- Students for Free Culture
Students for Free Culture, formerly known as FreeCulture.org, is an international student organization working to promote free culture ideals, such as cultural participation and access to information. It was inspired by the work of Stanford Law professor
Lawrence Lessig , who wrote the book "Free Culture", and it frequently collaborates with other prominent free cultureNGO s, includingCreative Commons , theElectronic Frontier Foundation , andPublic Knowledge . Students for Free Culture has over 30 chapters on college campuses around the world, [ [http://freeculture.org/chapters/ Students for Free Culture chapters] ] and a history of grassroots activism.Students for Free Culture is sometimes referred to as "FreeCulture", "the Free Culture Movement", and other variations on the "free culture" theme, but none of those are its official name. It is officially Students for Free Culture, as set for in the new bylaws that were ratified by its chapters on
October 1 ,2007 , which changed its name from FreeCulture.org to Students for Free Culture. [ [http://freeculture.org/blog/2007/10/01/results-of-freecultureorg-bylaws-voting/ Students for Free Culture's new bylaws] ]Goals
Students for Free Culture has stated its goals in a "manifesto":
The mission of the Free Culture movement is to build a bottom-up, participatory structure to society and culture, rather than a top-down, closed, proprietary structure. Through the democratizing power of digital technology and the Internet, we can place the tools of creation and distribution, communication and collaboration, teaching and learning into the hands of the common person -- and with a truly active, connected, informed citizenry, injustice and oppression will slowly but surely vanish from the earth. [ [http://freeculture.org/manifesto/ Free Culture manifesto] ]
It has yet to publish a more "official" mission statement, but some of its goals are:
* decentralization of creativity -- getting ordinary people and communities involved with art, science, journalism and other creative industries, especially through new technologies
* reforming copyright, patent, and trademark law in the public interest, ensuring that new creators are not stifled by old creators
* making important information available to the publicPurpose
According to its website [ [http://freeculture.org/about/ About Students for Free Culture] ] , Students for Free Culture has four main functions within the free culture movement:
* Creating and providing resources for its chapters and for the general public
* Outreach to youth and students
* Networking with other people, companies and organizations in the free culture movement
* Issue advocacy on behalf of its membersHistory
Initial stirrings at Swarthmore College
Students for Free Culture had its origins in the Swarthmore Coalition for the Digital Commons (now
Free Culture Swarthmore ), a student group atSwarthmore College which would eventually become the first Students for Free Culture chapter. The SCDC was founded in 2003 by students Luke Smith andNelson Pavlosky , and was originally focused on issues related tofree software ,digital restrictions management , andtreacherous computing , inspired largely by theFree Software Foundation . [ [http://phoenix.swarthmore.edu/2003-10-02/news/13240 "New group to fight RIAA, Microsoft" from the Swarthmore Phoenix] ] After watchingLawrence Lessig 's OSCON 2002 speech entitled "free culture" [ [http://www.lessig.org/freeculture/ Lawrence Lessig's OSCON 2002 speech, "Free Culture"] ] , however, they expanded the club's scope to cover cultural participation in general (rather than just in the world of software and computers), and began tackling issues such as copyright reform.The OPG v. Diebold case
Within a couple of months of founding the SCDC, Smith and Pavlosky became embroiled in the controversy surrounding Diebold Election Systems (now
Premier Election Solutions ), a voting machine manufacturer accused of making bug-ridden and insecure electronic voting machines. The SCDC had been concerned about electronic voting machines using proprietary software rather than open source software, and kept an eye on the situation. Their alarm grew when a copy of Diebold's internal e-mail archives leaked onto the internet, revealing questionable practices at Diebold and possible flaws with Diebold's machines, and they were spurred into action when Diebold began sending legal threats to voting activists who posted the e-mails on their websites. Diebold was claiming that the e-mails were their copyrighted material, and that anyone who posted these e-mails online was infringing upon their intellectual property. The SCDC posted the e-mail archive on its website and prepared for the inevitable legal threats.Sure enough, Diebold sent notices under the
DMCA to the SCDC's ISP, Swarthmore College. Swarthmore took down the SCDC website, and the SCDC co-founders sought legal representation. [ [http://www.commondreams.org/headlines03/1103-04.htm New York Times - File Sharing Pits Copyright Against Free Speech] ] They contacted theElectronic Frontier Foundation for help, and discovered that they had an opportunity to sign on to an existing lawsuit against Diebold,OPG v. Diebold , with co-plaintiffs from a non-profit ISP called theOnline Policy Group who had also received legal threats from Diebold. With pro bono legal representation from EFF and theStanford Cyberlaw Clinic , they sued Diebold for abusing copyright law to suppress freedom of speech online. After a year of legal battles, the judge ruled that posting the e-mails online was afair use , and that Diebold had violated the DMCA by misrepresenting their copyright claims over the e-mails.The network of contacts that Smith and Pavlosky built during the lawsuit, including dozens of students around the country who had also hosted the Diebold memos on their websites, gave them momentum they needed to found an international student movement based on the same free culture principles as the SCDC. They purchased the domain name http://freeculture.org and began building a website, while contacting student activists at other schools who could help them start the organization.
FreeCulture.org launches at Swarthmore
On April 23rd, 2004, Smith and Pavlosky announced the official launch of FreeCulture.org, [ [http://freeculture.org/blog/2004/04/13/swarthmore-students-to-launch/ Students for Free Culture blog: Official Launch] ] in an event at Swarthmore College featuring Lawrence Lessig as the keynote speaker [ [http://www.archive.org/details/LessigAtSwarthmore "Lessig at Swarthmore" video from the Internet Archive] ] [ [http://www.legalaffairs.org/issues/November-December-2004/feature_hunter_novdec04.msp Legal Affairs article on the launch] ] (Lessig had released his book Free Culture less than a month beforehand.) The SCDC became the first Freeculture.org chapter (beginning the process of changing its name to Free Culture Swarthmore), and students from other schools in the area who attended the launch went on to found chapters on their campuses, including
Bryn Mawr College andFranklin and Marshall . [ [http://www.wired.com/news/culture/0,1284,65616,00.html Wired News - "Students Fight Copyright Hoarders"] ]Internet campaigns
FreeCulture.org began by launching a number of internet campaigns, in an attempt to raise its profile and bring itself to the attention of college students. These have covered issues ranging from defending artistic freedom ( [http://barbieinablender.org/ Barbie in a Blender] ) to fighting the
Induce Act (Save The iPod), from celebratingCreative Commons licenses and thepublic domain ( [http://undeadart.org Undead Art] ) to opposingbusiness method patent s ( [http://freeculture.org/cereal Cereal Solidarity] ). While these one-shot websites succeeded in attracting attention from the press and encouraged students to get involved, they didn't directly help the local chapters, and the organization now concentrates less on web campaigns than it did in the past. However, their recent [http://freeculture.org/blog/2006/10/13/contestwinners/ Down With DRM video contest] was a successful "viral video" campaign against DRM, and internet campaigns remain an important tool in free culture activism.An increased emphasis on local chapters
Today the organization focuses on providing services to its local campus chapters, including web services such as mailing lists and wikis, pamphlets and materials for tabling, and organizing conferences where chapter members can meet up. Active chapters are located at schools such as
New York University (NYU),Harvard , Brown,University of Florida , Swarthmore, USC, Emory, and Reed.The NYU chapter made headlines when it began protesting outside of record stores against DRM on CDs during the
Sony rootkit scandal, [ [http://www.usatoday.com/tech/news/computersecurity/2005-11-13-digital-rights_x.htm USA Today - "Firestorm rages over lockdown on digital music"] ] resulting in similar protests around New York and Philadelphia. [ [http://www.philadelphiaweekly.com/view.php?id=11669 Philadelphia Weekly - "Copy Cats"] ] These protests may have served as inspiration for the FSF'sDefective by Design anti-DRM campaign, sinceRichard Stallman attended the second protest in November 2005, [ [http://www.nowpublic.com/node/25514 "Richard Stallman Protests DRM With NYU Students @ Tower Records"] ] and the first protest was on October 27, 2005. [ [http://www.slyck.com/news.php?story=969 "Anti-DRM Demonstration Takes Place in New York City" from Slyck News] ]Other recent activities at local chapters include:
* art shows featuringCreative Commons -licensed art, [ [http://www.freeculturenyu.org/ccartshow/ NYU's CC art show] ] [ [http://www.sharingisdaring.org/ "Sharing is Daring" CC art show at Harvard] ]
*mix CD -exchangingflash mobs , [ [http://freeculture.org/blog/2006/05/18/santa-cruz-flash-mob-f2fp2p-mix-cd-exchange/ Santa Cruz "face to face peer to peer" flashmob] ]
* film-remixing contests, [ [http://www.freeculturenyu.org/filmremix/ NYU's Film Remix 2006] ] [ [http://www.boingboing.net/2006/11/01/day_of_the_dead_remi.html BoingBoing - USC FC NOTLD speed remix contest] ]
*iPod liberating parties, where the organizers help people replace the proprietary DRM-crippled operating system on their iPods with an open source system likeRockbox , [ [http://business.newsforge.com/article.pl?sid=06/10/31/2146245 Newsforge - Liberating iPods in Cambridge] ]
* [http://www.antalliance.org Antenna Alliance] , a project that provides free recording space to bands, releases their music online underCreative Commons licenses, and distributes the music to college radio stations, [ [http://www.thephoenix.com/article_ektid28032.aspx Boston Phoenix, Antenna Alliance Offers Free Studio Time] ]
* a campaign to promoteOpen Access on university campuses. [ [http://www.freeculturenyu.org/oa Freeculture.org, Taking Action on Open Access] ]Structure
Students for Free Culture began as a loose confederation of student groups on different campuses, but it has been moving towards becoming an official tax-exempt non-profit.
With the passage of official bylaws, Students for Free Culture now has a clear governance structure which makes it accountable to its chapters. The supreme decision-making body is the Board of Directors, which is elected once a year by the chapters, using a
Schulze method for voting. It is meant to make long-term, high-level decisions, and should not meddle excessively in lower-level decisions. Practical everyday decisions will be made by the Core team, composed of any students who are members of chapters and meet the attendance requirements. Really low-level decisions and minutiae will be handled by a Coordinator, who ideally will be a paid employee of the organization, and other volunteers and assistants. A new Board of Directors was elected in February 2008 [ [http://freeculture.org/blog/2008/02/06/board-election-results/ Spring 2008 Board Election results] ] , and a new Core Team was assembled shortly thereafter. There is no Coordinator yet.References
External links
* [http://freeculture.org Official homepage]
* [http://freeculture.org/blog/category/news/press/ Blog posts about Students for Free Culture/FreeCulture.org in the media]
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