Rigaut de Berbezilh

Rigaut (also Richart or Richartz) de Berbezilh (also Berbezill or Barbesiu; _fr. Rigaud de Barbezieux, _la. Rigaudus de Berbezillo) was a troubadour (fl. 1140–1163Aubrey, 8.] Gaunt and Kay, 290.] ) of the petty nobility of Saintonge. He was a great influence on the Sicilian School and is quoted in the "Roman de la Rose". About fifteen of his poems survive, including one "planh" and nine or ten "cansos".

Life

While the dates of his life are disputed, some maintaining a later career (c. 1170–1215), the general consensus is that he was an early troubadour.

"Vida"

According to his "vida", the reliability of which is highly doubtful, he was a poor knight from the castle of Barbézieux in Cognac in the Diocese of Saintes.Egan, 99.] He was described as capable and handsome, but "saup mielhs trobar qu'entendre ni que dire": "he knew better how to compose poetry than to listen to it or recite it." He was reputed by the author of the "vida" to be timid, especially in the company of noblemen, but to sing "in a charming way" with encouragement.

Also according to his "vida", he fell in love with the wife of Jaufre of Tonnay ("Gaufridus de Tonai"), possibly a daughter of Jaufre Rudel. She made "sweet pretenses of love to him ... like a lady who desired that a troubadour invent poems about her."Egan, 100.] He referred to her as "Miellz-de-Domna", a "senhal" meaning "Best of Ladies", in at least four of his works. Though he sang songs about Miellz-de-Domna for a long time, it was not believed that he had a sexual relationship with her. When she died he went to Spain and, according to two manuscripts of his "vida", spent the rest of his life at the court of Diego López Díaz de Haro, a famed patron of troubadours.

History

It is generally accepted that Rigaut was indeed from a family who had been deputies of the lord of the castle of Barbézieux. His family was probably distantly related to that of Jaufre Rudel through the Counts of Angoulême. He himself was probably the younger of two songs, but he married into a Angoumois family of rank. His entire life seems to have been spent in the region just south of Angoulême and a post-1157 document refers to his entering a monastery.

Poetry and melody

As a poet he was influenced by Marcabru. One of his works, "Atressi com l'orifans", achieved lasting fame and its melody survives in at least three manuscripts, its text in a late thirteenth-century Italian "novellino". As his "vida" states, he sought to be novel through the incorporation of natural images—such as birds, beasts, stars, and the Sun—in his poems and they contain learned references to Ovid and the legend of Perceval. His use of simile was heavy. Four "cansos" in total—two bestiary "cansos", the Perceval "canso", and a traditional "canso"—survive with melodies.

Notes

References

*Egan, Margarita (ed. and trans.) "The Vidas of the Troubadours". New York: Garland, 1984. ISBN 0 8240 9437 9.
*Gaunt, Simon, and Kay, Sarah. "Appendix I: Major Troubadours" (pp. 279–291). "The Troubadours: An Introduction". Simon Gaunt and Sarah Kay, edd. Cambridge: Cambridge University Press, 1999. ISBN 0 521 574730.
*Varvaro, A. "Rigaut de Berbezilh: Liriche". Bari: Biblioteca di filologia romanza. 1960.

External links

* [http://www.trobar.org/troubadours/rigaut_de_berbezilh His complete works] online at Trobar.org