- War Tour
Infobox concert tour
concert_tour_name = War Tour
image_caption= Promo poster
artist =U2
location =
locations =Europe ,North America andJapan
type =
album= "War"
start_date =1 December 1982
end_date =30 November 1983
number_of_legs = 5
number_of_shows = 110
last_tour =October Tour
(1981-1982)
this_tour = War Tour
(1982-1983)
next_tour =Unforgettable Fire Tour
(1984-1985)The War Tour was aconcert tour by the Irish rock bandU2 , which took place in 1982 and 1983 in support of the group's album "War".Exact delineation of this tour is unclear. Well before "War"'s release on
28 February 1983 , U2 played what has been labelled a "Pre-Tour" of 20 shows and one television appearance inhall s acrossWestern Europe , starting inGlasgow inScotland on1 December 1982 and ending back home inDublin on24 December . These shows generally featured only three songs from the upcoming album - "Sunday Bloody Sunday", "New Year's Day", and "Surrender".The tour then restarted (or started) on
26 February 1983 at Caird Hall inDundee ,Scotland and played 29 shows and three television appearances in Scotland,England , andWales , ending on3 April with a single Continental show at thePrintemps de Bourges inBourges ,France . Three or four additional songs from "War" were added to theseset list s, including "Two Hearts Beat As One " and, in the start of their 1980s practice of ending shows with it, "40".The next leg went to
North America for 48 shows and two radio appearances, beginning on23 April inChapel Hill, North Carolina and ending on26 June at theHudson River Pier 84 facility inNew York City . Most of the venues were colleges and smaller auditoriums, but they played a few arena shows, such as at the Centrum inWorcester, Massachusetts and at theLos Angeles Sports Arena . Many of the shows featured the Welsh bandThe Alarm as the opening act.During this tour, they appeared before one of the largest audiences in US music history: on
Memorial Day at theUS Festival inSan Bernardino, California , they appeared at noontime on the third day of the festival before a crowd of over 125.000. The festival was broadcast live onMTV . The performance climaxed in a grand finale where Bono scaled theproscenium of the US festival's huge stage while singing the song "The Electric Co. ", ending up about 100 feet above the ground.A week later, their
June 5 ,1983 performance atRed Rocks Amphitheatre (a picturesque outdoor venue nearDenver in the foothills of theRocky Mountains ) was recorded for what turned out to be a spectacular liveEP and video, entitled "Under a Blood Red Sky ". A steady rain and the surreal, torch-lit natural beauty of the surroundings combined to present U2's performance in the most dramatic of contexts. Frequently shown onMTV , the video helped to further expand the band's American audience. (Two decades later, U2 recording at Red Rocks was selected in "Rolling Stone "'s list of the "50 Moments that Changed Rock and Roll". [http://www.rollingstone.com/news/story/6085455/the_moments] ) The record version of "Under a Blood Red Sky" used performances culled from the Red Rocks show as well as a 6 May show inBoston 's Orpheum Theatre and a 20 August show inSt. Goarshausen , West Germany at theLorelei Amphitheatre .U2 then played at 5 outdoor summer festivals in Western Europe in July and August.
After another sizeable interlude, U2 played a show in Honolulu, Hawaii before their first tour of
Japan for 6 shows, with the tour finally ending on30 November 1983 at theSun Plaza Hall inTokyo . While in Japan, U2 made a couple of television appearances, one of which featured a notable performance of "New Year's Day" that Edge performed almost entirely on piano due to a guitar failure. [http://www.u2-vertigo-tour.com/show1518.html]"War"'s music, its
music video s, and the War Tour all served to separate U2 out from the mass of new wave orcollege rock acts and into mainstream rock visibility. "New Year's Day" became a hit single and was an exciting number in concert, withThe Edge rapidly switching back and forth betweenpiano andelectric guitar . "Sunday Bloody Sunday" and its martial beat was also highly effective in concert, withBono giving various spoken introductions to it and waving awhite flag around to illustrate hisanti-war and anti-nationalist stances. Older songs such as "Gloria" and "11 O'Clock Tick Tock " fit seamlessly into the flow. Finally, "40"'s show-closing, thoughtful presence grew into an audience participation ritual that would continue even after the band had left the stage. It was clear to concert audiences that this outfit was going after some big ideas and big goals. This was the first U2 tour on which the stage and lighting design was done by Willie Williams, who would continue to do perform that role in all of U2's subsequent tours, including the groundbreakingZoo TV Tour .External links
* [http://www.u2tours.com/ u2tours.com]
* [http://www.u2.com/ U2.com]
* [http://www.u2-vertigo-tour.com/War_Tour.html U2 Tour site on War Tour]
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