Oda Krohg

Oda Krohg
Oda Krohg as Bohemian Princess, painted by husband Christian Krohg in 1886
Debut work By the Oslofjord (Japanese lantern), 1886

Oda Krohg, born Othilia Pauline Christine Lasson (11 June 1860 in Åsgårdstrand — 19 October 1935 in Oslo), was a Norwegian painter, and the wife of her teacher and colleague Christian Krohg.

She had little formal art education, but quickly absorbed the knowledge of the artistic environment she was a part of. Her debut was in 1886 with Ved Kristianiafjorden (Japansk lykt) («By the Oslofjord (Japanese lantern)»), now in the National Gallery of Norway. Her first years as an artist are seen as an example of new romantic painting. Her later portrait works make another, more robust impression.

She was the second daughter of public attorney Christian Lasson and Alexandra von Munthe av Morgenstierne. Her maternal grandmother was a Russian princess. She grew up in a liberal-conservative household, along with eight sisters and two brothers. Her brother Per Lasson became a noted composer and her sister Caroline Bokken Lasson a singer and writer.

She got married in 1881 to the businessman Jørgen Engelhardt (1852–1921), with whom she had two children. She split from Engelhardt in 1883, and divorced in 1888. In 1885 she became a student of Erik Werenskiold and Christian Krohg. She married Krohg in October 1888. In 1885, their daughter Nana was born, and in 1889, their son Per, who also would be a known painter. In the period 1901–1909, the family lived in Paris.

Oda Krohg is known for her landscapes, like Ved Kristianiafjorden (Japansk lykt) and Ved engen (Kinesisk lykt) («On the meadow (Chinese lantern)», 1889) and other works like En abonnent på Aftenposten («A subscriber to the Evening Post», 1887), Fra festen («From the party», 1892) and Rouge et Noir (1912) and the brave Christian Krohg på Karl Johan («Christian Krohg at Karl Johansgate», 1912). She also painted portraits of, among others, Aasta Hansteen, Ivar Arosenius, Gunnar Heiberg, Johanne Dybwad and Christian Krohg.

Oda with friend and lover, the poet Jappe Nilssen in 1891

Oda was also a central figure in the anti-culture movement of the Christiania Bohemians[1] («Kristiania-bohemen») in the 1880s and 1890s. Her public image as the "Bohemian Princess" has to some extent obscured the impression of a competent painter. In Edvard Munch's etching kafeinteriør (1893), Oda is surrounded by bohemians and people close to them: Munch, Christian Krohg, Jappe Nilssen, Hans Jæger, Gunnar Heiberg and Jørgen Engelhardt.[2] Oda is said to have had affairs with all of these men apart from Munch. In his book Syk Kjærlihet ("Diseased Love", 1893), Hans Jæger describes a love triangle where he was strongly in love with a woman who was to marry a painter. Oda is said to have been the model for the woman, and the book describes the relation between Jæger, Oda and Christian during the summer and autumn of 1888.

In the 1890s the Krohgs moved to Berlin. During a quarrel with August Strindberg, who became provoked when Oda tuned his guitar in front of the guests at a party at Strindberg's favorite bar, "Zum Schwarzen Ferkel", the dramatist Gunnar Heiberg defended her. She and Heiberg soon fell in love and in 1897, she took one of her children, her son Per, and moved to Paris with Heiberg. Her husband took a position as an art instructor at Académie Colarossi in Paris not long thereafter and Oda acquired an artist's studio in Montparnasse. Within a short time she became acquainted with some of the leading artists in the city, including Henri Matisse. In 1903 she showed at the Salon de Paris, and a year later held her first exhibition at the Salon d'Automne, where she continued to be regularly involved until 1909. During this time she was in a relationship with the poet and art critic Jappe Nilssen. Oda separated from him and returned to her husband. A little while later they returned to Oslo.

She also wished to be a writer, but published very little.

Her life is described in Ketil Bjørnstad's novel Oda! (1983). She is buried at the National Cemetery (Æreslund) at Vår Frelsers gravlund in Oslo.

Further reading

  • Anne Wickstrøm. Oda Krohg : maleri. Lillehammer kunstmuseum, 2005. 11 s. ISBN 82-91388-46-6
  • Anne Wickstrøm. «Oda Krohg» I: Norsk biografisk leksikon, bd 5 (2002)
  • Anne Wickstrøm. Oda Krohg : et kunstnerliv. Gyldendal, 1988. ISBN 82-05-17392-3
  • Anne Wickstrøm. «Oda Krohg» I: Norsk kunstnerleksikon, bd 2, 1983
  • Per Krohg. «Oda Krohg : Tale ved Chr. Krohgs fest 18. nov. 1952». I: Kunst og kultur, 1953

External links

Footnotes

  1. ^ Oslo was known as "Christiania" until 1924
  2. ^ http://194.14.111.31/kultur/feminism.htm

This article incorporates text from an edition of the New International Encyclopedia that is in the public domain.


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