- Sam Viviano
Sam Viviano (born
March 13 ,1953 inDetroit, Michigan ) is an Americancaricature artist andart director . Viviano’s caricatures are known for their wide jaws, which Viviano has explained is a result of his incorporation of side views as well as front views into his distortions of the human face. He has also developed a reputation for his ability to do crowd scenes. Explaining his twice-yearly covers for "Institutional Investor" magazine, Viviano has said that his upper limit is sixty caricatures in nine days.Education and career
Viviano grew up on Detroit’s east side, and attended the
University of Michigan at Ann Arbor , graduatingsumma cum laude with aBachelor of Fine Arts degree. In 1975, he drove up the East Coast toNew York , where he attempted to show art directors his portfolio, which consisted of various types of work he did in art school, including cartoons, abstractexpressionist paintings, etc. When no assignments came his way, he took a job as atextile designer, while he pondered his lack of success in the illustration market. He soon came to the realization that, in order to compete in the field, he needed to choose a specialty, stating that what one sacrifices in width and breadth one gains in depth. He decided that he enjoyed doing caricature the most, and took out ads featuring his caricature work in trade directories such as "Showcase" and "Black Book" (against the advice of publishers who insisted that depictions of children and products would be more marketable). These ads yielded his first notable advertising illustration, a full-page ad in the "New York Times " for “On TV”, a satellite service presenting the 1979James Bond film "Moonraker".By this time, Viviano was already working for many titles published by
Scholastic Magazines (most notably "Dynamite!" and "Bananas"). Because of the nature and style of his illustration, he was encouraged by a number of colleagues to show his work to "Mad" magazine. Although Viviano’s samples were well-liked, he was told that there were no openings at that magazine, as it was a “closed shop” of about a dozen artists. In 1980, however, he was contacted by "Mad" Editor Al Feldstein, who told him that their usual cover artist had died, and asked Viviano if he would provide one for the magazine. The cover, Viviano’s first, was for "Mad" #223 (June 1980). It depicted actorLarry Hagman in his role ofJ.R. Ewing from thetelevision series "Dallas", spoofing that show’s “Who shot J.R.? ” storyline. [http://www.comics.org/details.lasso?id=94023] Viviano has stated that he was so nervous about his first "Mad" job that he made the illustration twice. His next assignment from "MAD" came four years later, at which point he began regular contributions, including the movie parodies and mockadvertisements that magazine is known for.He has since done work for corporations and for the advertising industry. He has contributed to "
Rolling Stone ", "Family Weekly ", "Reader's Digest ", and "Consumer Reports ".Viviano taught a caricature class at
Manhattan ’sSchool of Visual Arts from 1981 to 1992, where he expressed the viewpoint that the goal of caricature is to use exaggeration to express an inner truth about an individual. Among the students of his who went on to enjoy prominent careers as illustrators specializing in caricature areHanoch Piven , Jeff Wong,Eric Palma , andAndre Leroy Davis . Viviano’s influence is also apparent in the work ofJack Syracuse , another "Mad" contributor whose style strongly resembles Viviano’s.Viviano produced the first
digital illustration for "Mad" magazine. The illustration, a series of nine satirical road signs parodying aspects ofrock concerts , accompanied an article written by Desmond Devlin titled “"Mad"’s International Signs for the Rock World”, which appeared in "Mad" #328 (June 1994).In 1994, "Mad" editors Nick Meglin and John Ficarra invited Viviano to come on staff at the magazine, but he declined in order to focus on his freelance career. In late 1999, they again extended the invitation, this time for the position of the magazine’s Art director, and Viviano, now the father of a four-year-old girl, accepted. He oversees a staff of five, producing, in addition to "Mad", the reprint title "Mad Classics" and "Mad Kids", a new magazine targeted to 8-to-10-year olds.
Viviano is listed in the most recent edition of " [http://www.amazon.com/gp/product/0791051846 The World Encyclopedia of Cartoons] " by Maurice Horn. [http://www.amazon.com/gp/product/0791051846]
Personal life
Viviano is married to a New York physician, and is known to include his wife and daughter, as well as various other members of his family, in the backgrounds of scenes he illustrates.
References
* [http://www.art-design.umich.edu/news/?p=169&aud=e&menucat=ne A & D News interview with Sam Viviano]
* [http://images.google.com/imgres?imgurl=http://www.reuben.org/ncs/members/bios/Viviano_Sam.jpg&imgrefurl=http://www.reuben.org/ncs/members/biogs/viviano.asp&h=481&w=650&sz=103&tbnid=slJj4KMKTKM9GM:&tbnh=99&tbnw=135&hl=en&start=2&prev=/images%3Fq%3Dsam%2Bviviano%26svnum%3D10%26hl%3Den%26lr%3D%26ie%3DUTF-8 National Cartoonists Society’s Biography of Sam Viviano]
* [http://www.comics.org/details.lasso?id=94023 The Grand Comics Database page on "MAD" #223]External links
*" [http://www.amazon.com/gp/product/0891343679 The Complete Book of Caricature] " by Bob Staake
*" [http://www.scribd.com/doc/3242075/The-Disco-Handbook The Disco Handbook] ", 1979, by Bruce Pollack, Chapter 8 illustrations by Sam Viviano
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