Frequency (film)

Infobox Film
name = Frequency


image_size = 200px
caption =
director = Gregory Hoblit
producer = Gregory Hoblit
Hawk Koch
Toby Emmerich
Bill Carraro
writer = Toby Emmerich
narrator =
starring = Dennis Quaid
James Caviezel
Elizabeth Mitchell
Andre Braugher
Shawn Doyle
music = Michael Kamen
cinematography = Alar Kivilo
editing = David Rosenbloom
distributor = New Line Cinema
released = Flagicon|USA April 28, 2000
Flagicon|UK June 16, 2000
runtime = 118 min.
country = USA
language = English
budget = US$31,000,000
gross =
preceded_by =
followed_by =
website = http://www.frequencymovie.com/
amg_id = 1:184529
imdb_id = 0186151

"Frequency" is a 2000 film, which contains elements of the time travel, thriller and alternate history film genres. It was directed by Gregory Hoblit and written by Toby Emmerich. The film stars Dennis Quaid and James Caviezel as father and son, Frank and John Sullivan respectively. It was filmed in Toronto and New York City. The film has similarities to the 1985 time travel film, "Back to the Future", which shares several plot devices with "Frequency".cite web|url=http://ppl.nhmccd.edu/~garyb/reviews/frequency.html|title=Frequency|publisher=Houston Community Newspapers|accessdate=2007-06-26|last=Brown|first=Gary|date=2000] The film gained mostly favorable reviews following its release and was released in DVD format on March 1, 2001. [cite web|url=http://www.totalfilm.com/dvd_reviews/frequency|title=Frequency - DVD Review|publisher=Total Film|accessdate=2007-06-27|date=2001-03]

Production

The film was greenlit for production on January 21, 1999, [cite web|url=http://www.variety.com/article/VR1117490459.html?categoryid=3&cs=1|title=Hoblit time-trips; old script scores for Iliff|publisher=Variety (magazine)|accessdate=2007-06-26|date=1999-01-21] although the script had been around much longer. Sylvester Stallone was rumored to be taking the role of Frank Sullivan in 1997,cite web|url=http://www.variety.com/article/VR1116679561.html?categoryid=13&cs=1|title=Sly eyeing New Line's 'Frequency'|publisher=Variety (magazine)|accessdate=2007-06-27|date=1997-06-06] but fell out of the deal after a dispute over his wage.cite web|url=http://www.variety.com/vstory/VR1117342811.html?categoryid=38&cs=1|title=INSIDE MOVES|publisher=Variety (magazine)|accessdate=2007-07-13|last=Busch|first=Anita M.|date=1997-06-27] His "Cliffhanger" director, Renny Harlin, was also rumoured to be director on the film. Gregory Hoblit first read the script in November 1997, a year and six months after his own father's death. In a 2000 interview shortly after the American release of "Frequency", he described the film as "high risk": the project had already been passed among several directors, including one of note who had twice the budget Hoblit was given.cite web|url=http://archive.salon.com/ent/col/srag/2000/05/25/hoblit/index2.html|title=What's the "Frequency," Gregory?|publisher=Salon.com|accessdate=2007-06-27|last=Sragow|first=Michael|date=2000-05-25] In the same interview he described the difficulty he had finding the two leads. Hoblit realized he needed an "experienced actor" to portray Frank Sullivan, and thus settled on Dennis Quaid.

Brian Greene, who served as the physics consultant on the film, appears in a featured television show in both 1969 and 1999. [cite web|url=http://uk.rottentomatoes.com/m/frequency/about.php|title=Info & Tidbits on "Frequency"|publisher=Rotten Tomatoes|accessdate=2007-07-14]

Plot

The film is set in New York City during October 1999. John Sullivan (Caviezel), a 36 year old homicide officer, is still traumatized over the death of his fireman father, Frank Sullivan (Quaid), thirty years ago. Living in the same house where he grew up, he discovers his father's ham radio following a breakup with his girlfriend and begins transmitting.

Due to unusual aurora borealis activity, John discovers he has managed to make contact with his father exactly 30 years in the past shortly before the date of the warehouse fire that will kill Frank. John is able to warn his father of the fire that would have otherwise taken his life, and although Frank initially disbelieves that John is his future son, he heeds John's advice when he realizes that John accurately described the outcome of the Mets game prior to the 1969 World Series.

Having saved his father from the fire, John creates a new timeline, while paradoxically retaining his memory of the old. In this altered timeline, Frank instead dies of lung cancer due to his chain-smoking. Later that day, Frank gets John to contact him on the Ham Radio by writing "I'm Still Here Chief", which, like the cigarette burn, showed up on the desk. Then they talk for hours that night about Frank's future, baseball, and many other things. However, in the old timeline John's mother, Julia "Jules" Sullivan (Elizabeth Mitchell), leaves her job as a nurse at a hospital to attend to Frank's funeral arrangements. In the new timeline, she remains at work and is present to save the life of a man who is later revealed to be the "Nightingale killer", a man who would have died that night due to being given a mix of Benazepril and Benadryl had she not been there to save him. The "Nightingale killer", in the erased timeline, had killed only three nurses before his death; the corpse of one of the victims is not discovered until 1999. Having been saved from death, he goes on to kill a total of ten: his sixth victim will be the very woman who saved him, John's mother Julia.

Thus, using information from 1999 police files on the impending seven killings, John and Frank work together across the gap of time to stop the murderer in 1969 and save Julia in the process. Frank successfully averts the murder of the first expected victim, but when he tries to prevent the next, he is attacked by the killer in a nightclub bathroom and his driver's license is taken from his wallet. When he regains consciousness, Frank rushes to the woman's apartment only to find he is too late.

Feeling defeated at first, John realizes the Nightingale killer's fingerprints are now on Frank's wallet. John tells his father to empty and hide that wallet in the house where it will remain untouched for 30 years. Once Frank accomplishes this, it suddenly appears in 1999 in the same spot. John takes the wallet to the crime lab and learns that the fingerprints belong to a now-retired detective named Jack Sheppard (Shawn Doyle). However, with his driver's license having been planted at the latest murder scene by the killer, Frank becomes a suspect of the murders and is taken in for questioning by his police detective friend (and John's later boss), Satch DeLeon (Andre Braugher).

At the station, Frank is confronted by Sheppard, but Frank subdues him and escapes the station. Later searching for condemning evidence in Sheppard's apartment, Frank is caught in the act by Sheppard and chased to a stockyard. With Satch convinced of Frank's story by his accurate prediction of the outcome of the World Series (told to Frank by John over the radio), Satch discovers Sheppard's guilt and Frank is cleared of all suspicion after a fight in which Sheppard is presumed dead. However, John knows this cannot be true because his 1999 family photo still shows his mother absent: she was still murdered.

That night, while the two are talking on the radio, Sheppard suddenly breaks into the Sullivan household, both in 1969 and 1999. Just as Sheppard is strangling John in 1999, Frank gets a shotgun and blows off the killer's hand in 1969. He flees. In 1999, Sheppard's hand suddenly shrivels and vanishes before his eyes; the house suddenly changes as if someone else lived there. Out from the shadows comes the living Frank, now an old man, who shoots Sheppard again, killing him. Thus Frank neither died in the warehouse fire, nor from lung cancer, having quit smoking at his son's request.

The film concludes with a neighborhood baseball game in 1999. Frank and Julia are there, along with John, his wife (the girlfriend who had left him in the original timeline) and his son, Frank Junior.

Cast

Reception

"Frequency" received generally good reviews along with several mixed. It has a 71% Approval Rating (Fresh) from Rotten Tomatoes with the general consensus as "a tight blend of surprises and suspense [that] keeps audiences spellbound". Roger Ebert called the film's plot "contrived", yet gave the film a favourable review. He also pointed out similarities with the films "The Sixth Sense" and "Ghost". [cite web|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20000428/REVIEWS/4280303/1023|title=Frequency (2000)|publisher=Chicago Sun-Times|accessdate=2007-06-27|last=Ebert|first=Roger|date=2000-04-28] David Armstrong, of the San Francisco Chronicle, praised the moments in the film when John and Frank Sullivan talked to each other over the radio but criticised the "unintentionally funny climax". He also praised actor Shawn Doyle's performance as the Nightingale killer, calling him "convincingly creepy". [cite web|url=http://www.sfgate.com/cgi-bin/article.cgi?file=/examiner/archive/2000/04/28/WEEKEND7196.dtl&type=movies|title=Convoluted 'Frequency' in need of fine-tuning|publisher=San Francisco Chronicle|accessdate=2007-06-27|last=Armstrong|first=David|date=2000-04-28] Todd McCarthy of Variety magazine said despite Dennis Quaid and James Caviezel's physical separation in the film, they formed a "palpable bond that [gave] the picture its tensile strength".cite web|url=http://www.variety.com/review/VE1117780838.html?categoryid=31&cs=1&p=0|title=Frequency|publisher=Variety (magazine)|accessdate=2007-06-26|last=McCarthy|first=Todd|date=2000-04-17] McCarthy noted the screenwriter, Toby Emmerich's, "bold leap into reconfiguring the past" created "agreeable surprises" and an "infinite number of possibilities" to the plot's direction. He added, however, that the serial killer subplot was "desperately familiar".

James Berardinelli gave the film two stars out of four, criticising the "coincidence-laden climax" but wrote that "poor writing [did] not demand subpar acting", praising "Frequency"'s "few nice performances". [cite web|url=http://www.reelviews.net/movies/f/frequency.html|title=Frequency|publisher=ReelViews|accessdate=2007-06-26|last=Berardinelli|first=James|date=2000] Gary Brown of the Houston Community Newspapers agreed, insisting the "ending prove [d] to be a major let-down". "Frequency" made US$68,106,245 worldwide and was released in 2,631 theaters in the United States. [cite web|url=http://www.boxofficemojo.com/movies/?id=frequency.htm|title=Frequency (2000)|publisher=Box Office Mojo|accessdate=2007-06-26] "Frequency" was nominated for the Hugo Award for Best Dramatic Presentation, but ultimately lost out to "Crouching Tiger, Hidden Dragon". The film's ending song, "When You Come Back to Me", was nominated for a Golden Globe Award. [cite web|url=http://news.bbc.co.uk/1/hi/entertainment/1081845.stm|title=The Golden Globe nominations|publisher=BBC News Online|accessdate=2007-06-27|date=2000-12-21] Written by Jenny Yates and Garth Brooks (performed only by Brooks), the song failed to win, losing out to "Things Have Changed" from "Wonder Boys".

References

External links

* [http://www.frequencymovie.com/ Official "Frequency" website]
*imdb title|id=0186151|title=Frequency
*amg movie|id=1:184529|title=Frequency
*rotten-tomatoes|id=frequency|title=Frequency