"Star Wars" literature focuses on Padmé's career as ruling monarch of Naboo. The young adult novel ' (1999) by Jude Watson focuses on Padmé Amidala's early career as queen and narrow escape from the Trade Federation. [Jude Watson, "Star Wars Episode I Journal: Queen Amidala" (New York: Scholastic, 1999), ISBN 0590521012.] Another book, "The Queen's Amulet" (1999) by Julianne Balmain narrates the close friendship between Amidala and her handmaiden Sabé immediately before the events of "The Phantom Menace". [Julianne Balmain, "The Queen's Amulet" (New York: Chronicle Books, 1999), ISBN 0811824624.] Erik Tiemens's comic "The Artist of Naboo" details the story of a young, unnamed artist on Naboo who becomes captivated by Padmé's beauty. The artist features her in a series of paintings and later risks his life to save her. The comic was printed in ' (2005) by Dark Horse Comics. [Erik Tiemens, "The Artist of Naboo," in "Star Wars: Visionaries" (Dark Horse Comics, March 2005), ISBN 1593073119.]

Padmé's role in the Delegation of 2000 — the senatorial resistance movement to Palpatine's growing absolutism — is discussed in James Luceno's "Labyrinth of Evil" (2005). The Delegation of 2000 is primarily concerned with Palpatine's calls for public surveillance and restrictions on freedom of movement and action. Still, Padmé is confident that Palpatine will relinquish his power when the crises is over: "He's not stubborn," she tells Bail Organa. "You just don't know him as I do. He'll take our concerns to heart." [James Luceno, "Labyrinth of Evil" (paperback; New York: Del Rey, 2005), p. 57, ISBN 0345475739.]

The novelizations of the "Star Wars" prequel films introduced material about Padmé Amidala that was not included in the films. Terry Brooks' ' (1999) includes a discussion between Qui-Gonn Jinn and Obi-Wan Kenobi. Qui-Gonn describes the Queen of Naboo as "something of an unknown" before the Trade Federation blockade. [Terry Brooks, "Star Wars Episode I: The Phantom Menace" (paperback; New York: Del Rey, 1999), p. 28, ISBN 0345434110.] In the ' (2002) adaptation by R. A. Salvatore, there is a detailed conversation between Padmé and her sister Sola Naberrie shortly after Queen Jamillia appoints her senator. Sola chides her for ignoring her personal life: "What about Padmé Amidala? Have you even thought about what might make your life better?" [R. A. Salvatore, "Star Wars Episode II: Attack of the Clones" (paperback; New York: Del Rey, 2002), p. 20, ISBN 034542882X.] Matthew Stover's "" (2005) elaborates upon Padmé's role in the formation of the Rebel Alliance. Stover narrates Darth Vader's reaction to the death of his wife: Vader thinks to himself, "You killed her because, finally, when you "could" have saved her, when you could have gone "away" with her, when you could have been thinking about "her", you were thinking about "yourself" ..." [Matthew Stover, "Star Wars Episode III: Revenge of the Sith" (paperback; New York: Del Rey, 2005), p. 450, ISBN 0345428846.]

Padmé appears in novels and comics set after the events of the original trilogy as holograms and flashbacks. In Troy Denning's "The Joiner King" (2005), book one of the Dark Nest Trilogy and set 35 years after the events of "A New Hope", Luke Skywalker discovers a 54-year-old hologram recorded by R2-D2. The image is of Anakin Skywalker informing Padmé of his vision of her death in childbirth. This is the first time Luke sees his mother. [Troy Denning, "The Joiner King" (paperback; New York: Del Rey, 2005), pp. 210-211, ISBN 0345463048.] Another hologram discovered in R2-D2 chronicles a conversation between Padmé and Obi-Wan. Luke and Leia hear their mother's name for the first time and it "shot an electric bolt of excitement through" them. [Denning, "The Joiner King", p. 345.] In the final novel of the trilogy, "The Swarm War", Luke and Leia see their mother's death and their own births. [ [http://www.amazon.com/gp/product/0345463056 Amazon.com: The Swarm War (Star Wars: Dark Nest, Book 3): Troy Denning: Books ] ]

Characteristics

Padmé Amidala is depicted in "Star Wars" fiction as beautiful and graceful. In "Cloak of Deception", she is described as having "a slight figure and a lovely, feminine face. She was remarkably solemn for one so young. It was clear that she took her responsibilities with the utmost seriousness." [Luceno, "Cloak of Deception", p. 321.] Terry Brooks details the alien Nute Gunray's reaction to her appearance: "She was considered beautiful, Gunray had been told, but he had no sense of human beauty and by Neimoidian standards she was simply colorless and small-featured." [Brooks, "The Phantom Menace", p. 83.] Still, Brooks writes that she is "young, beautiful, and serene." [Brooks, "The Phantom Menace", p. 36.]

The Star Wars Databank describes her as "one of Naboo's best and brightest" and "interested in public service".Padmé Amidala at the [http://www.starwars.com/databank/character/amidala/index.html Star Wars Databank] ; last accessed August 5, 2006.] She demonstrates a devotion to the disadvantaged and deprived beings of the galaxy. Her childhood and adolescence is sacrificed to public service. In the "Attack of the Clones" novelization, Padmé's sister Sola Naberrie tells her, "You're so tied up in your responsibilities that you don't give any weight to your desires." [Salvatore, "Attack of the Clones", p. 176.]

Padmé relies on diplomacy to resolve disputes, often appearing as a pacifist. She is not, however, an advocate of appeasement, as she is willing to use "aggressive negotiations" to preserve democracy. [Salvatore, "Attack of the Clones", p. 319.] The Star Wars Databank notes, "Despite her initial objections to a Republic army, Padmé nonetheless fought alongside the newly created clone troopers against the Separatist droid forces." Film critics Dominique Mainon and James Ursini classify her as a "modern Amazon," a reference to the warrior women of ancient Greek mythology. [Dominique Mainon and James Ursini, "The Modern Amazons: Warrior Women On-Screen" (Pompton Plains, N.J.: Hal Leonard, 2006), p. 199, ISBN 0-87910-327-2]

As a ruler and politician, Padmé is distrustful of bureaucracy, opposed to corruption, and attached to the ideals of democracy and the rule of law. She tells Anakin, "Popular rule is not democracy .... It gives the people what they want, not what they need." [Salvatore, "Attack of the Clones", p. 144.] According to Mainon and Ursini, "she tried to preach compromise and reason, [but] the disarray within the [Republic] ... led her to doubt the senate's effectiveness." Her loyalty remains with the Republic until she suspects that it no longer represents the democratic principles she espouses. In the novelization of "Revenge of the Sith," Padmé advises Senator Bail Organa and Mon Mothma, "Be good little Senators. Mind your manners and keep your heads down. And keep doing ... all those things we can't talk about." [Stover, "Revenge of the Sith", p. 401.]

Padmé is sometimes mysterious and deceptive. She is described in Brooks' "The Phantom Menace" novelization as a "chameleon of sorts, masking herself to the world at large and finding companionship almost exclusively with a cadre of handmaidens who were always with her." [Brooks, "The Phantom Menace", p. 28-29.] Her concession to quietly marry Anakin and secret discussions with other senators about Palpatine add to the character's duplicity. Paul F. McDonald of Space.com observes, "Amidala ... embod [ies] many of the dualities that inform "Episode I"— war and peace, queen and commoner, form and substance. Unlike other characters, whose personalities are divided and usually warring against one another, her dual nature works to her advantage." He explains, "Amidala can be cold and commanding when she needs to be, or warm and loving as Padmé."Paul F. McDonald, "Amidala: The Goddess With Two Faces," at [http://www.space.com/sciencefiction/movies/amidala_000612.html Space.com] ; last accessed August 5, 2006.]

Concept and creation

Padmé Amidala was first mentioned in "Return of the Jedi" (1983) as the mother of Luke Skywalker and Princess Leia Organa. The character, however, went unnamed until "The Phantom Menace". An extensive wardrobe was designed for the character by Lucasfilm concept artists and costume designers. Like Leia Organa one of the inspirations for Padmé was the Flash Gordon character Dale Arden.

Character creation

In initial drafts of the "Star Wars" story, Luke Skywalker and Princess Leia's mother was not well developed. According to Dale Pollock, Luke Skywalker was originally Luke Starkiller and "Leia is the daughter of Owen Lars and his wife Beru and seems to be Luke's cousin — together they visit the grave of his mother, who perished with his father on a planet destroyed by the Death Star. [Dale Pollock, "Skywalking: The Life and Films of George Lucas" (New York: Da Capo Press, 1999), p. 146, ISBN 0306809044.] In an interview, Lucas answers a question about the development of characters like Obi-Wan Kenobi, Luke, and Leia; their mother was not a factor: quotation|The first [version] talked about a princess and an old general. The second version involved a father, his son, and his daughter; the daughter was the heroine of the film. Now the daughter has become Luke, Mark Hamill's character. There was also the story of two brothers where I transformed one of them into a sister. The older brother was imprisoned, and the young sister had to rescue him and bring him back to their dad. [Claire Clouzot, "The Morning of the Magician: George Lucas and "Star Wars"," "The George Lucas Interviews", ed. Sally Kline (Jackson: University Press of Mississippi, 1999), pp. 57-58, ISBN 1578061253.]

Film historian Laurent Bouzereau reports that the second draft of the "Return of the Jedi" screenplay contained dialogue where Obi-Wan Kenobi explains to Luke that he has a twin sister. She and their mother were "sent to the protection of friends in a distant system. The mother died shortly thereafter, and Luke's sister was adopted by Ben's friends, the governor of Alderaan and his wife." [Laurent Bouzereau, "Star Wars: The Annotated Screenplays" (New York: Del Rey, 1997), p. 270, ISBN 0345409817.] Lucas is quoted in "Star Wars: The Annotated Scripts" (1997) as saying quotation|The part that I never really developed is the death of Luke and Leia's mother. I had a backstory for her in earlier drafts, but it basically didn't survive. When I got to "Jedi", I wanted one of the kids to have some kind of memory of her because she will be a key figure in the new episodes I'm writing. But I really debated whether or not Leia should remember her. [George Lucas, quoted in Bouzereau, "The Annotated Screenplays", p. 291.]

"Revenge of the Sith" does not explain how Leia remembers her "real mother." Film critic Peter Travers of "Rolling Stone" applauds Lucas's attempt to link the two trilogies in "Revenge of the Sith"'s final scenes, but says, "It's too little and too late." He explains, "To hail "Revenge of the Sith" as a satisfying bridge to a classic is not just playing a game of the "Emperor's New Clothes", it's an insult to what the original accomplished." [Peter Travers, review of "Star Wars Episode III: Revenge of the Sith", "Rolling Stone", May, 13 2005, available [http://www.rollingstone.com/reviews/movie/_/id/6140458/rid/7304522/ here] ; last accessed August 5, 2006.] Official "Star Wars" sources gloss over the perceived plot hole. For example, the Star Wars Databank states without explanation, "Leia has few memories of her true mother, Padmé Amidala. All that Leia can recall is that she was beautiful, but sad." ["Princess Leia Organa Solo," The Movies, at the [http://www.starwars.com/databank/character/leiaorganasolo/index.html Star Wars Databank] ; last accessed August 12, 2006.]

However, another theory is that when Leia mentions the memory of her mother in her conversation with Luke in Return of the Jedi, she is actually referring to her adoptive mother on Alderaan (Queen Breha Organa, wife of Bail Organa). It can be assumed that Leia didn't know Padme was her mother (in fact, she might've been completely unaware of her existence), she never had the knowledge of being adopted and thus considered the Queen of Alderaan her mother.

When Lucas drafted the script for "The Phantom Menace", he envisioned a "link between Padmé and Princess Leia, the daughter who follows so closely in her footsteps.""Wise Beyond Her Years", part 2 of "Natalie Portman: Forbidden Love," at [http://www.starwars.com/episode-ii/bts/profile/f20020827/indexp2.html Star Wars.com] ; last accessed August 5, 2006.] According to Natalie Portman, "It definitely did come into play how strong and smart a character Carrie Fisher portrayed, because I think that a lot of that is passed on from parent to child. I think George wrote Amidala as a strong, smart character, but it helped to know that I had this great woman before me who had portrayed her character as a fiery woman." [Natalie Portman, quoted in "Wise Beyond Her Years."] Paul McDonald notes that there are "inevitable comparisons" between the two characters: "both develop soft spots for rogue pilots, and both have a knack for slipping into and out of stilted British accents."

Natalie Portman

George Lucas, Rick McCallum, and casting director Robin Gurland auditioned over 200 actresses for the part of Padmé Amidala. [Jonathan L. Bowen, "Anticipation: The Real Life Story of" Star Wars: Episode I-The Phantom Menace (Lincoln, Neb.: iUniverse, 2005), p. 3, ISBN 0595347320.] They chose 16-year-old Israeli-American actress Natalie Portman to play the role. According to "The Phantom Menace" production notes, "The role required a young woman who could be believable as the ruler of that planet, but at the same time be vulnerable and open." Portman's performances in "The Professional" (1994) and "Beautiful Girls" (1996) impressed Lucas."Star Wars Episode I" Production Notes: The Actors and Characters - Part I", at [http://www.starwars.com/episode-i/bts/production/f19990501/indexp4.html Star Wars.com] ; last accessed August 5, 2006.] He stated, "I was looking for someone who was young, strong, along the lines of Leia [and] Natalie embodied all those traits and more." [George Lucas, quoted in "Production Notes".]

Portman was a unique choice in that she was unfamiliar with "Star Wars". "My cousins had always been obsessed with the films, yet I hadn't even seen them before I got the part," she says. "When it all happened for me, my cousins were exclaiming, 'Oh, my God, you're in "Star Wars"!'"Natalie Portman, quoted in "Production Notes".] She told a CNN interviewer, "I really wasn't aware of how big a deal "Star Wars" was ... and when I saw the films, I really liked them, but I still didn't really understand how many ... were passionate fans of this film." ["Return of the galaxy's new beautyNew look, love interest for Portman's role in 'Star Wars'" at [http://www.cnn.com/CNN/Programs/people/shows/portman/profile.html CNN] ; last accessed August 5, 2006.] Portman was, however, enthused over being cast as the Queen of Naboo, a character she expected to become a role model: "It was wonderful playing a young queen with so much power. I think it will be good for young women to see a strong woman of action who is also smart and a leader."

In "The Phantom Menace", Portman had to portray a character younger than herself. In "Attack of the Clones", however, her character had aged 10 years. Portman had aged only three years between the two films. She remarks, " [Lucas] wants to make sure I seem older than Anakin in ["Attack of the Clones"] , so it's believable that I can be bossing him around, and he's a little intimidated. She looks at him as a little boy — at least for the first half of the film." ["No Longer Queen," in "Natalie Portman: Forbidden Love," at [http://www.starwars.com/episode-ii/bts/profile/f20020827/index.html Star Wars.com] ; last accessed August 5, 2006.]

Portman signed a contract to play Padmé in the three prequel films. Reactions by critics to her performances were mixed. James Berardinelli called her acting in "The Phantom Menace" "effective," [James Berardinelli, review of "Star Wars Episode I: The Phantom Menace", available [http://movie-reviews.colossus.net/movies/s/sw99.html here] ; last accessed August 5, 2006.] but Annlee Ellingson of "Box Office Magazine" said "Portman's delivery is stiff and flat, perhaps hindered by the gorgeous but cumbersome costumes." [Annlee Ellingson, review of "Star Wars Episode I: The Phantom Menace", "Box Office Magazine", available [http://www.boxoffice.com/scripts/fiw.dll?GetReview&where=Name&terms=STAR+WARS:+EPISODE+I--THE+PHANTOM+MENAC here] ; last accessed August 5, 2006.] Mike Clark of "USA Today" complained about Portman and Hayden Christensen, claiming, "Both speak in monotone for doubly deadly effect, though when not burdened by his co-star, Christensen often finds the emotion in his limited intonations." [Mike Clark, review of "Star Wars Episode II: Attack of the Clones", May 15, 2002, available [http://www.usatoday.com/life/movies/2002/2002-05-15-star-wars-review.htm here] ; last accessed August 5, 2006.] A "Revenge of the Sith" reviewer for "The Village Voice" accused "computer-generated characters like wheezing cyborg baddie General Grievous and blippeting fireplug R2-D2" of "emot [ing] more convincingly than either Natalie Portman or Hayden Christensen." [Ed Halter, "May the Force Be Over; The end of the beginning: Lucas's adolescent space opera concludes in a CGI Sith Storm," "The Village Voice" (New York), May 11, 2005, available [http://www.villagevoice.com/film/0520,halter1,63970,20.html here] ; last accessed August 5, 2006.] Nonetheless, Mick LaSalle of the "San Francisco Chronicle" described Portman's performance in the third episode as "decorative and sympathetic." [Mick LaSalle, "When 'Sith' sticks to Darth, it's brilliant. When it doesn't, it lacks luster," San Francisco "Chronicle", May 18, 2005, available [http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/05/18/DDGS4CQ2RR10.DTL here] ; last accessed August 5, 2006.]

Critics have blamed Portman's performance on Lucas's direction and script. Roger Ebert, for example, charged that in "Attack of the Clones" "too much of ... the film is given over to a romance between Padmé and Anakin in which they're incapable of uttering anything other than the most basic and weary romantic clichés, while regarding each other as if love was something to be endured rather than cherished." [Roger Ebert, review of "Star Wars Episode II: Attack of the Clones", Chicago "Sun-Times", May 10, 2002, available [http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20020510/REVIEWS/205100305/1023 here] ; last accessed August 5, 2006.] He offered a similar critique for "Revenge of the Sith": "To say that George Lucas cannot write a love scene is an understatement; greeting cards have expressed more passion." [Roger Ebert, review of "Revenge of the Sith", Chicago "Sun-Times", May 19, 2005, available [http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050519/REVIEWS/50503002/1023 here] ; last accessed August 5, 2006.]
Todd McCarthy of "Variety" likewise lamented that "Lucas's shortcomings as a writer and director of intimate, one-on-one scenes" hampered Portman's performance. [Todd McCarthy, review of "Star Wars Episode III: Revenge of the Sith", "Variety", May 5, 2005, available [http://www.variety.com/ac2006_review/VE1117927015?nav=reviews&categoryid=1986&cs=1&s=h&p=0 here] ; last accessed August 5, 2006.]

Costumes

Padmé Amidala's wardrobe in "The Phantom Menace" was designed by concept artist Iain McCaig and costume designer Trisha Biggar; concept artist Dermot Power joined McCaig and Biggar in the design process of "Attack of the Clones". [Ian McCaig Biography, at [http://www.starwars.com/bio/iainmccaig.html Star Wars.com] ; last accessed August 5, 2006.] [Dermot Power Biography, at [http://www.starwars.com/bio/dermotpower.html Star Wars.com] ; last accessed August 5, 2006.] Biggar worked as costume designer on the three films. [Trisha Biggar Biography, at [http://www.starwars.com/bio/trishabiggar.html Star Wars.com] ; last accessed August 5, 2006.] Many costumes were inspired by the historical royal fashions of different cultures. For example, in "The Phantom Menace", the dress which Padmé wears when addressing the Senate is based on Mongolian imperial fashion worn by Grand Empress Börte, wife of Genghis Khan, and other monarchs into the early 20th century. Padmé's travel gown in "Attack of the Clones" is based on 17th century Russian fashion photographed on Grand Duchess Xenia Alexandrovna in 1903. [L. Mangue, ed., "Reverse References", at [http://www.nerf-herders-anonymous.net/ReverseReferences.html Nerf-Herders Anonymous] ; last accessed August 5, 2006.]

The costumes of the prequel trilogy are purposefully more elaborate than those of the original trilogy. Lucas asserts that galactic society in the prequels is much more sophisticated.George Lucas, Costume Featurette, "Star Wars Episode I: The Phantom Menace" Special Features, (DVD, 20th Century Fox, 1999), disc 2.] Commenting on the disparities between the two trilogies, Carrie Fisher mused, "Harrison Ford wears the same outfit for three flicks, and I was complaining that I wear, like, six outfits. And my mother — Natalie Portman — she wears three million. She walks through a doorway and there's another outfit. It's like the Liberace of sci-fi changing of clothes." [Carrie Fisher, commentary to "Star Wars Episode VI: Return of the Jedi", Special Edition (DVD, 20th Century Fox, 2005).] Trisha Biggar reveals that originally there were only three costumes planned for Queen Amidala in "The Phantom Menace", but " [Lucas] decided that every time we saw the Queen she was going to have a different costume." [Trisha Biggar, Costumes Featurette, "The Phantom Menace", DVD.] Lucas explains, "Someone of that stature would automatically be changing their costumes to fit the occasion."

Aesthetics aside, the wardrobe was designed to reflect key plot developments. In "Attack of the Clones", Lucas wanted Padmé's wardrobe to mirror the romantic elements of the film. He suggested that her costumes be more "sultry in nature." [George Lucas, Love Featurette, "Star Wars Episode II: Attack of the Clones", Special Features (DVD, 20th Century Fox, 2002), disc 2.] Trisha Biggar notes that Lucas wanted her to appear "sexy, gorgeous, and young in skimpy clothes." [Trisha Biggar, Love Featurette, "Attack of the Clones", DVD.] Portman laughs, "I got over the hump of 18 so I'm allowed to show tummy now, I guess." [Natalie Portman, Love Featurette, "Attack of the Clones", DVD.] For "Revenge of the Sith", Biggar says, "We knew that Padmé was going to be pregnant through the whole film, and nobody in the outside world could know that. Because she's pregnant, I wanted a soft quality to be apparent in the fabrics that were used." ["Crafting "Revenge"," in "An Introduction to Episode III" at [http://www.starwars.com/episode-iii/bts/production/f20050518/indexp3.html StarWars.com] ; last accessed August 5, 2006.]

Some of the costumes created by Biggar's staff did not appear in the final version of the films. In "Revenge of the Sith", for example, a multi-colored "Peacock Gown" and a "Green Cut Velvet Robe" worn by Padmé in scenes featuring the Delegation of 2000 were deleted during post-production. Biggars remarks that the Peacock Gown had been one of her favorite designs and that much time and money had been invested in these particular costumes. ["Epic Designs for an Expanding Universe", Web Documentary, "Star Wars Episode III: Revenge of the Sith", Special Features (DVD, 20th Century Fox, 2005), disc 2.]

Many of Padmé's costumes in "The Phantom Menace" were featured in the Japanese magazine "High Fashion" in 1999 and the "Attack of the Clones" costumes were in "Vogue" in 2002. The costumes were on display in the 2005 exhibit "Dressing A Galaxy: The Costumes of Star Wars" at the Fashion Institute of Design & Merchandising (FIDM) in Los Angeles. ["Star Wars: Dressing a Galaxy Opens Monday," at [http://www.starwars.com/community/event/museum/news20050915.html Star Wars.com] ; last accessed August 5, 2006.] Trisha Biggar won a Saturn Award for Best Costumes in 2000 for "The Phantom Menace" and in 2003 for "Attack of the Clones". [Awards for "Star Wars: Episode I: The Phantom Menace" at the [http://imdb.com/title/tt0120915/awards Internet Movie Database] ; last accessed August 5, 2006.] [Awards for "Star Wars: Episode II: Attack of the Clones" at [http://imdb.com/title/tt0121765/awards Internet Movie Database] ; last accessed August 5, 2006.] She was nominated in 2006 for "Revenge of the Sith", but lost to Isis Mussenden, costume designer for "" (2005). [Saturn Awards, 2006, at the [http://imdb.com/Sections/Awards/Academy_of_Science_Fiction_Fantasy_And_Horror_Films_USA/2006 Internet Movie Database] ; last accessed August 5, 2006.]

References

Further reading


* Biggar, Trisha. "Dressing a Galaxy: The Costumes of Star Wars". New York: Harry N. Abrams, 2005. ISBN 0810965674.
* Hanson, Michael J., and Max S. Kay. "Star Wars: The New Myth". Philadelphia: Xlibris, 2002. ISBN 1401039898.
* Luceno, James. "Star Wars: Revenge of the Sith: The Visual Dictionary". New York: DK Publishing, 2005. ISBN 0756611288.
* Reynolds, David West. "Star Wars Episode I: The Visual Dictionary". New York: DK Publishing, 1999. ISBN 0789447010.
* Reynolds, David West. "Star Wars: Attack of the Clones: The Visual Dictionary". New York: DK Publishing, 2002. ISBN 0789485885.
* Wallace, Daniel. "The New Essential Guide to Characters". New York: Del Rey, 2002. ISBN 0345449002.
* Wallace, Daniel. "Republic HoloNet News Special Inaugural Edition 16:5:24." "Star Wars Insider" 84 (September 2005).
* Wallace, Daniel. "Tatters of the Republic." "Star Wars Insider" 86 (December 2005).
* Wallace, Daniel. "Who's Who in the Delegation of 2000." "Star Wars Insider" 85 (November 2005).
* Wallace, Daniel, and Kevin J. Anderson. "The New Essential Chronology". New York: Del Rey, 2005. ISBN 0345490533.

ee also

*List of women warriors in folklore, literature, and popular culture

External links

* [http://www.starwars.com/databank/character/amidala/index.html Padmé Amidala] in the Star Wars Databank.
*sww|Padmé Amidala
* [http://starwars.fidm.edu/ "Dressing A Galaxy: The Costumes of Star Wars"] , an exhibit at the Fashion Institute of Design & Merchandising.
* [http://starwars.yahoo.com/characters/padme-amidala-naberrie Padmé Amidala] at The World of Star Wars


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