Masaki Takemiya

Masaki Takemiya
Masaki Takemiya
Full name Masaki Takemiya
Kanji 武宮正樹
Born January 1, 1951 (1951-01-01) (age 60)
Tokyo, Japan
Residence Tokyo, Japan
Teacher Minoru Kitani
Turned pro 1965
Rank 9 dan
Affiliation Nihon Ki-in

Masaki Takemiya (武宮 正樹 Takemiya Masaki?, born January 1, 1951) is a professional Go player.

Contents

Biography

Masaki Takemiya was born in Japan. He became one of the many disciples of the Minoru Kitani school. His rise to fame began when he was only 15 years old. By the time he was 15, he was already 5 dan. He earned the nickname "9 dan killer" because he won several games against top rated players. His famous "cosmic style" of Go would become popular among fans. It focused on large moyo in the center of the board. He's known as keeping a consistent record of winning titles. The longest period in which he did not hold a title has only been 4 years. His form lately has been terrific. He closed off 2005 with an impressive win of 16 straight games, which was stopped by Omori Yasushi in the qualifiers for the 3rd World Oza. Outside of Go, Takemiya also won the biggest Japanese backgammon tournament, the 12th Saint of the Board title, by beating the former holder, Abe Akiko.

Three of Takemiya's books have been published in English -- Enclosure Joseki (Kiseido Press), now out of print but available in digital form; The Imagination of a Go Master (NEMESIS Enterprises); and This Is Go the Natural Way! (Hinoki Press).

His style

Takemiya is known for his "Double 4" fuseki when he uses white, where he usually starts the game like so:

Go ul.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go ur.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go b1.svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go w4.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go -.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go -.svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go -.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go -.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go -.svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go w2.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go -.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go -.svg Go b3.svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go dl.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go dr.svg
"Double 4" fuseki (White).

Takemiya is a favorite among amateur go players because of his very thick playing style as black. His sanrensei (three star) openings involve plenty of fights.

Go ul.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go u.svg Go ur.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go w1.svg Go .svg Go w5.svg Go w3.svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go w.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go -.svg Go .svg Go .svg Go b6.svg Go .svg Go .svg Go b.svg Go b4.svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go b2.svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go -.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go -.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go b.svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go b8.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go w.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go -.svg Go .svg Go .svg Go .svg Go .svg Go b6.svg Go b.svg Go b4.svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go b2.svg Go .svg Go w1.svg Go .svg Go w5.svg Go w3.svg Go .svg Go r.svg
Go l.svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go .svg Go w7.svg Go .svg Go .svg Go .svg Go .svg Go r.svg
Go dl.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go d.svg Go dr.svg
Takemiya's famous moyo (right side)

The sequence of moves from 1-8 in the lower right corner involves a common joseki that creates a moyo in conjunction with the q10 stone. Takemiya often plays a variation of this joseki but has made a few innovations of his own such as the kosumi in response to the same corner approach in the upper right corner. The resulting sequence could result in moves 1-6.

Takemiya on go and dancing

Takemiya's other great love is dancing. He says that go is more like a dance than a war[1] and that learning to dance has made him a better go player. This has also influenced his style in his later years.

Titles & runners-up

Ranks #8 in total amount of titles in Japan.

Title Years Held
Current 13
Japan Meijin 1995
Japan Honinbo 1976, 1980, 1985–1988
Japan Judan 1990–1992
Japan NEC Cup 1981, 1985
Japan NHK Cup 1989
Defunct 5
Japan Kakusei 1991
Japan Hayago Championship 1978, 1989
Japan Prime Minister Cup 1971, 1973
Continental 4
Japan South Korea China Asian TV Cup 1989–1992
International 2
JapanSouth KoreaChina Republic of China Europe United States Fujitsu Cup 1988, 1989
Title Years Lost
Current 15
Japan Kisei 1985, 1987, 1989
Japan Meijin 1996
Japan Honinbo 1974, 1977, 1981, 1989
Japan Judan 1986, 1993, 2002
Japan Oza 1988
Japan Gosei 1977
Japan NHK Cup 1975, 1977, 1984, 1986
Defunct 3
Japan Hayago Championship 1988
Japan Nihon-Kiin Championship 1971
Japan Asahi Pro Best Ten 1974

Notes

  1. ^ Takemiya Masaki dancing (at Go Game Guru)

External links


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