American Savoyards

between 1948 and 1967.

Beginnings

In 1948, director Dorothy Raedler started a professional Gilbert and Sullivan repertory company named The Masque and Lyre, after a group that she had directed under that name founded in 1939. They opened on Long Island with four different G&S shows, moving to New York City in 1949. The company stayed in New York for three and half years, performing ten of the Savoy Operas plus Cox and Box.

1950s and touring

Raedler planned to take the company on tour in 1952. She traveled to England in June 1952 with her leading comic baritone and soprano, Rue and Sally Knapp, to research W.S. Gilbert's staging, choreography, costumes, properties and other aspects of the original Gilbert and Sullivan productions. She intended her productions to follow the performance "traditions" of the D'Oyly Carte Opera Company, and she replicated "authentic" costumes as closely as possible. Raedler's intentions, as stated in the company's program notes, were to avoid "pork pie" gags or cheap laughs, to stay true to Gilbert's stylistic intentions and to give each member of her company intensive training in the art. Raedler also decided that her company would use American stage diction, rather than British, and attractive actors, to cater to her audiences. Like Gilbert, Raedler was known as a hard taskmaster in rehearsals and an exacting director.

For this first tour, Raedler renamed the company American Savoyards. The first shows on tour were "The Mikado" and "Patience". Early tours included U.S. states from Florida to Maine. Subsequent tours included places as far away as California and Canada. Each winter, the company returned to New York City, often performing at the Jan Hus Playhouse on East 74th Street, the downstairs room in a church. The group claimed to be the only professional theatre company performing the full G&S repertoire, as the D'Oyly Carte had retired several productions.

In 1953, the American Savoyards performed for ten weeks over the summer in a Victorian theater in Monmouth, Maine. They returned each summer for seven years to Monmouth, generally for ten week seasons. Their format was eight performances of a different G&S show each week (6 evenings, 2 matinees, no Sunday performances). In 1956, they first performed "Utopia Limited", probably the first professional performances of this work in North America since 1894. In 1958, the company added three non-G&S operettas, and in 1959 they added "The Grand Duke", in its North American professional premiere. That summer, the company performed four other G&S shows and five non-G&S shows in Monmouth.

1960s

The company continued performing in New York (including at the Jan Hus, Shakespearewrights Theatre, Greenwich Mews, Actor's Playhouse, Brooklyn Academy of Music and other venues) and toured elsewhere in the United States. By 1967, the company was having financial difficulties, and Raedler was ultimately unable to hold it together. Its final performance was on December 31 1967 at the Jan Hus. Not long after the company closed, a new professional Gilbert and Sullivan company grew up in residence at the Jan Hus theatre, the Light Opera of Manhattan (LOOM). The company's then principal comic, Raymond Allen, joined LOOM, and Raedler sold many of the company's costumes and stage properties to LOOM.

Production details

, and the company often used young local talent in the chorus. The company performed long seasons in some years, but it did not perform all year round.

The actors included Sally Knapp (later a Broadway and television commercial actress) as the company's first principal soprano, and her brother, Rue Knapp, in tenor roles and then the comic baritone roles. Ronald Bush sang the comic roles with the company until the mid-1950s, when he became musical director. Other company members included Charles Nelson Reilly, Dominic Chianese (later "Uncle Junior" in "The Sopranos"), Bill Tost (later the long-time "Bellomy" in "The Fantasticks"); Bob Randall (the novelist, who wrote the comedy, "6 Rms Riv Vu"), Ellen Shade and Robert Schmorr (opera singers who later appeared at the Metropolitan Opera), Arthur Mathews (who later appeared on Broadway), opera singer and director Don Yule, James Stuart (who founded the Ohio Light Opera), Robert Brink, Tanny McDonald, John Carle, Irma Rogers, Ruth Ray, Allan Lokos (Broadway actor [http://www.ibdb.com/person.asp?id=100831] and now a minister), James Wilson, Sandra Darling, Arden Anderson, John Bridson, Charles Oliver, Helene Guilet, John Christian Smith, Joan Kroschell, Mary Ann Staffa, and Nell Evans. Raymond Allen, later with the Light Opera of Manhattan and New York City Opera, began with tenor roles and replaced Knapp in the comic "patter" roles in the 1960s.

Dorothy Raedler

Dorothy Raedler (born February 24 1917 in New York City) directed a number of non-G&S operas in various venues and directed several operas at New York City Opera and elsewhere. ("A Pleasurable 'Butterfly'", "The New York Times", October 18 1965: "... Plácido Domingo, a new tenor, was Pinkerton.... Dorothy Raedler's direction and Franco Patane's authoritative conducting were major factors in a presentation that offered nothing but pleasure."). Raedler also directed Gilbert and Sullivan productions for City Opera and for the City Center Gilbert & Sullivan Company, which had casts including such Metropolitan Opera singers as Nico Castel, Muriel Costa-Greenspon, Robert Hale, Ellen Shade, and Frank Poretta, Sr., as well as Broadway actors Nancy Dussault, Barbara Meister, [http://www.careerbridges.org/bod.asp] Ruth Kobart, [http://www.theatermania.com/content/news.cfm/story/2919] and Raymond Allen.

Raedler also brought several of the former principal actors from American Savoyards, including John Carle, Bill Tost, James Wilson, Sandra Darling, and Ruth Ray (calling them "The Five Savoyards"), to New York City and Connecticut public schools to perform Gilbert and Sullivan excerpts for the children.

Raedler retired to St. Croix, VI in the Virgin Islands and died on December 11 1993.

References

*Theatre World, volumes 16 and 22, includes several cast lists and photographs
* [http://www.lortel.org/LLA_archive/index.cfm?search_by=people&first=&middle=&last=American%20Savoyards LORTEL theatre archive] listing American Savoyard performances and casts.
*MOORE, Frank Ledlie (compiler). HANDBOOK OF GILBERT AND SULLIVAN:
**(a) Introduction by Dorothy Raedler, Producer-Director, The American Savoyards. Arthur Barker Ltd., London (1962) pp.264
**(b) CROWELL'S HANDBOOK OF GILBERT AND SULLIVAN, Introduction by Dorothy Raedler, Producer-Director, The American Savoyards (1962) pp. 264. Thomas Y. Crowell Co., New York
**(c) Introduction by Dorothy Raedler, Producer-Director, The American Savoyards. Schocken Books New York (1975) pp.168
*NY Times obituary of Dorothy Raedler, December 18 1993 (p. 24).