Senso

"Senso" is an Italian novella by Camillo Boito, a famous Italian author and architect. It was written around 1882. The book tells a disturbing account of one woman's selfish indulgement into lust. The word "senso" is Italian for "sense," which also means "feeling" or "sentiment;" this refers to the delight Livia experiences while reflecting on her affair with a handsome Lieutenant.

ummary

"Senso" is set in Italy about 1866, when the War of Unification with Austria was coming to its end. The story opens a few years after the war, with Livia, an Italian Countess, reminiscing about her first truly passionate love affair on her 39th birthday. Through her thoughts, we are transported back to Venice during the war, where Livia, unhappily married to a stuffy old aristocrat, meets and falls in love with Remigio Ruz, a dashing young Lieutenant of the Austrian Army.

Although he is obviously using her for her money and social status, Livia throws herself into an affair of complete sexual abandon with Remigio, giving away all her money and not caring what the high society thinks about her and ignoring the fact that her new lover is a pathetic coward who at one point refuses to rescue a drowning child.

Soon, the war forces the lovers apart. Unable to part with Remigio, she meets up with him for one last tryst, where he asks her for more money in order to bribe the army doctors to have him stay away from the battle field; Livia complies, giving away all of her jewels and gold coins. Without even kissing her goodbye, Remigio flees for Verona.

Eventually, Livia is almost driven mad by the fact that she is unable to see Remigio and is elated when a letter from him finally arrives. In it, he tells her how much he loves and misses her and that the money she gave him helped him stay away from the front. He advises Livia not to look for him, but she doesn't listen. As soon as possible, Livia, still grasping the letter, boards a carriage and heads to Verona to find her love.

Once there, she finds the city in ruins, with corpses and wounded civilians at every turn. But this doesn't stop Livia. She heads to the apartment that she herself had bought for Remigio and finds him there. However, he has now become a drunken, ungrateful rogue in the company of a prostitute, who openly mocks his lover for letting him use her like that.

Degraded and humiliated, Livia flees into the night, but she soon realizes that she still has Remigio's letter. Thirsty for revenge, Livia heads to the headquarters of the Austrian Army, where she hands Remigio's letter to a General, convicting him of treason. Although the General clearly sees that Livia is doing this out of spite for being cuckolded by the lascivious Lieutenant Ruz, he is forced to comply and the next morning, Remigio (along with the doctors he bribed) is put in front of a firing squad with Livia attending the execution.

tyle

The book is written completely from Livia's point of view (in the form of a secret diary), going into great detail to describe her selfish lust, sexual desire and the almost rejoicing feeling she gets during the execution. This gives the novella a highly unnerving and voyeuristic feel.

Also, unlike the similar characters in such novels as "Anna Karenina" and "Madame Bovary", Livia is not treated in sympathetic light. She is shown to be fully aware of what she is doing and embraces it. She does not feel sorry for the people she's hurting or trampling with her deeds nor does she have any self-remorse, all she wants is what is best for herself.

Film adaptations

Luchino Visconti very loosely adapted the novella in 1954 using the same title, but with heavy alterations to characters and introducing numerous new subplots. The film starred Alida Valli as Livia and Farley Granger as her duplicitous lover. "Senso", the first major Italian film to be shot in Technicolor is known for its numerous battles against the Italian censors.

Tinto Brass adapted the story in 2002 as "Senso '45" after reading the novella and finding himself unsatisfied with Visconti's version. The film starred Anna Galiena as Livia and Gabriel Garko as her lover. The story of the film is much more faithful to Camillo Boito's work than the earlier adaptation in terms of tone and story, but the action was transported from the War of Unification to the end of World War II, with Remigio becoming a Nazi Lieutenant and Livia updated to being the wife of a high ranking Fascist official. Brass later explained that the change in time was made because he couldn't possibly bring himself to compete with Visconti's vision of Risorgimento-era Italy. Unlike the 1954 version, "Senso '45" did not romanticize the affair between Livia and Ruz (Helmut Schultz in the 2002 film), but showed it for what it was: a clinical study in vanity and lust.

However, it should be worth noting that both films significantly altered Livia's character, making her much older and sympathetic than she appeared in Boito's original novella.

ee also

For books or films with similar themes:
*"Madame Bovary"
*"Lady Macbeth of the Mtsensk District"
*"Venus in Furs" (a gender role reversal on the same themes as "Senso".)
*"Anna Karenina"
*"Lady Chatterley's Lover"
*"The End of the Affair"
*"In the Realm of the Senses"

External links

* [http://www.imdb.com/title/tt0047469/ IMDb.com listing for the Visconti film]
* [http://www.imdb.com/title/tt0267261/ IMDb.com listing for the Tinto Brass version]
* [http://www.luchinovisconti.net/visconti_al/senso_a_palimpsest.htm Alberto Zambenedetti, "Senso" - A Palimpsest", essay on luchinovisconti.net (Analysis of the film, the original novella, and the 2002 remake)]