- Assunta Spina (1915 film)
Infobox_Film
name = Assunta Spina
director =Gustavo Serena
writer =Salvatore di Giacomo (novel)Gustavo Serena Francesca Bertini
starring =Francesca Bertini Gustavo Serena Carlo Benedetti
cinematography =Vittorio Storaro (senior)
released = 1915
runtime = 73 min
country = flagicon|ItalyItaly
language = Silent film
Italian intertitles
color = colorized with 4 different colours"Assunta Spina" is one of the masterpieces of Italian
silent film , released in 1915. OutsideItaly , it is sometimes known as "Sangue Napolitano" ("Neapolitan Blood").Production
The original novel from which the story was taken was written by
Salvatore di Giacomo , and had been adapted to a successful theatre drama in 1909. BeforeFrancesca Bertini became a famous actress, she would perform in this drama as a walk-on in the laundry scenes. Five years later, when she had started her career as a film actress, she and actor-directorGustavo Serena adapted the drama for film. Bertini is sometimes listed as co-director of the film.The film stock was colorized with 4 colors and distributed worldwide by Caesar Film.
Plot
Assunta Spina is a laundress living in
Naples , engaged to a violent butcher named Michele Mangiafuoco. She is also courted intensely by Raffaele. When she accepts Raffaele's offer to dance during an open air feast inPosillipo because she feels Michele is ignoring her, tragedy strikes. Michele, blinded by rage, slashes her face and is subsequently arrested. During the trial she bears witness in order to rescue him, saying he never wounded her, but the jury does not believe her. She is enticed by the court vice-chancellor to strike a bargain—Michele will stay in the nearby prison ofNaples instead ofAvellino , and at the end of the punishment Michele will kill the vice-chancellor before Assunta's eyes. She must take responsibility for the act before the eyes of the police in order to save her man.Importance
One of the aims of creating this film was to reveal the subtle expressive power of filmmaking, compared to theatrical plays. Francesca Bertini fully displayed her talent for the first time, setting a new standard for acting on the
silver screen . Her performance is generally rated as extraordinary, and in polar opposition to the work of writer and dramatistGabriele D'Annunzio who was very popular at the time.For example, the movie "
Cabiria " byGiovanni Pastrone (1914 )—one of the first known films where a camera moves through scenes while filming—was once considered a masterpiece at least in part because D'Annunzio had written the captions, but to modern moviegoers they seem excessively emphatic and redundant. The same can be said of the marked gestures of many actors and actresses of the silent era. Bertini wanted to end this affected behavior, so she focused on realism. Her performances bear a closer resemblance to reality because of some acting devices: never look into the camera, use everyday gestures, and so on. The lunch scene in "Assunta Spina", for example, still has impact because of these devices. The attempt to reflect reality also reduced the need for captions explaining the action. Even though only a single year passed between the release of "Cabiria" and "Assunta Spina", there seems to be at least a decade's worth of difference in artistic subtlety and nuance.Other versions
In
1929 the plot of "Assunta Spina" inspired a new film byRoberto Roberti . Another was produced in1948 , directed byMario Mattoli , withAnna Magnani andEduardo De Filippo as the protagonists.External links
*imdb title|id=0003637|title=Assunta Spina (1915)
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