- Tomorrow's World
Infobox Television
show_name = Tomorrow's World
caption =
show_name_2 =
genre =Factual ,Science & Technology
creator = Glyn Jones
director =
creative_director =
developer =
presenter = Numerous (see Content)
starring =
voices =
narrated =
theme_music_composer = John Dankworth
opentheme =
endtheme =
composer =
country =United Kingdom
language = English
num_seasons =
num_episodes =
list_episodes =
executive_producer = nowrap beginRichard Reisz·wrapDana Purvis·wrapSaul Nassenowrap end
producer = nowrap beginLiz Tucker ·wrapSam Roberts·wrapRichard Dale·wrapSam Starbuck·wrapDavid McNabnowrap end
supervising_producer =
asst_producer =
co-producer =
editor =
story_editor =
location =
cinematography =
camera =
runtime =
network = BBC
picture_format =
audio_format =
first_run =
first_aired = 1965
last_aired = 2003
preceded_by =
followed_by = The Tomorrow's World Roadshow
related =
website =
imdb_id =
tv_com_id ="Tomorrow's World" was a long-running
BBC television series, showcasing new (and often wacky) developments in the world of science and technology. First aired in 1965, it ran for 38 years until it was cancelled at the beginning of 2003, ostensibly because of falling ratings. However the series was given a brief revival onBBC1 in the 2004 special "The Tomorrow's World Roadshow" and there are continuing efforts to bring about a full return.Content
"Tomorrow's World" was created by
Glyn Jones , who conceived the show's name when theRadio Times rang him up wanting to know how to bill the programme in their next edition. In its early days the show was edited byMax Morgan-Witts and hosted by veteran broadcaster and one-time Spitfire pilotRaymond Baxter . It also featured an instrumentaltheme tune composed byJohn Dankworth , which went on to become a classic of the genre. By its heyday in the 1970s, the programme was attracting 10 million viewers per week.Raymond Baxter was famous for pointing out features of the inventions with military precision using his faithful Parker pen ("as you will see: here, here and here"). He departed the show after a difference of opinion with new young editor Michael Blakstad, who referred to him in a press interview as "a dinosaur". Later, and younger, presenters associated with the show included James Burke,
Michael Rodd ,Anthony Smith ,Anna Ford ,William Woollard ,Judith Hann (the longest-serving presenter, with 20 years on the show),Maggie Philbin ,Howard Stableford ,Kate Bellingham , Anna Walker,Jez Nelson andPeter Macann .The idiosyncratic and ever-cheerful
Bob Symes showcased smaller inventions in dramatised vignettes with themes such as "Bob Goes Golfing". These often presented challenges for film directors with which he worked when a close-up was required as Bob's own invention-related exploits in the workshop had resulted in him losing parts of several fingers: it was hard to find a finger that didn't look too gruesome to show on screen. Other regular features included "Whatever Happened To ...", picking up on the oft-levelled criticism of the show that a significant number of inventions seemingly were never heard of again.The show was usually broadcast live, and as a result became famous not only for its technology demonstrations but also for the occasional failure of the technology to work as expected. For example, during a demonstration of a new kind of
car jack that required much less effort to operate, the jack disintegrated when actually trying to lift a car. Pressing on in the face of such adversity became a rite of passage, both for new presenters on the show and for the young assistant producers whose job it was to find the stories and make sure this kind of setback didn't happen.Sometimes, however, the "liveness" gave an added dimension of immediacy to the technology, such as inventors personally demonstrating flame-proof clothing and bullet-proof vests while the presenters looked on. Occasionally it was the presenter who acted as test dummy (usually in the "safer" experiments).
Tomorrow's World also frequently ran exhibitions, called "Tomorrow's World Live", often based in
Earls Court ,London . These offered the general public the chance to see first hand a variety of brand new, pioneering inventions, as well as a selection from that year's show. The presenters, by this timePeter Snow andPhilippa Forrester , also ran an hour-long interactive presentation within.The show was also occasionally parodied, for example by "
Not The Nine O'Clock News ", which featured TW-style demonstrations of such inventions as a telephone ring notification device for the deaf - powered by a "micro-processor" looking suspiciously like a "Shreddie", and later by the second series of "Look Around You ".Technologies introduced on programme
In many cases the show offered the British public its first chance to see key technologies that are now commonplace, notably:
* The
Breathalyser (1967)
* The ATM (1969)
* Thepocket calculator (1971)
* Thedigital watch (1972)
*Teletext (Ceefax ) (1975)
* The personal stereo (1980)
* Thecompact disc and player (1981)
* Thecamcorder (1981)
*Barcode reader (1983)
* Radio Automation, pioneered onPirate FM 102 (1992)
*Clockwork radio (1993)Perhaps the best-remembered item in the programme's history was the introduction of the
compact disc , when presenterKieran Prendiville demonstrated the disc's supposed indestructibility by spreadingstrawberry jam on it. That demonstration took place in year 1979. The cd was a Bee Gees album. The show also gave the first British TV exposure to the groupKraftwerk , who performed their then-forthcoming single "Autobahn" as part of an item about the use of technology in musicmaking. Another programme concerning new technology for television and stage lighting featuredThe Tremeloes and theSyd Barrett -ledPink Floyd .Offbeat aspects of show
Featured inventions that didn't change our lives included a fold-up car that fitted into a suitcase and numerous gadgets such as miracle chopping boards for the kitchen. Members of the public frequently sent in their ideas and the production team sometimes found it difficult writing replies, dealing with the problem of how to balance being encouraging and, at the same time, to tactfully find a new way to say that yet another dog-nappy gadget probably wasn't right for prime-time TV.
Final years of programme
During the 1990s, the series attempted to modernise its format and approach, with mixed success. More "populist" presenters such as
Carol Vorderman (introduced with much publicity, only to be dropped a few months later due to a contractual dispute),Philippa Forrester ,Craig Doyle andPeter Snow came in, and the live studio demonstrations were dropped in favour of purely pre-recorded items. The final series, presented byAdam Hart-Davis ,Kate Humble andRoger Black , attempted to revert back to the original live format of the show, even using a remix of one of the theme tunes used during its more successful years, but ratings continued to fall, and with only three million viewers in the last series the BBC decided to axe the show. At the time they said that they would produce a number of science special editions under the "Tomorrow's World" "brand" from time to time. Only the "Tomorrow's World Roadshow" has so far appeared in 2004 with Gareth Jones (co-host ofCITV 's "How 2 ", in many ways a junior "Tomorrow's World") andKatie Knapman taking the helm as the last presenters of a show bearing the "Tomorrow's World" name.Many see the show's decline as a classic example of the "dumbing down" of which the BBC has been accused; others suggest that the decline is inevitable given the increasing complexity of modern technology, making it harder to put across to a lay audience in a couple of minutes. 250 words is not much to say what an invention is, how it works, what it means for our lives and to provide some entertainment along the way. Yet another interpretation is that the ending of the show marked a change in the public's expectations of
science andtechnology . The show was launched along with a rash of other TV series such as "Horizon" that explicitly linked science and technology to the future in a technocratic, optimistic and arguably naive way. Knowledge is no longer regarded as morally neutral and perhaps a more in-depth approach to presentation is required, though very hard to reconcile with the demands of mass-audience early evening television.Virtually all the master video tapes of 1970s and early 1980s episodes containing the first showing in public of numerous new technologies were erased as part of a general BBC cost-cutting exercise, recycling video tape at a time when a half-hour spool cost hundreds of pounds. Fortunately, an enthusiastic viewer recorded many of the deleted episodes on an early and now long obsolete home video recorder (a Philips
N1500 ) and kindly made his tapes available for copying during the early 1990s. As a result, the BBC archives do retain a record of the first time the British public encountered many new technologies and clips from the show occasionally appear in documentaries around the world.In the
United States , episodes of the series aired on thecable channel TechTV between 2001-2003.Return to television
At the start of 2007 the
BBC announced the return of "Tomorrow's World" albeit in a new form. The "Tomorrow's World" brand will be used on science and technology news reports across the BBC's TV, radio and internet services, including a blog. The programme itself returned on 8 January 2007 as part of the BBC's news coverage, initially onBBC Breakfast , hosted byMaggie Philbin [http://uk.news.yahoo.com/05012007/344/tomorrow-s-world-set-tv-return.html] . In August 2007, it was reported that Michael Mosley, director of development at the BBC's science wing, had pitched the concept of resurrecting the format to BBC commissioners. [ [http://news.independent.co.uk/sci_tech/article2838659.ece Return of an old favourite as 'Tomorrow's World' is reborn - Science, News - Independent.co.uk ] ]"Tomorrow's World" is also in the
Guinness Book of Records for being the first programme to be presented by a computer generated character.Currently the BBC are in the final stages of preparing to bring back the programme to a prime time slot on BBC1.
ee also
*
The Gadget Show References
External links
* [http://tv.cream.org/a-z/t/tomorrowsworld/ TV Cream on Tomorrow's World]
* [http://www.simonsingh.net/Tomorrows_World_Article.html A view on the demise of "Tomorrow's World" by]Simon Singh
Wikimedia Foundation. 2010.