Kidd Jordan

Edward "Kidd" Jordan (born in Crowley, Louisiana, United States, May 5, 1935) is an American jazz saxophonist and music educator from New Orleans, Louisiana.

After completing a music degree at Southern University in Baton Rouge, Louisiana, he relocated to New Orleans. He taught at Southern University at New Orleans from 1974 to 2006.

Jordan performs on tenor, baritone, soprano, alto, C-melody and sopranino saxophones, as well as contrabass and bass clarinets. He has performed and recorded with a wide selection of musicians in styles ranging from R&B to avant-garde jazz, including Ray Charles, Stevie Wonder, Aretha Franklin, William Parker, Alvin Fielder, Archie Shepp, Fred Anderson, Ornette Coleman, Ellis Marsalis, Cannonball Adderley, Ed Blackwell, and Cecil Taylor. In 2008 he was awarded a lifetime recognition honor by the Vision Festival. [http://www.nytimes.com/2008/06/13/arts/music/13visi.html]

In his performances and recordings his music is entirely improvised: "Everything you hear on my albums is improvised." he explains. "It's collective improvisation, but there are no tunes. I tried writing down ideas a long time ago but I don't do that anymore." [http://www.bestofneworleans.com/dispatch/2004-04-27/cover_story6.html] .

The French Ministry of Culture recognized Jordan as a Knight (Chevalier) of the Ordre des Arts et des Lettres in 1985. The French government bestowed him with their highest artistic award for his impetus as a visionary educator and performer. His imaginative sense of listening first brought together four outstanding saxophonistsFact|date=February 2007: Julius Hemphill, Hamiet Bluiett, Oliver Lake, and David Murray, who as the World Saxophone Quartet would be one of the most outstanding jazz ensembles throughout the 1980s.

As an instructor of jazz studies at Southern University at New Orleans, Jordan encouraged his students to pursue new approaches to traditional musical forms. Taking up on his advice, one student named Charles Joseph, a young trombonist, would become the brainchild for The Dirty Dozen Brass Band sound. By mixing elements of traditional jazz, bebop, and free jazz with R&B music, the DDBB would revitalize the New Orleans' brass band sound in the early 1980s. The brass band tune "Kidd Jordan's Second Line" was written by Kidd on the eve of the DDBB first european appearance in 1982; furthermore, Kidd fronted the DDBB on sopranino for their controversial performance in Groningen, Netherlands. In time, "Kidd Jordan's Second Line" would be recorded by the Dirty Dozen and Rebirth Brass Bands).

elect Discography

as the "Kidd' Jordan Quartet":
* "New Orleans Festival Suite" (Silkheart)as "Kidd Jordan & the Elektrik Band":
* "Kidd' Stuff" (Danjor)with Larry Williams:
* "Bad Boy" (Specialty)with Professor Longhair:
* "Mardi Gras in Baton Rouge" (Rhino)with "The Improvisational Arts Quintet":
* "No Compromise!" (Prescription)with Hamiet Bluiett:
* "The Clarinet Family" (Black Saint)with Johnny Adams:
* "Good Morning Heartache" (Rounder)with "Joel Futterman":
* "Revelation" (Kali)
* "New Orleans Rising" (Konnex Records)
* "The Joel Futterman / 'Kidd' Jordan Trio with Alvin Fielder-Southern Extreme" (Drimala Records)with Alan Silva:
* "Alan Silva & The Sound Visions Orchestra" (Eremite)with R.E.M.:
* "Out of Time" (Warner Bros. Records)

References

* [http://www.indiejazz.com/ArtistDetail.aspx?ArtistID=122 Kidd Jordan biography from IndieJazz.com]
* [http://www.bestofneworleans.com/dispatch/2004-04-27/cover_story6.html "Kidd Stuff". "Best of New Orleans" story, April 2004.]